Bel > Bel's Quotes

“To err is human, to forgive, divine.”
― Alexander Pope, An Essay On Criticism

“Charms strike the sight, but merit wins the soul.”
― Alexander Pope, The Rape of the Lock

“A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.”
― Donna Tartt, The Goldfinch

“In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
― Madeline Miller, The Song of Achilles

“Beauty is terror. Whatever we call beautiful, we quiver before it.”
― Donna Tartt, The Secret History

“Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
― Donna Tartt, The Secret History

“Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
― Donna Tartt, The Goldfinch

“Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
― Donna Tartt, The Secret History

“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
― Donna Tartt, The Secret History

“That life - whatever else it is - is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch.”
― Donna Tartt, The Goldfinch

“But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
― Donna Tartt, The Secret History

“—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.”
― Donna Tartt, The Goldfinch

“There are such things as ghosts. People everywhere have always known that. And we believe in them every bit as much as Homer did. Only now, we call them by different names. Memory. The unconscious.”
― Donna Tartt, The Secret History

“For someone who loved words as much as I did, it was amazing how often they failed me.”
― M.L. Rio, If We Were Villains

“You can justify anything if you do it poetically enough.”
― M.L. Rio, If We Were Villains

“Were you in love with him?'
'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.”
― M.L. Rio, If We Were Villains

“What is more important, that Caesar is assassinated or that he is assassinated by his intimate friends? … That,’ Frederick said, 'is where the tragedy is.”
― M.L. Rio, If We Were Villains

“The things about Shakespeare is, he's so eloquent...he speaks the unspeakable. He turns grief and triumph and rapture and rage into words, into something we can understand. He renders the whole mystery of humanity comprehensible.”
― M.L. Rio, If We Were Villains

“How tremendous the agony of unmade decisions.”
― M.L. Rio, If We Were Villains

“I never asked where he went, worried he wouldn’t ask me to follow.”
― M.L. Rio, If We Were Villains

“How could we explain that standing on a stage and speaking someone else's words as if they are your own is less an act of bravery than a desperate lunge at mutual understanding?”
― M.L. Rio, If We Were Villains

“We’re only ever playing fifty percent of a character. The rest is us, and we’re afraid to show people who we really are. We’re afraid of looking foolish if we reveal the full force of our emotions.”
― M.L. Rio, If We Were Villains

“One thing I'm sure Colborne will never understand is that I need language to live, like food—lexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.”
― M.L. Rio, If We Were Villains

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
― Madeline Miller, The Song of Achilles

“Chiron had said once that nations were the most foolish of mortal inventions. "No man is worth more than another, wherever he is from.”
― Madeline Miller, The Song of Achilles

“This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.”
― Madeline Miller, The Song of Achilles

“That is — your friend?"
"Philtatos," Achilles replied, sharply. Most beloved.”
― Madeline Miller, The Song of Achilles

“There is no law that gods must be fair, Achilles,” Chiron said. “And perhaps it is the greater grief, after all, to be left on earth when another is gone. Do you think?”
― Madeline Miller, The Song of Achilles

“Achilles’ eyes lift. They are bloodshot and dead. “I wish he had let you all die.”
― Madeline Miller, The Song of Achilles

“You can use a spear as a walking stick, but that will not change its nature.”
― Madeline Miller, The Song of Achilles