Lorelei > Lorelei's Quotes

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  • #1
    E.E. Cummings
    “I will take the sun in my mouth
    and leap into the ripe air
    Alive
    with closed eyes
    to dash against darkness”
    E.E. Cummings, Poems, 1923-1954

  • #2
    E.E. Cummings
    “let it go -- the
    smashed word broken
    open vow or
    the oath cracked length
    wise -- let it go it
    was sworn to
    go

    let them go -- the
    truthful liars and
    the false fair friends
    and the boths and
    neithers -- you must let them go they
    were born
    to go

    let all go -- the
    big small middling
    tall bigger really
    the biggest and all
    things -- let all go
    dear
    so comes love”
    e.e. cummings

  • #3
    Roland Barthes
    “I am simultaneously and contradictorily both happy and unhappy: 'to succeed' or 'to fail' have for me only ephemeral, contingent meanings (this does not stop my desires and sorrows from being violent ones); what impels me, secretly and obstinately, is not tactical: I accept and I affirm, irrespective of the true and the false, of success and failure; I am withdrawn from all finality, I live according to chance...”
    Roland Barthes

  • #4
    E.E. Cummings
    “i will wade out
    till my thighs are steeped in burning flowers
    I will take the sun in my mouth
    and leap into the ripe air
    Alive
    with closed eyes
    to dash against darkness
    in the sleeping curves of my body”
    e.e. cummings

  • #5
    Roland Barthes
    “Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure. ”
    Roland Barthes, A Lover's Discourse: Fragments

  • #6
    Roland Barthes
    “The text you write must prove to me that it desires me.”
    Roland Barthes

  • #7
    Roland Barthes
    “This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.”
    Roland Barthes, A Lover's Discourse: Fragments

  • #8
    Roland Barthes
    “...language is never innocent.”
    Roland Barthes

  • #9
    Roland Barthes
    “The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.”
    Roland Barthes, Roland Barthes

  • #10
    Roland Barthes
    “I am interested in language because it wounds or seduces me.”
    Roland Barthes, The Pleasure of the Text

  • #11
    Alexander McCall Smith
    “She was made for untidy rooms and rumpled beds.”
    Alexander McCall Smith, The Sunday Philosophy Club

  • #12
    Lawrence Durrell
    “You see, nothing matters except pleasure - which is the opposite of happiness, its tragic part, I expect.”
    Lawrence Durrell, The Alexandria Quartet

  • #13
    Anaïs Nin
    “Every gesture was one of disorder and violence, as if a lioness had come into the room.”
    Anaïs Nin, Little Birds: Thirteen Feminist Erotic Short Stories that Inspired the Series by Anaïs Nin

  • #14
    Confucius
    “The funniest people are the saddest ones”
    Confucius

  • #15
    Roland Barthes
    “We often hear it said that it is the task of art to express the inexpressible: it is contrary which must be said (with no intention of paradox): the whole task of art is to unexpress the expressible, to kidnap from the world's language, which is the poor and powerful language of the passion, another speech, an exact speech.”
    Roland Barthes, Critical Essays

  • #16
    Roland Barthes
    “Literature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.”
    Roland Barthes

  • #17
    Susan Sontag
    “Dissimulation, secretiveness, appear a necessity to the melancholic. He has complex, often veiled relations with others. These feelings of superiority, of inadequacy, of baffled feeling, of not being able to get what one wants, or even name it properly (or consistently) to oneself — these can be, it is felt they ought to be, masked by friendliness, or the most scrupulous manipulation.”
    Susan Sontag, Under the Sign of Saturn: Essays

  • #18
    Jasper Fforde
    “Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world.”
    Jasper Fforde, First Among Sequels

  • #19
    William Shakespeare
    “I like this place and could willingly waste my time in it.”
    William Shakespeare

  • #20
    Maya Angelou
    “Poetry puts starch in your backbone so you can stand, so you can compose your life.”
    Maya Angelou

  • #21
    Emily Dickinson
    “If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?”
    Emily Dickinson, Selected Letters

  • #22
    Emily Dickinson
    “Tell all the truth but tell it slant.”
    Emily Dickinson, The Complete Poems of Emily Dickinson

  • #23
    Don DeLillo
    “He wanted to fuck her loudly on a hard bed with rain beating on the windows.”
    Don DeLillo, Mao II

  • #24
    Fiona Zedde
    “The first time someone else touched me with the intent to pleasure, I fell in love. Not with that person, but with the act itself. Such intimacy and accord. Even with the awkwardness of first time lovers there was a grace and purity, carnal and beautiful that I knew from that moment on I could never live without.”
    Fiona Zedde, Bliss

  • #25
    Milan Kundera
    “Kitsch is the inability to admit that shit exists”
    Milan Kundera

  • #26
    Milan Kundera
    “...people don't respect the morning. An alarm clock violently wakes them up, shatters their sleep like the blow of an ax, and they immediately surrender themselves to deadly haste. Can you tell me what kind of day can follow a beginning of such violence? What happens to people whose alarm clock daily gives them a small electric shock? Each day they become more used to violence and less used to pleasure.”
    Milan Kundera, Farewell Waltz

  • #27
    E.E. Cummings
    “i like my body when it is with your
    body. It is so quite new a thing.
    Muscles better and nerves more.
    i like your body. i like what it does,
    i like its hows. i like to feel the spine
    of your body and its bones, and the trembling
    -firm-smooth ness and which i will
    again and again and again
    kiss, i like kissing this and that of you,
    i like, slowly stroking the, shocking fuzz
    of your electric fur, and what-is-it comes
    over parting flesh ... And eyes big love-crumbs,

    and possibly i like the thrill

    of under me you so quite new.”
    e.e. cummings

  • #28
    Jonathan Safran Foer
    “She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.”
    Jonathan Safran Foer, Everything is Illuminated

  • #29
    “you're an expert at sorry and keeping the lines blurry”
    Taylor Swift

  • #30
    Charles Bukowski
    “I will remember the kisses
    our lips raw with love
    and how you gave me
    everything you had
    and how I
    offered you what was left of
    me,
    and I will remember your small room
    the feel of you
    the light in the window
    your records
    your books
    our morning coffee
    our noons our nights
    our bodies spilled together
    sleeping
    the tiny flowing currents
    immediate and forever
    your leg my leg
    your arm my arm
    your smile and the warmth
    of you
    who made me laugh
    again.”
    Charles Bukowski



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