Kat > Kat's Quotes

“She let him finish, scratching his head with the tips of her fingers, and without his having revealed that he was weeping from love, she recognized immediately the oldest sobs in the history of man.”
― Gabriel Garcia Marquez, Cem Anos de Solidão

“...time was not passing...it was turning in a circle...”
― Gabriel García Márquez, One Hundred Years of Solitude

“He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.”
― Gabriel García Márquez, One Hundred Years of Solitude

“Even when I’m caught off guard by a lathery shade of peach on the bottom corner of a painting at the Met, as if being reminded that I haven’t seen all the colors, and how there’s more to see, and how one color’s newness can invalidate all of my sureness.”
― Durga Chew-Bose, Too Much and Not the Mood: Essays

“Even when I was nothing, I was arriving.”
― Durga Chew-Bose, Too Much and Not the Mood: Essays

“To this day, watching a woman mindlessly tend to one thing while doing something else absorbs me. Like securing the backs of her earrings while wiggling her feet into her shoes. Like staring into some middle distance, where lines soften, and where she separates the relevant from the immaterial.”
― Durga Chew-Bose, Too Much and Not the Mood: Essays

“Memory fans out from imagination, and vice versa, and why not. Memory isn’t a well but an offshoot. It goes secretly. Comes apart. Deceives. It’s guilty of repurposing the meaning of deep meaning and poking fun at what you’ve emotionalized.”
― Durga Chew-Bose, Too Much and Not the Mood: Essays

“He: What’s the matter with you?

Me: Nothing.

Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her.”
― Jeanette Winterson, Gut Symmetries

“Now that physics is proving the intelligence of the universe what are we to do about the stupidity of mankind? I include myself. I know that the earth is not flat but my feet are. I know that space is curved but my brain has been condoned by habit to grow in a straight line. What I call light is my own blend of darkness. What I call a view is my hand-painted trompe-l'oeil. I run after knowledge like a ferret down a ferret hole. My limitations, I call the boundaries of what can be known. I interpret the world by confusing other people's psychology with my own.”
― Jeanette Winterson, Gut Symmetries

“I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of seperate worlds meeting is very small. The lure is immense. We send starships. We fall in love”
― Jeanette Winterson, Gut Symmetries

“And you? Now that I have discovered you? Beautiful, dangerous, unleashed. Still I try to hold you, knowing that your body is faced with knives.”
― Jeanette Winterson, Gut Symmetries

“What is it that you contain?
The Dead. Time. Light patterns of millennia. The expanding universe opening in your gut. Are your twenty-three feet of intestines loaded with stars?”
― Jeanette Winterson, Gut Symmetries

“What you risk reveals what you value.”
― Jeanette Winterson, Written on the Body

“Many waters cannot quench love, neither can floods drown it. What then kills love? Only this: Neglect. Not to see you when you stand before me. Not to think of you in the little things. Not to make the road wide for you, the table spread for you. To choose you out of habit not desire, to pass the flower seller without a thought. To leave the dishes unwashed, the bed unmade, to ignore you in the mornings, make use of you at night. To crave another while pecking your cheek. To say your name without hearing it, to assume it is mine to call.”
― Jeanette Winterson, Written on the Body

“To borrow against the trust someone has placed in you costs nothing at first. You get away with it, you take a little more and a little more until there is no more to draw on. Oddly, your hands should be full with all that taking but when you open them there’s nothing there.”
― Jeanette Winterson, Written on the Body

“Love demands expression. It will not stay still, stay silent, be good, be modest, be seen and not heard, no. It will break out in tongues of praise, the high note that smashes the glass and spills the liquid.”
― Jeanette Winterson, Written on the Body

“When she bleeds the smells I know change colour. There is iron in her soul on those days. She smells like a gun.”
― Jeanette Winterson, Written on the Body

“Destiny is a worrying concept. I don't want to be fated, I want to choose.”
― Jeanette Winterson, Written on the Body

“Her butler opened it for her. His name was Boredom. She said, 'Boredom, fetch me a plaything.' He said 'Very good ma'am,' and putting on his white gloves so that fingerprints would not show he tapped at my heart and I thought he said his name was Love. ”
― Jeanette Winterson, Written on the Body

“They say nothing lasts forever but they're just scared it will last longer than they can love it.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“What were you before you met me?"
"I think I was drowning"
"And what are you now?"
"Water”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Ma. You once told me that memory is a choice. But if you were god, you'd know it's a flood.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“We try to preserve life, even when we know it has no chance of enduring its body. We feed it, keep it comfortable, bathe it, medicate it, caress it, even sing to it. We tend to these basic functions not because we are brave or selfless but because, like breath, it is the most fundamental act of our species: to sustain the body until time leaves it behind.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Maybe in the next life we'll meet each other for the first time- believing in everything but the harm we're capable of. Maybe we'll be the opposite of buffaloes. We'll grow wings and spill over the cliff as a generation of monarchs, heading home. Green Apple.

Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips.

Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more.

As a rule, be more.

As a rule, I miss you.

As a rule,"little" is always smaller than "small". Don't ask me why.

I'm sorry I don't call enough.

Green Apple.

I'm sorry I keep saying How are you? when I really mean Are you happy?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Some people say history moves in a spiral, not the line we have come to expect. We travel through time in a circular trajectory, our distance increasing from an epicenter only to return again, one circle removed.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being "in love" which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two.”
― Louis de Bernières, Corelli’s Mandolin

“Symmetry is only a property of dead things. Did you ever see a tree or a mountain that was symmetrical? It’s fine for buildings, but if you ever see a symmetrical human face, you will have the impression that you ought to think it beautiful, but that in fact you find it cold. The human heart likes a little disorder in its geometry, Kyria Pelagia. Look at your face in a mirror, Signorina, and you will see that one eyebrow is a little higher than the other, that the set of the lid of your left eye is such that the eye is a fraction more open that the other. It is these things that make you both attractive and beautiful, whereas…otherwise you would be a statue. Symmetry is for God, not for us.”
― Louis de Bernières, Corelli’s Mandolin