Aidan Altmann > Aidan's Quotes

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  • #1
    Kakuzō Okakura
    “He only who has lived with the beautiful can die beautifully.”
    Okakura Kakuzō, The Book of Tea

  • #2
    Kakuzō Okakura
    “Have you not noticed that the wild flowers are becoming scarcer every year? It may be that their wise men have told them to depart till man becomes more human. Perhaps they have migrated to heaven.”
    Kakuzō Okakura, The Book of Tea

  • #3
    Kakuzō Okakura
    “It has been said that man at ten is an animal, at twenty a lunatic, at thirty a failure, at forty a fraud, and at fifty a criminal.”
    Okakura Kakuzo 1862-1913, The Book of Tea

  • #4
    Kakuzō Okakura
    “Everyone has to build anew his sky of hope and peace.”
    Kakuzo Okakura, Book of Tea

  • #5
    Kakuzō Okakura
    “We classify too much and enjoy too little.”
    Okakura Kakuzō, The Book of Tea

  • #6
    Kakuzō Okakura
    “People are not taught to be really virtuous, but to behave properly.”
    Kakuzō Okakura, The Book of Tea

  • #7
    Kakuzō Okakura
    “Perfection is everywhere if we only choose to recognise it.”
    Kakuzō Okakura, The Book of Tea

  • #8
    Kakuzō Okakura
    “True beauty could be discovered only by one who mentally complete the incomplete.”
    Kakuzō Okakura, The Book of Tea

  • #9
    Kakuzō Okakura
    “Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence and linger in the beautiful foolishness of things.”
    Kakuzō Okakura, The Book of Tea

  • #10
    Fyodor Dostoevsky
    “To go wrong in one's own way is better than to go right in someone else's.”
    Fyodor Dostoevsky, Crime and Punishment

  • #11
    Fyodor Dostoevsky
    “And the more I drink the more I feel it. That's why I drink too. I try to find sympathy and feeling in drink.... I drink so that I may suffer twice as much!”
    Fyodor Dostoevsky, Crime and Punishment

  • #12
    Fyodor Dostoevsky
    “The fear of appearances is the first symptom of impotence.”
    Fyodor Dostoevsky, Crime and Punishment

  • #13
    Fyodor Dostoevsky
    “How can a man of consciousness have the slightest respect for himself”
    Fyodor Dostoyevsky, Notes from Underground

  • #14
    Mikhail Bulgakov
    “You should never ask anyone for anything. Never- and especially from those who are more powerful than yourself.”
    Mikhail Bulgakov, The Master and Margarita

  • #15
    Ray Bradbury
    “You don't have to burn books to destroy a culture. Just get people to stop reading them.”
    Ray Bradbury

  • #16
    Ray Bradbury
    “Stuff your eyes with wonder, he said, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories.”
    Ray Bradbury, Fahrenheit 451

  • #17
    Ray Bradbury
    “Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

    It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”
    Ray Bradbury, Fahrenheit 451

  • #18
    Ray Bradbury
    “We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?”
    Ray Bradbury, Fahrenheit 451

  • #19
    Ray Bradbury
    “But you can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. It can't last.”
    Ray Bradbury, Fahrenheit 451

  • #20
    Ray Bradbury
    “And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.”
    Ray Bradbury, Fahrenheit 451

  • #21
    Ray Bradbury
    “If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.”
    Ray Bradbury, Fahrenheit 451

  • #22
    Ray Bradbury
    “Why aren't you in school? I see you every day wandering around."
    "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?”
    Ray Bradbury, Fahrenheit 451

  • #23
    Ray Bradbury
    “It doesn't matter what you do...so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.”
    Ray Bradbury, Fahrenheit 451

  • #24
    Ray Bradbury
    “I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning.”
    Ray Bradbury, Fahrenheit 451

  • #25
    Ray Bradbury
    “You have to know how to accept rejection and reject acceptance.”
    Ray Bradbury

  • #26
    Osamu Dazai
    “The weak fear happiness itself. They can harm themselves on cotton wool. Sometimes they are wounded even by happiness”
    Osamu Dazai, No Longer Human

  • #27
    Osamu Dazai
    “The world, after all, was still a place of bottomless horror. It was by no means a place of childlike simplicity where everything could be settled by a simple then-and-there decision.”
    Osamu Dazai, No Longer Human

  • #28
    Albert Camus
    “I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.”
    Albert Camus

  • #29
    Albert Camus
    “Man is always prey to his truths. Once he has admitted them, he cannot free himself from them.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #30
    Albert Camus
    “There is scarcely any passion without struggle.”
    Albert Camus, The Myth of Sisyphus and Other Essays



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