Melanie > Melanie's Quotes

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  • #1
    Sylvia Plath
    “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
    Sylvia Plath, The Bell Jar

  • #2
    Sylvia Plath
    “Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.”
    sylvia plath

  • #3
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #4
    Sylvia Plath
    “If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
    Sylvia Plath, The Bell Jar

  • #5
    Sylvia Plath
    “I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, "This is what it is to be happy.”
    Sylvia Plath, The Bell Jar

  • #6
    Sylvia Plath
    “The trouble was, I had been inadequate all along, I simply hadn't thought about it.”
    Sylvia Plath, The Bell Jar

  • #7
    Sylvia Plath
    “There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room. It's like watching Paris from an express caboose heading in the opposite direction--every second the city gets smaller and smaller, only you feel it's really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and excitement at about a million miles an hour.”
    Sylvia Plath, The Bell Jar

  • #8
    Sylvia Plath
    “When they asked me what I wanted to be I said I didn’t know.
    "Oh, sure you know," the photographer said.
    "She wants," said Jay Cee wittily, "to be everything.”
    Sylvia Plath, The Bell Jar

  • #9
    Sylvia Plath
    “That’s one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.”
    Sylvia Plath, The Bell Jar

  • #10
    Sylvia Plath
    “because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.”
    Sylvia Plath, The Bell Jar

  • #11
    Sylvia Plath
    “But when it came right down to it, the skin of my wrist looked so white and defensless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get.”
    Sylvia Plath, The Bell Jar

  • #12
    Sylvia Plath
    “I didn't know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of the throat and I'd cry for a week.”
    Sylvia Plath, The Bell Jar

  • #13
    Anne Lamott
    “For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.”
    Anne Lamott, Bird by Bird

  • #14
    Anne Lamott
    “Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.”
    Anne Lamott, Bird by Bird

  • #15
    Anne Lamott
    “E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.”
    Anne Lamott, Bird by Bird

  • #16
    Anne Lamott
    “I heard a preacher say recently that hope is a revolutionary patience; let me add that so is being a writer. Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up.”
    Anne Lamott, Bird by Bird

  • #17
    Anne Lamott
    “You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”
    Anne Lamott, Bird by Bird

  • #18
    Anne Lamott
    “Because this business of becoming conscious, of being a writer, is ultimately about asking yourself, How alive am I willing to be?”
    Anne Lamott, Bird by Bird

  • #19
    Bryan Lee O'Malley
    “Every time you look up at the stars, it’s like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you’re the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you’re eleven again. Chasing cats in a tiny town, you’re eleven again, you’re sixteen again. You’re in a rowboat. You’re staring out the back of a car. Out here where the world begins and ends, it’s like nothing ever stops happening.”
    Bryan Lee O'Malley, Lost at Sea

  • #20
    Bryan Lee O'Malley
    “Fuck you fucks and the fucks you fucked in on!”
    Bryan Lee O'Malley, Lost at Sea

  • #21
    Bryan Lee O'Malley
    “‎All my stupid little thoughts beget stupid little thoughts, rampantly speculating every possible outcome of every possible situation until they're all done to death and none of them could ever be true.”
    Bryan Lee O'Malley, Lost at Sea

  • #22
    Bryan Lee O'Malley
    “I have a lot on my mind and not a lot to do so it's going to come out, all of it, and then, then, it may begin to make a sort of sense”
    Bryan Lee O'Malley, Lost at Sea

  • #23
    Bryan Lee O'Malley
    “Maybe it's important to open up I people- people who are right there with you, not some thousand miles away in another universe. Or maybe it's something else. Maybe I should just settle for not knowing. Maybe it's just good to know that you're not the only one who doesn't know.”
    Bryan Lee O'Malley, Lost at Sea

  • #24
    Bryan Lee O'Malley
    “I am leaning back and running with it and staring at the stars and I’m eleven, I’m sixteen, I’m eighteen, I’m a newborn I’m everyone everywhere with you without you unbound set free in limbo lost at sea.”
    Bryan Lee O'Malley

  • #25
    Bryan Lee O'Malley
    “I’m just confused. Everything’s confusing. Everything beautiful is far away, or maybe everything far away is beautiful. It’s like how the grass is greener on the other side. Grass just looks nicer from the other side, you know? Grass where you’re standing looks like dirt with hair.”
    Bryan Lee O'Malley, Lost at Sea

  • #26
    Andrew  Davidson
    “Accidents ambush the unsuspecting, often violently, just like love.”
    Andrew Davidson, The Gargoyle

  • #27
    Andrew  Davidson
    “You'll swoop from incredible highs when you're just glad to be alive, to those lows when you wish you were dead. And just when you start thinking that you've accepted who you are, that changes, too. Because who you are is not permanent”
    Andrew Davidson, The Gargoyle

  • #28
    Andrew  Davidson
    “... but the truth is that I dislike most men as much as I dislike women. If anything, I am an equal opportunity misanthropist.”
    Andrew Davidson, The Gargoyle

  • #29
    Andrew  Davidson
    “All history is just one man trying to take something away from another man, and usually it doesn't really belong to either of them.”
    Andrew Davidson, The Gargoyle

  • #30
    John Green
    “As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
    John Green, The Fault in Our Stars



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