Ava V > Ava's Quotes

“A purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.”
― Kurt Vonnegut, The Sirens of Titan

“And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.
So she was turned into a pillar of salt.
People aren't supposed to look back. I'm certainly not going to do it anymore.
I've finished my war book now. The next one I write is going to be fun.
This one is a failure, and had to be, since it was written by a pillar of salt.”
― Kurt Vonnegut, Slaughterhouse-Five

“Everything was beautiful and nothing hurt.”
― Kurt Vonnegut, Slaughterhouse-Five

“Shared suffering, she’d found, was no guarantee of intimacy.”
― Michel Faber, Under the Skin

“And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.”
― Kurt Vonnegut, Slaughterhouse-Five

“Everything is nothing, with a twist.”
― Kurt Vonnegut, Slaughterhouse-Five

“If I am going to spend eternity visiting this moment and that, I'm grateful that so many of those moments are nice.”
― Kurt Vonnegut, Slaughterhouse-Five

“I sometimes think that the only things really worth talking about are the things people absolutely refuse to discuss.”
― Michel Faber, Under the Skin

“But what can be done, the one who loves must share the fate of the one he loves.”
― Mikhail Bulgakov, The Master and Margarita

“Follow me, reader! Who told you that there is no true, faithful, eternal love in this world! May the liar's vile tongue be cut out! Follow me, my reader, and me alone, and I will show you such a love!”
― Mikhail Bulgakov, The Master and Margarita

“Love leaped out in front of us like a murderer in an alley leaping out of nowhere, and struck us both at once. As lightning strikes, as a Finnish knife strikes! She, by the way, insisted afterwards that it wasn’t so, that we had, of course, loved each other for a long, long time, without knowing each other, never having seen each other… ”
― Mikhail Bulgakov, The Master and Margarita

“And so it goes...”
― Kurt Vonnegut, Slaughterhouse-Five

“How nice -- to feel nothing, and still get full credit for being alive.”
― Kurt Vonnegut, Slaughterhouse-Five

“And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.”
― Kurt Vonnegut, Slaughterhouse-Five

“America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register.

Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.”
― Kurt Vonnegut, Slaughterhouse-Five

“Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops.”
― Kurt Vonnegut, Slaughterhouse-Five

“- Why me?
- That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
- Yes.
- Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
― Kurt Vonnegut Jr., Slaughterhouse-Five

“All moments, past, present and future, always have existed, always will exist.”
― Kurt Vonnegut, Slaughterhouse-Five

“There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
― Kurt Vonnegut, Slaughterhouse-Five

“The nicest veterans...the kindest and funniest ones, the ones who hated war the most, were the ones who'd really fought.”
― Kurt Vonnegut, Slaughterhouse-Five

“That's one thing Earthlings might learn to do, if they tried hard enough: Ignore the awful times and concentrate on the good ones.”
― Kurt Vonnegut, Slaughterhouse-Five

“It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.

The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.

When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.”
― Kurt Vonnegut, Slaughterhouse-Five

“People aren’t supposed to look back. I’m certainly not going to do it anymore.”
― Kurt Vonnegut, Slaughterhouse-Five

“It is just an illusion here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone, it is gone forever.”
― Kurt Vonnegut, Slaughterhouse-Five

“I think you guys are going to have to come up with a lot of wonderful new lies, or people just aren't going to want to go on living.”
― Kurt Vonnegut, Slaughterhouse-Five

“There is one other book, that can teach you everything you need to know about life... it's The Brothers Karamazov by Fyodor Dostoyevsky, but that's not enough anymore.”
― Kurt Vonnegut, Slaughterhouse-Five

“All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I've said before, bugs in amber.”
― Kurt Vonnegut, Slaughterhouse-Five

“There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters.”
― Kurt Vonnegut, Slaughterhouse-five

“Is it an anti-war book?” “Yes,” I said. “I guess.” “You know what I say to people when I hear they’re writing anti-war books?” “No. What do you say, Harrison Starr?” “I say, ‘Why don’t you write an anti-glacier book instead?’” What he meant, of course, was that there would always be wars, that they were as easy to stop as glaciers. I believe that, too. And even if wars didn’t keep coming like glaciers, there would still be plain old death.”
― Kurt Vonnegut, Slaughterhouse-Five

“And I let the dog out, or I let him in, and we talk some. I let him know I like him, and he lets me know he likes me. He doesn’t mind the smell of mustard gas and roses.”
― Kurt Vonnegut, Slaughterhouse-Five