Reymil > Reymil's Quotes

“He would not admit that the difficulties with his wife had their origin in the rarefied air of the house, but blamed them on the very nature of matrimony: an absurd invention that could exist only by the infinite grace of God. It was against all scientific reason for two people who hardly knew each other, with no ties at all between them, with different characters, different upbringings, and even different genders, to suddenly find themselves committed to living together, to sleeping in the same bed, to sharing two destinies that perhaps were fated to go in opposite directions. He would say: “The problem with marriage is that it ends every night after making love, and it must be rebuilt every morning before breakfast.”
― Gabriel García Márquez, Love in the Time of Cholera

“Do you believe what you're saying? How has Getting On With It been working out for you, then? You expect me to live in the eternal Present, like some Hindoo? Wonderful,— my own Gooroo, ever here with a sage answer. Tell me, then,— what if I can't just lightly let her drop? What if I won't just leave her to the Weather, and Forgetfulness? What if I want to spend, even squander, my precious time trying to make it up to her? Somehow? Do you think anyone can simply let that all go?”
― Thomas Pynchon, Mason & Dixon

“The cardboard that he stopped at had been written on in February, 1938. The handwriting, in blue-lead pencil, was his brother Seymour's:

My twenty-first birthday. Presents, presents, presents. Zooey and the baby, as usual, shopped lower Broadway. They gave me a fine supply of itching powder and a box of three stink bombs. I'm to drop the bombs in the elevator at Columbia or ‘someplace very crowded’ as soon as I get a good chance. Several acts of vaudeville tonight for my entertainment. Les and Bessie did a lovely soft-shoe on sand swiped by Boo Boo from the urn in the lobby. When they were finished, B. and Boo Boo did a pretty funny imitation of them. Les nearly in tears. The baby sang ‘Abdul Abulbul Amir.’ Z. did the Will Mahoney exit Les taught him, ran smack into the bookcase, and was furious. The twins did B.'s and my old Buck & Bubbles imitation. But to perfection. Marvellous. In the middle of it, the doorman called up on the housephone and asked if anybody was dancing up there. A Mr. Seligman, on the fourth—”
― J.D. Salinger, Franny and Zooey

“But what I don't like—and what I don't think either Seymour or Buddy would like, either, as a matter of fact—is the way you talk about all these people. I mean you don't just despise what they represent—you despise them. It's too damn personal, Franny. I mean it. You get a real little homicidal glint in your eye when you talk about this Tupper, for instance. All this business about his going into the men's room to muss his hair before he comes in to class. All that. He probably does—it goes with everything else you've told me about him. I'm not saying it doesn't. But it's none of your business, buddy, what he does with his hair. It would be all right, in a way, if you thought his personal affectations were sort of funny. Or if you felt a tiny bit sorry for him for being insecure enough to give himself a little pathetic goddam glamour. But when you tell me about it—and I'm not fooling, now—you tell me about it as though his hair was a goddam personal enemy of yours. That is not right—and you know it.”
― J.D. Salinger, Franny and Zooey

“Let me repeat. I have not read all the work of this present generation of writing. I have not had time yet. So I must speak only of the ones I do know. I am thinking now of what I rate the best one, Salinger's Catcher in the Rye, perhaps because this one expresses so completely what I have tried to say. A youth, father to what will—must—someday be a man, more intelligent than some and more sensitive than most, who—he would not even have called it by instinct because he did not know he possessed it because God perhaps had put it there, loved man and wished to be a part of mankind, humanity, who tried to join the human race and failed. To me, his tragedy was not that he was, as he perhaps thought, not tough enough or brave enough or deserving enough to be accepted into humanity. His tragedy was that when he attempted to enter the human race, there was no human race there. There was nothing for him to do save buzz, frantic and inviolate, inside the glass wall of his tumbler, until he either gave up or was himself, by himself, by his own frantic buzzing, destroyed.”
― William Faulkner

“Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.”
― Virginia Woolf

“Quiet descended on her, calm, content, as her needle, drawing the silk smoothly to its gentle pause, collected the green folds together and attached them, very lightly, to the belt. So on a summer’s day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying “that is all” more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.”
― Virginia Woolf, Mrs. Dalloway

“He must, if one day call'd upon, produce an over-head view of a World that never was, in truth-like detail, one he'd begun in silence to contrive,— a Map entirely within his mind, of a World he could escape to, if he had to. If he had to, he would enter it entirely but never get lost, for he would have this Map, and in it, spread below, would lie ev'rything,— Mountain of Glass, Sea of Sand, miraculous Springs, Volcanoes, Sacred Cities, mile-deep Chasm, Serpent's Cave, endless Prairie....another Chapbook-Fancy with each Deviation and Dip of the Needle.”
― Thomas Pynchon, Mason & Dixon

“At night it is better still. I used to lie on the pallet in the hall waiting until I could hear them all asleep, so I could get up and go back to the bucket. It would be black, the shelf black, the still surface of the water a round orifice in nothingness, where before I stirred it awake with the dipper I could see maybe a star or two in the bucket, and maybe in the dipper a star or two before I drank. After that I was bigger, older.”
― William Faulkner, As I Lay Dying

“I’ve seen the devil of violence, and the devil of greed, and the devil of hot desire; but, by all the stars! these were strong, lusty, red-eyed devils, that swayed and drove men — men, I tell you. But as I stood on this hillside, I foresaw that in the blinding sunshine of that land I would become acquainted with a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly. How insidious he could be, too, I was only to find out several months later and a thousand miles farther.”
― Joseph Conrad, Heart of Darkness

“Jefferson is only twenty miles away. ‘Now I can let go for a while,’ he thinks. ‘I haven’t let go for seven days, so I guess I’ll let go for a while.’ He thinks that perhaps, sitting, with the wagon’s motion to lull him, he will sleep. But he does not sleep. He is not sleepy or hungry or even tired. He is somewhere between and among them, suspended, swaying to the motion of the wagon without thought, without feeling. He has lost account of time and distance; perhaps it is an hour later, perhaps three.”
― William Faulkner, Light in August

“Looking, he can see the smoke low on the sky, beyond an imperceptible corner; he is entering it again, the street which ran for thirty years. It had been a paved street, where going should be fast. It had made a circle and he is still inside of it. Though during the last seven days he has had no paved street, yet he has travelled further than in all the thirty years before. And yet he is still inside the circle. ‘And yet I have been further in these seven days than in all the thirty years,’ he thinks. ‘But I have never got outside that circle. I have never broken out of the ring of what I have already done and cannot ever undo,’ he thinks quietly, sitting on the seat, with planted on the dashboard before him the shoes, the black shoes smelling of negro: that mark on his ankles the gauge definite and ineradicable of the black tide creeping up his legs, moving from his feet upward as death moves.”
― William Faulkner, Light in August

“Droll thing life is—that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself—that comes too late—a crop of unextinguishable regrets. I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable grayness, with nothing underfoot, with nothing around, without spectators, without clamor, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid skepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be.”
― Joseph Conrad, Heart of Darkness

“Franny took in her breath slightly but continued to hold the phone to her ear. A dial tone, of course, followed the formal break in the connection. She appeared to find it extraordinarily beautiful to listen to, rather as if it were the best possible substitute for the primordial silence itself. But she seemed to know, too, when to stop listening to it, as if all of what little or much wisdom there is in the world were suddenly hers.”
― J.D. Salinger, Franny and Zooey

“It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn’t he said he wanted only justice? But I couldn’t. I could not tell her.”
― Joseph Conrad, Heart of Darkness

“I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. "No," that woman seemed to say with that terrified glance, "don’t come back and plague your honest, hard-working mother. You are no longer like a son to me - and like your father, my first husband. ‘Ere this kindly Greek took pity on me." (The proprietor was a Greek with hairy arms.) "You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ‘umble labors in the hashery. O son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me - to see my laboring humilities, my few scrubbed pennies - hungry to grab, quick to deprive, sullen, unloved, mean- minded son of my flesh. Son! Son!”
― Jack Kerouac, On the Road

“Japhy and I were kind of outlandish-looking on the campus in our old clothes in fact Japhy was considered an eccentric around the campus, which is the usual thing for campuses and college people to think whenever a real man appears on the scene ― colleges being nothing but grooming schools for the middle-class non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing and thinking the same thing at the same time while the Japhies of the world go prowling in the wilderness to hear the voice crying in the wilderness, to find the ecstasy of the stars, to find the dark mysterious secret of the origin of faceless wonderless crapulous civilization.”
― Jack Kerouac, The Dharma Bums

“They had stared at her with great uncomprehending eyes. Eyes that questioned nothing and asked everything. Unblinking and unabashed, they stared up at her. The end of the world lay in their eyes, and the beginning, and all the waste in between.”
― Toni Morrison, The Bluest Eye

“There are times when I think you've forgiven S. more completely than any of us have. Waker once said something very interesting to me on that subject—in fact, I'm merely parroting what he said to me. He said you were the only one who was bitter about S.'s suicide and the only one who really forgave him for it. The rest of us, he said, were outwardly unbitter and inwardly unforgiving. That may be truer than true.”
― J.D. Salinger, Franny and Zooey

“No, they did not bury me, though there is a period of time which I remember mistily, with a shuddering wonder, like a passage through some inconceivable world that had no hope in it and no desire. I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretense, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance. I dare say I was not very well at that time. I tottered about the streets—there were various affairs to settle—grinning bitterly at perfectly respectable persons. I admit my behavior was inexcusable, but then my temperature was seldom normal in these days.”
― Joseph Conrad, Heart of Darkness

“An appeal to me in this fiendish row - is there? Very well; I hear; I admit, but I have a voice too, and for good or evil mine is the speech that cannot be silenced.”
― Joseph Conrad, Heart of Darkness

“The misery he had was a longing for home; it had nothing to do with Jesus. When the army finally let him go, he was pleased to think that he was still uncorrupted. All he wanted was to get back to Eastrod, Tennessee. The black Bible and his mother’s glasses were still in the bottom of his duffel bag. He didn’t read any book now but he kept the Bible because it had come from home. He kept the glasses in case his vision should ever become dim.”
― Flannery O'Connor, Wise Blood

“There's no secret to balance. You just have to feel the waves.”
― Frank Herbert, Chapterhouse: Dune

“I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmostphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary.”
― Joseph Conrad, Heart of Darkness

“Yeah man, you know to me a mountain is a Buddha. Think of the patience, hundreds of thousands of years just sitting there bein perfectly perfectly silent and like praying for all living creatures in that silence and just waitin for us to stop all our frettin and foolin.”
― Jack Kerouac, The Dharma Bums

“Did you see more glass?”
― J.D. Salinger, Nine Stories

“In a strange room you must empty yourself for sleep. And before you are emptied for sleep, what are you. And when you are emptied for sleep, you are not. And when you are filled with sleep, you never were. I don't know what I am. I don't know if I am or not. Jewel knows he is, because he does not know that he does not know whether he is or not. He cannot empty himself for sleep because he is not what he is and he is what he is not. Beyond the unlamped wall I can hear the rain shaping the wagon that is ours, the load that is no longer theirs that felled and sawed it nor yet theirs that bought it and which is not ours either, lie on our wagon though it does, since only the wind and the rain shape it only to Jewel and me, that are not asleep. And since sleep is is-not and rain and wind are was, it is not. Yet the wagon is, because when the wagon is was, Addie Bundren will not be. And Jewel is, so Addie Bundren must be. And then I must be, or I could not empty myself for sleep in a strange room. And so if I am not emptied yet, I am is.

How often have I lain beneath rain on a strange roof, thinking of home.”
― William Faulkner, As I Lay Dying

“I felt like lying down by the side of the trail and remembering it all. The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify (by their own lonesome familiarity) to this feeling.”
― Jack Kerouac, The Dharma Bums

“The earth for us is a place to live in, where we must put up with sights, with sounds, with smells, too, by Jove!—breathe dead hippos so to speak, and not be contaminated. And there don’t you see? your strength comes in, the faith in your ability for the digging of unostentatious holes to bury the stuff in – your power of devotion, not to yourself, but to an obscure, backbreaking business.”
― Joseph Conrad, Heart of Darkness

“A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West