Ana Maria > Ana's Quotes

“Human relationships were strange. I mean, you were with one person a while, eating and sleeping and living with them, loving them, talking to them, going places together, and then it stopped. Then there was a short period when you weren't with anybody, then another woman arrived, and you ate with her and fucked her, and it all seemed so normal, as if you had been waiting just for her and she had been waiting for you. I never felt right being alone; sometimes it felt good but it never felt right.”
― Charles Bukowski, Women

“You differ from a great man in only one respect: the great man was once a very little man, but he developed one important quality: he recognized the smallness and narrowness of his thoughts and actions. Under the pressure of some task that meant a great deal to him, he learned to see how his smallness, his pettiness endangered his happiness. In other words, a great man knows when and in what way he is a little man. A little man does not know he is little and is afraid to know. He hides his pettiness and narrowness behind illusions of strength and greatness, someone else's strength and greatness. He's proud of his great generals but not of himself. He admires an idea he has not had, not one he has had. The less he understands something, the more firmly he believes in it. And the better he understands an idea, the less he believes in it.”
― Wilhelm Reich, Listen, Little Man!

“I want you to stop being subhuman and become 'yourself'. 'Yourself,' I say. Not the newspaper you read, not your vicious neighbor's opinion, but 'yourself.' I know, and you don't, what you really are deep down. Deep down, you are what a deer, your God, your poet, or your philosopher is. But you think you're a member of the VFW, your bowling club, or the Ku Klux Klan, and because you think so, you behave as you do. This too was told you long ago, by Heinrich Mann in Germany, by Upton Sinclair and John Dos Passos in the United States. But you recognized neither Mann nor Sinclair. You recognize only the heavyweight champion and Al Capone. If given your choice between a library and a fight, you'll undoubtedly go to the fight.”
― Wilhelm Reich, Listen, Little Man!

“Because you have no memory for things that happened ten or twenty years ago, you're still mouthing the same nonsense as two thousand years ago. Worse, you cling with might and main to such absurdities as 'race,' 'class,' 'nation,' and the obligation to observe a religion and repress your love.”
― Wilhelm Reich, Listen, Little Man!

“to have solely one thought, but it to be capable to destroy the universe.”
― Mircea Eliade

“Nu puteam crede că sunt și eu asemenea celorlalte mii de muritori nefericiți, care iubesc și uită, și mor fără să socotească nimic etern, nimic definitiv.”
― Mircea Eliade, Maitreyi

“Slăbiciunea noastră, a modernilor, e că în loc să gândim, gândurile ne gândesc pe noi. Noi stăm molâi, femei adipoase, lubrice, nesatisfăcute, și gândurile ne violentează, ne schingiuiesc, ne vând altora, iar noi nu protestăm, ci le lăsăm să ne stăpânească, să ne îndrepte pașii, să ne prostitueze oricărui adevăr care le satisface pe ele, nu pe noi.”
― Mircea Eliade, Întoarcerea din rai

“The great cosmic illusion is a hierophany.... One is devoured by Time, not because one lives in Time, but because one believes in its reality, and therefore forgets or despises eternity.”
― Mircea Eliade

“Chiar melomanii îl irită, oamenii aceia maceraţi de o singură patimă, neputincioşi să trăiască fără muzică, fără concupiscenţă fonică, palizi şi rafinaţi, cu ochii extatici sau orbi, injectaţi de voluptate, adunându-se unii lângă alţii şi abandonându-se viciului, fără pudoare, fără reculegere, juisând în public, probabil felicitându-se de sensibilitatea lor muzicală. Sunt afemeiaţi, invertiţi sau masochişti ai spiritului; spiritul, de obicei, e ponderat şi are iniţiativa asupra obiectelor, constrânge şi purifică senzaţiile, dar la ei spiritul e biciuit de voluptate, e posedat de inspiraţia vreunui sentiment uriaş (toţi compozitorii au fost sentimentali, pasionaţi şi abulici, chiar Beethoven).”
― Mircea Eliade, Întoarcerea din rai

“Nu-ţi dai seama ce copleşitor lucru e să simţi, câteodată, că timpul ţi-a luat-o înainte, că n-ai făcut anumite lucruri esenţiale la vremea lor şi că ai să te trezeşti într-o bună zi singur, îmbătrânit, incapabil de a mai repara ceva. Căci ceea ce mă apăsa mai mult în după-amiaza aceea era sentimentul ireparabilului. A trecut ceva, a trecut, şi eu n-am băgat de seamă... E cumplit să-ţi dai seama de asta...”
― Mircea Eliade, Nuntă în cer

“De tot ce se întâmplă în lume sunt şi eu vinovat. Pentru că nu sunt un om întreg, nu sunt o unitate armonioasă, sunt un ins dezaxat, fără centru. Probabil că mai sunt şi alţii, zeci de milioane, ca mine. Şi cum pentru societăţile moderne lumea înseamnă tot mai puţin Cosmos şi tot mai multă Istorie, îţi dai seama ce repercusiuni poate avea dezechilibrul acesta interior în afară de noi. Cum am putea fi creatori în Istorie noi, câteva zeci de milioane de dezechilibraţi?”
― Mircea Eliade, Noaptea de Sinziene vol. 2

“[...] or, aici stă toată mizeria și toată fascinația dragostei, în descompunerea aceasta lentă a două ființe strânse împreună...”
― Mircea Eliade, Întoarcerea din rai

“Mă întreb, bunăoară, dacă nu cumva în ziua când am început să iubesc nu s-a întâmplat ceva lângă mine, ceva pe care eu nu l-am văzut sau pe care nu l-am înțeles și prin ignorarea căruia m-am abandonat, fără luciditate, cu totul iresponsabil, întâmplărilor. Te trezesti că ai devenit ceva, aproape fără să-ți mai amintești începuturile acestei transformări.”
― Mircea Eliade, Nuntă în cer

“Ce se intamplace in inima iubitei mele,ce gol ramasese acolo nestrabatut de patima mea si care o inghitea acum in intregime?”
― Mircea Eliade, Nuntă în cer

“Each of us is several, is man, is a profusion of selves. So that the self who disdains his surroundings is not the same as the self who suffers or takes joy in them. In the colony of our being there are many species of people who think and feel in different ways.”
― Pascal Mercier, Night Train to Lisbon

“It wasn't only that you didn't see him anymore, meet him anymore. You saw his absence and encountered it as something tangible. His not being there was like the sharply outlined emptiness of a photo with a figure cut out precisely with scissors and now the missing figure is more important, more dominant than all others.”
― Pascal Mercier, Night Train to Lisbon

“Yeah, because I'm extremely romantic here. You know what is my fear? This postmodern, permissive, pragmatic etiquette towards sex. It's horrible. They claim sex is healthy; it's good for the heart, for blood circulation, it relaxes you. They even go into how kissing is also good because it develops the muscles here – this is horrible, my God! It's no longer that absolute passion. I like this idea of sex as part of love, you know: 'I'm ready to sell my mother into slavery just to fuck you for ever.' There is something nice, transcendent, about it. I remain incurably romantic.”
― Slavoj Žižek

“I've crossed some kind of invisible line. I feel as if I've come to a place I never thought I'd have to come to. And I don't know how I got here. It's a strange place. It's a place where a little harmless dreaming and then some sleepy, early-morning talk has led me into considerations of death and annihilation.”
― Raymond Carver, Where I'm Calling From: New and Selected Stories

“Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.”
― Marcel Duchamp

“Toată realitatea este la dispoziţia mea cu condiţia s-o aspir şi s-o expir în acelaşi moment, fără planuri şi fără iluzii”
― Max Blecher

“You are willing to die, you coward, but not to live.”
― Herman Hesse, Steppenwolf

“...I will exile my thoughts if they think of you again, and I will rip my lips out if they say your name once more. Now if you do exist, I will tell you my final word in life or in death, I tell you goodbye.”
― Knut Hamsun, Hunger

“It was not my intention to collapse; no, I would die standing.”
― Knut Hamsun, Hunger

“And love became the world's beginning and the world's ruler; but all its ways are full of flowers and blood, flowers and blood.”
― Knut Hamsun, Victoria

“Ce qui m’a le plus étonné (absurdement, bien sûr) à Paris, c’est de n’avoir aperçu aucun carrosse avec un malade à l’intérieur. J’ai découvert un jour au coin d’une rue un invalide dans un chariot mécanique et j’ai voulu lui foncer dedans, l’embrasser et le serrer dans mes bras comme si ç’avait été un frère. Mais tu ne sais que trop bien que, dans la vie, précisément les gestes les plus sensés sont interdits.”
― Max Blecher, Scarred Hearts