Ryan Meloche > Ryan's Quotes

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  • #1
    Michael Crichton
    “Do you know what we call opinion in the absence of evidence? We call it prejudice.”
    Michael Crichton, State of Fear

  • #2
    Michael Crichton
    “What makes you think human beings are sentient and aware? There's no evidence for it. Human beings never think for themselves, they find it too uncomfortable. For the most part, members of our species simply repeat what they are told-and become upset if they are exposed to any different view. The characteristic human trait is not awareness but conformity, and the characteristic result is religious warfare. Other animals fight for territory or food; but, uniquely in the animal kingdom, human beings fight for their 'beliefs.' The reason is that beliefs guide behavior which has evolutionary importance among human beings. But at a time when our behavior may well lead us to extinction, I see no reason to assume we have any awareness at all. We are stubborn, self-destructive conformists. Any other view of our species is just a self-congratulatory delusion. Next question.”
    Michael Crichton, The Lost World

  • #3
    Michael Crichton
    “When you have a strongly held belief, don't you think it's important to express that belief accurately?”
    Michael Crichton, State of Fear

  • #4
    Michael Crichton
    “Nobody dares to solve the problems-because the solution might contradict your philosophy, and for most people clinging to beliefs is more important than succeeding in the world.”
    Michael Crichton, State of Fear

  • #5
    Michael Crichton
    “Right now, scientists are in exactly the same position as Renaissance painters, commissioned to make the portrait the patron wants done, And if they are smart, they'll make sure their work subtly flatters the patron. Not overtly. Subtly.”
    Michael Crichton, State of Fear

  • #6
    Michael Crichton
    “Even if you don’t believe in any God, you still have to believe in something that gives meaning to your life, and shapes your sense of the world. Such a belief is religious.”
    Michael Crichton, State of Fear

  • #7
    Thomas  Harris
    “One New Orleans officer who served with Graham commented, “Well, you can call him retired, but the feds like to know he’s around. It’s like having a king snake under the house. They may not see him much, but it’s nice to know he’s there to eat the moccasins.”
    Thomas Harris, Red Dragon

  • #8
    David Foster Wallace
    “I'll say God seems to have a kind of laid-back management style I'm not crazy about. I'm pretty much anti-death. God looks by all accounts to be pro-death. I'm not seeing how we can get together on this issue, he and I...”
    David Foster Wallace, Infinite Jest

  • #9
    David Foster Wallace
    “sarcasm and jokes were often the bottle in which clinical depressives sent out their most plangent screams for someone to care and help them.”
    David Foster Wallace, Infinite Jest

  • #10
    David Foster Wallace
    “Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really.”
    David Foster Wallace, Infinite Jest

  • #11
    David Foster Wallace
    “That dead-eyed anhedonia is but a remora on the ventral flank of the true predator, the Great White Shark of pain. Authorities term this condition clinical depression or involutional depression or unipolar dysphoria. Instead of just an incapacity for feeling, a deadening of soul, the predator-grade depression Kate Gompert always feels as she Withdraws from secret marijuana is itself a feeling. It goes by many names — anguish, despair, torment, or q.v. Burton's melancholia or Yevtuschenko's more authoritative psychotic depression — but Kate Gompert, down in the trenches with the thing itself, knows it simply as It.

    It is a level of psychic pain wholly incompatible with human life as we know it. It is a sense of radical and thoroughgoing evil not just as a feature but as the essence of conscious existence. It is a sense of poisoning that pervades the self at the self's most elementary levels. It is a nausea of the cells and soul. It is an unnumb intuition in which the world is fully rich and animate and un-map-like and also thoroughly painful and malignant and antagonistic to the self, which depressed self It billows on and coagulates around and wraps in Its black folds and absorbs into Itself, so that an almost mystical unity is achieved with a world every constituent of which means painful harm to the self. Its emotional character, the feeling Gompert describes It as, is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency — sitting or standing, doing or resting, speaking or keeping silent, living or dying — are not just unpleasant but literally horrible.

    It is also lonely on a level that cannot be conveyed. There is no way Kate Gompert could ever even begin to make someone else understand what clinical depression feels like, not even another person who is herself clinically depressed, because a person in such a state is incapable of empathy with any other living thing. This anhedonic Inability To Identify is also an integral part of It. If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell. Everything is part of the problem, and there is no solution. It is a hell for one.

    The authoritative term psychotic depression makes Kate Gompert feel especially lonely. Specifically the psychotic part. Think of it this way. Two people are screaming in pain. One of them is being tortured with electric current. The other is not. The screamer who's being tortured with electric current is not psychotic: her screams are circumstantially appropriate. The screaming person who's not being tortured, however, is psychotic, since the outside parties making the diagnoses can see no electrodes or measurable amperage. One of the least pleasant things about being psychotically depressed on a ward full of psychotically depressed patients is coming to see that none of them is really psychotic, that their screams are entirely appropriate to certain circumstances part of whose special charm is that they are undetectable by any outside party. Thus the loneliness: it's a closed circuit: the current is both applied and received from within.”
    David Foster Wallace, Infinite Jest

  • #12
    Ian McEwan
    “It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.”
    Ian McEwan, Atonement

  • #13
    A.S.A. Harrison
    “Basic personality traits develop early in life and over time become inviolable, hardwired. Most people learn little from experience, rarely thinking of adjusting their behavior, see problems as emanating from those around them, and keep on doing what they do in spite of everything, for better or worse.”
    A.S.A. Harrison, The Silent Wife

  • #14
    Ian McEwan
    “It's at moments like these in a game that the essentials of his character are exposed: narrow, ineffectual, stupid—and morally so. The game becomes an extended metaphor of character defect. Every error he makes is so profoundly, so irritatingly typical of himself, instantly familiar, like a signature, like a tissue scar or some deformation in a private place.”
    Ian McEwan, Saturday

  • #15
    Ian McEwan
    “He knew from long experience that a letter sent in fury merely put a weapon into the hands of your enemy. Poison, in preserved form, to be used against you long into the future.”
    Ian McEwan, Amsterdam



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