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  • #1
    George MacDonald
    “We are all very anxious to be understood, and it is very hard not to be. But there is one thing much more necessary.'
    What is that, grandmother?'
    To understand other people.'
    Yes, grandmother. I must be fair - for if I'm not fair to other people, I'm not worth being understood myself. I see.”
    George MacDonald, The Princess and the Goblin

  • #2
    George MacDonald
    “People must believe what they can, and those who believe more must not be hard upon those who believe less. I doubt if you would have believed it all yourself if you hadn't seen some of it.”
    George MacDonald, The Princess and the Goblin

  • #3
    George MacDonald
    “Whose work is it but your own to open your eyes? But indeed the business of the universe is to make such a fool out of you that you will know yourself for one, and begin to be wise.”
    George MacDonald, Lilith, First and Final

  • #4
    C.S. Lewis
    “To be a Christian means to forgive the inexcusable because God has forgiven the inexcusable in you.”
    C.S. Lewis

  • #5
    George MacDonald
    “there is no harm in being afraid. The only harm is in doing what Fear tells you. Fear is not your master! Laugh in his face and he will run away.”
    George MacDonald, Lilith

  • #6
    Richard Siken
    “Sorry about the blood in your mouth. I wish it was mine.

    I couldn't get the boy to kill me, but I wore his jacket for the longest time.”
    Richard Siken, Crush

  • #7
    Richard Siken
    “I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.”
    Richard Siken

  • #8
    Richard Siken
    “I sleep. I dream. I make up things that I would never say. I say them very quietly.”
    Richard Siken

  • #9
    Richard Siken
    “Everyone needs a place. It shouldn't be inside of someone else.”
    richard siken

  • #10
    Richard Siken
    “Actually, you said Love, for you,
    is larger than the usual romantic love. It’s like a religion. It’s
    terrifying. No one
    will ever want to sleep with you.”
    Richard Siken, Crush
    tags: love

  • #11
    Richard Siken
    “I had a dream about you. We were in the gold room
    where everyone finally gets what they want.
    You said Tell me about your books, your visions made
    of flesh and light and I said This is the Moon. This is
    the Sun. Let me name the stars for you. Let me take you
    there. The splash of my tongue melting you like a sugar
    cube…We were in the gold room where everyone
    finally gets what they want, so I said What do you
    want, sweetheart? and you said Kiss me. Here I am
    leaving you clues. I am singing now while Rome
    burns. We are all just trying to be holy. My applejack,
    my silent night, just mash your lips against me.
    We are all going forward. None of us are going back.”
    Richard Siken

  • #12
    Richard Siken
    “Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper. I didn’t want to write these pages until there were no hard feelings, no sharp ones. I do not have that luxury. I am sad and angry and I want everyone to be alive again. I want more landmarks, less landmines. I want to be grateful but I’m having a hard time with it.”
    Richard Siken

  • #13
    Richard Siken
    “History repeats itself. Someone says this.
    History throws its shadow over beginning, over the desktop, over the sock drawer with its socks, its hidden letters.
    history is the little man in a brown suit trying to define a room he is outside of,
    I know history. There are many names in history... but none of them are ours.”
    Richard Siken, Crush

  • #14
    Richard Siken
    “Knot the tie and go to work, unknot the tie and go to sleep. I sleep. I dream. I wake. I sing. I get out the hammer and start knocking in the wooden pegs that affix the meaning to the landscape, the inner life to the body, the names to the things. I float too much to wander, like you, in the real world. I envy it but that’s the dealio—you’re a train and I’m a trainstation and when I try to guess your trajectory I end up telling my own story.”
    Richard Siken

  • #15
    Richard Siken
    “Here is my hand, my heart, my throat, my wrist. Here are the illuminated cities at the center of me, and here is the center of me, which is a lake, which is a well that we can drink from, but I can't go through with it. I just don't want to die anymore.”
    Richard Siken, Crush

  • #16
    Tell me, what is it you plan to do with your one wild and precious
    “Tell me, what is it you plan to do
    with your one wild and precious life?”
    Mary Oliver

  • #17
    Mary Oliver
    “You do not have to be good.
    You do not have to walk on your knees
    for a hundred miles through the desert, repenting.
    You only have to let the soft animal of your body
    love what it loves.
    Tell me about despair, yours, and I will tell you mine.
    Meanwhile the world goes on.
    Meanwhile the sun and the clear pebbles of the rain
    are moving across the landscapes,
    over the prairies and the deep trees,
    the mountains and the rivers.
    Meanwhile the wild geese, high in the clean blue air,
    are heading home again.
    Whoever you are, no matter how lonely,
    the world offers itself to your imagination,
    calls to you like the wild geese, harsh and exciting –
    over and over announcing your place
    in the family of things.”
    Mary Oliver

  • #18
    Mary Oliver
    “to live in this world

    you must be able
    to do three things
    to love what is mortal;
    to hold it

    against your bones knowing
    your own life depends on it;
    and, when the time comes to let it go,
    to let it go”
    Mary Oliver, New and Selected Poems, Volume One

  • #19
    Mary Oliver
    “The Journey

    One day you finally knew
    what you had to do, and began,
    though the voices around you
    kept shouting
    their bad advice --
    though the whole house
    began to tremble
    and you felt the old tug
    at your ankles.
    "Mend my life!"
    each voice cried.
    But you didn't stop.
    You knew what you had to do,
    though the wind pried
    with its stiff fingers
    at the very foundations,
    though their melancholy
    was terrible.
    It was already late
    enough, and a wild night,
    and the road full of fallen
    branches and stones.
    But little by little,
    as you left their voices behind,
    the stars began to burn
    through the sheets of clouds,
    and there was a new voice
    which you slowly
    recognized as your own,
    that kept you company
    as you strode deeper and deeper
    into the world,
    determined to do
    the only thing you could do --
    determined to save
    the only life you could save.”
    Mary Oliver

  • #20
    Mary Oliver
    “You must not ever stop being whimsical. And you must not, ever, give anyone else the responsibility for your life.”
    Mary Oliver, Wild Geese

  • #21
    Mary Oliver
    “I want to think again of dangerous and noble things.
    I want to be light and frolicsome.
    I want to be improbable beautiful and afraid of nothing,
    as though I had wings.”
    Mary Oliver, Owls and Other Fantasies: Poems and Essays

  • #22
    Mary Oliver
    “The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.”
    Mary Oliver

  • #23
    Mary Oliver
    “Still, what I want in my life
    is to be willing
    to be dazzled—
    to cast aside the weight of facts

    and maybe even
    to float a little
    above this difficult world.”
    Mary Oliver

  • #24
    Mary Oliver
    “If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)”
    Mary Oliver, Swan: Poems and Prose Poems

  • #25
    Mary Oliver
    “I Go Down To The Shore

    I go down to the shore in the morning
    and depending on the hour the waves
    are rolling in or moving out,
    and I say, oh, I am miserable,
    what shall—
    what should I do? And the sea says
    in its lovely voice:
    Excuse me, I have work to do.”
    Mary Oliver, A Thousand Mornings: Poems

  • #26
    Mary Oliver
    “it is a serious thing // just to be alive / on this fresh morning / in this broken world.”
    Mary Oliver, Red Bird

  • #27
    Mary Oliver
    “Tell me, what else should I have done?
    Doesn't everything die at last, and too soon?
    Tell me, what is it you plan to do
    With your one wild and precious life?”
    Mary Oliver

  • #28
    Mary Oliver
    “I wanted the past to go away, I wanted
    to leave it, like another country; I wanted
    my life to close, and open
    like a hinge, like a wing, like the part of the song
    where it falls
    down over the rocks: an explosion, a discovery;
    I wanted
    to hurry into the work of my life; I wanted to know,

    whoever I was, I was

    alive
    for a little while.”
    Mary Oliver, Dream Work

  • #29
    Mary Oliver
    “In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.”
    Mary Oliver, Upstream: Selected Essays

  • #30
    Mary Oliver
    “That time
    I thought I could not
    go any closer to grief
    without dying

    I went closer,
    and I did not die.
    Surely God
    had his hand in this,

    as well as friends.
    Still, I was bent,
    and my laughter,
    as the poet said,

    was nowhere to be found.
    Then said my friend Daniel,
    (brave even among lions),
    “It’s not the weight you carry

    but how you carry it -
    books, bricks, grief -
    it’s all in the way
    you embrace it, balance it, carry it

    when you cannot, and would not,
    put it down.”
    So I went practicing.
    Have you noticed?

    Have you heard
    the laughter
    that comes, now and again,
    out of my startled mouth?

    How I linger
    to admire, admire, admire
    the things of this world
    that are kind, and maybe

    also troubled -
    roses in the wind,
    the sea geese on the steep waves,
    a love
    to which there is no reply?”
    Mary Oliver



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