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  • #1
    请君莫笑
    “Nangong Jingnu pulled out her hand, then she caressed Qi Yan’s cheek gently: “And then, we’ll be buried together. We’ll be together for the next life too. Life after life, world after world… we will always be together.”
    请君莫笑, 泾渭情殇 [Jīng Wèi Qíng Shāng]

  • #2
    请君莫笑
    “Same-sex relationships has existed since ancient times, but... the people of the world are inexplicably lenient towards men......Why is it that when women do the exact same thing, the people of the world would judge it negatively instead?”
    请君莫笑, 泾渭情殇 [Jīng Wèi Qíng Shāng]

  • #3
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #4
    Griffin McElroy
    “Our capacity for love increases with each person we cross paths with throughout our lives, and with each moment we spend with those people. But, too often we neglect that part of ourselves in favor of others. And by the time we realize just how important it is, we find ourselves with fewer folks around to practice with.”
    Griffin McElroy

  • #5
    Madeline Miller
    “Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”

    My scalp prickled where his fingers had been. “You haven’t,” I said.

    “I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”

    “No,” I said.

    “This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”

    “That you have told me.” My breath caught a little as I spoke.

    “And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”

    “You have.”

    “And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”

    “You did not.”

    “There is this too.” His hand was ceaseless now. “I know I have told you of this.”

    I closed my eyes. “Tell me again,” I said.”
    Madeline Miller, The Song of Achilles

  • #6
    Madeline Miller
    “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.”
    Madeline Miller, The Song of Achilles

  • #7
    Madeline Miller
    “He smiled, and his face was like the sun.”
    Madeline Miller, The Song of Achilles

  • #8
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.
    If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
    As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
    “Patroclus,” he said. He was always better with words than I.”
    Madeline Miller, The Song of Achilles

  • #9
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #10
    Madeline Miller
    “That is — your friend?"
    "Philtatos," Achilles replied, sharply. Most beloved.”
    Madeline Miller, The Song of Achilles

  • #11
    Madeline Miller
    “We reached for each other, and I thought of how many nights I had lain awake loving him in silence.”
    Madeline Miller, The Song of Achilles

  • #12
    Madeline Miller
    “Name one hero who was happy.”
    Madeline Miller, The Song of Achilles

  • #13
    Madeline Miller
    “This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.”
    Madeline Miller, The Song of Achilles

  • #14
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.”
    Madeline Miller, The Song of Achilles

  • #15
    Madeline Miller
    “Odysseus inclines his head. "True. But fame is a strange thing. Some men gain glory after they die, while others fade. What is admired in one generation is abhorred in another." He spread his broad hands. "We cannot say who will survive the holocaust of memory. Who knows?" He smiles. "Perhaps one day even I will be famous. Perhaps more famous than you.”
    Madeline Miller, The Song of Achilles

  • #16
    Madeline Miller
    “Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.”

    “But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?”

    “You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?”

    We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard.

    He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all.

    I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.”
    Madeline Miller, The Song of Achilles

  • #17
    Taylor Jenkins Reid
    “But if you have to go, then go. Go if it hurts. Go if it's time. Just go knowing you were loved, that I will never forget you, that you will live in everything Connor and I do. Go knowing I love you purely, Harry, that you were an amazing father. Go knowing I told you all my secrets. Because you were my best friend.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #18
    Taylor Jenkins Reid
    “Please never forget that the sun rises and sets with your smile. At least to me it does. You’re the only thing on this planet worth worshipping.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #19
    Taylor Jenkins Reid
    “Heartbreak is a loss. Divorce is a piece of paper.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #20
    Taylor Jenkins Reid
    “Sometimes reality comes crashing down on you. Other times reality simply waits, patiently, for you to run out of the energy it takes to deny it.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #21
    Taylor Jenkins Reid
    “I spent half my time loving her and the other half hiding how much I loved her.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #22
    Taylor Jenkins Reid
    “It’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #23
    Taylor Jenkins Reid
    “You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until somewhat stands behind you and says, “It’s OK, you can fall down now. I’ll catch you.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #24
    Taylor Jenkins Reid
    “People think that intimacy is about sex. But intimacy is about truth. When you realize you can tell someone your truth, when you can show yourself to them, when you stand in front of them bare and their response is 'you're safe with me'- that's intimacy.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #25
    Taylor Jenkins Reid
    “She always made sure the bad was outweighed by so much good. I...well, I didn't do that for her. I made it fifty-fifty. Which is about the cruelest thing you can do to someone you love, give them just enough good to make them stick through a hell of a lot of bad.”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #26
    “Call me that again, and I may just give up the darkness and turn towards the light for you.”
    Cang Wu Bin Bai, Golden Terrace, Vol. 1

  • #27
    “One look at you interfered with the rest of my life.”
    Cang Wu Bin Bai, Golden Terrace, Vol. 1

  • #28
    “I'm really sorry for having interfered with the rest of your life." Fu Shen leaned back, relaxed ... Magnanimously, he said, "Come on, you can interfere back now”
    Cang Wu Bin Bai, Golden Terrace, Vol. 1

  • #29
    “Youthful friendships were as transient as morning dew. When the sun rose, they would disappear. Just like people in the end would all change into something different from what they had been.
    It was just that some people still showed the outlines of their past selves, while some people's faces had changed altogether.”
    Cang Wu Bin Bai, Golden Terrace, Vol. 1

  • #30
    “A broken mirror couldn't be put back together, spilled water couldn't be unspilled. Betrayal and deception were laid on the stage in their most direct attitudes. [...]
    The iron-hearted Feilong Guard had at last torn off his immovable mask, for the first time in his life exposing his ambitions and desires beneath the bright light of day.”
    Cang Wu Bin Bai, Golden Terrace, Vol. 1



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