Melissa > Melissa's Quotes

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  • #1
    Elizabeth Gaskell
    “I choose to believe that I owe my very
    life to you--ay--smile, and think it an exaggeration if you will.
    I believe it, because it adds a value to that life to think--oh,
    Miss Hale!' continued he, lowering his voice to such a tender
    intensity of passion that she shivered and trembled before him,
    'to think circumstance so wrought, that whenever I exult in
    existence henceforward, I may say to myself, "All this gladness
    in life, all honest pride in doing my work in the world, all this
    keen sense of being, I owe to her!" And it doubles the gladness,
    it makes the pride glow, it sharpens the sense of existence till
    I hardly know if it is pain or pleasure, to think that I owe it
    to one--nay, you must, you shall hear'--said he, stepping
    forwards with stern determination--'to one whom I love, as I do
    not believe man ever loved woman before.' He held her hand tight
    in his. He panted as he listened for what should come. ”
    Elizabeth Gaskell, North and South

  • #2
    Suzanne Collins
    “You don’t forget the face of the person who was your last hope.”
    Suzanne Collins, The Hunger Games

  • #3
    Mae West
    “You only live once, but if you do it right, once is enough.”
    Mae West

  • #4
    Frank Zappa
    “So many books, so little time.”
    Frank Zappa

  • #5
    J.K. Rowling
    “If you want to know what a man's like, take a good look at how he treats his inferiors, not his equals.”
    J.K. Rowling, Harry Potter and the Goblet of Fire

  • #6
    Oscar Wilde
    “The books that the world calls immoral are books that show the world its own shame.”
    Oscar Wilde, The Picture of Dorian Gray

  • #7
    Tessa Afshar
    “A woman needs to feel safe in love. She needs to know her husband accepts everything about her and still loves her. To be known through and through, including the failures of her past, the shortcomings of her character, and still be loved, that's the Promised Land of a woman's heart! That's where she finds rest.”
    Tessa Afshar, Pearl in the Sand

  • #8
    “It's like I told you last night son. The earth is mostly just a boneyard. But pretty in the sunlight, he added”
    Larry McMurtry, Lonesome Dove

  • #9
    J.M. Barrie
    “When the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies.”
    J.M. Barrie, Peter Pan

  • #10
    J.M. Barrie
    “The moment you doubt whether you can fly, you cease for ever to be able to do it.”
    J. M. Barrie, Peter Pan

  • #11
    J.M. Barrie
    “All children, except one, grow up.”
    J.M. Barrie, Peter Pan

  • #12
    J.M. Barrie
    “There could not have been a lovelier sight; but there was none to see it except a little boy who was staring in at the window. He had ecstasies innumerable that other children can never know; but he was looking through the window at the one joy from which he must be for ever barred.”
    J.M. Barrie, Peter Pan

  • #13
    J.M. Barrie
    “Can anything harm us, mother, after the night-lights are lit?"
    Nothing, precious," she said; "they are the eyes a mother leaves behind her to guard her children.”
    J.M. Barrie, Peter Pan

  • #14
    J.M. Barrie
    “On these magic shores children at play are for ever beaching their coracles. We too have been there; we can still hear the sound of the surf, though we shall land no more.”
    J.M. Barrie, Peter Pan

  • #15
    J.M. Barrie
    “Next year he did not come for her. She waited in a new frock because the old one simply would not meet, but he never came.
    "Perhaps he is ill," Michael said.
    "You know he is never ill."
    Michael came close to her and whispered, with a shiver, "Perhaps there is no such person, Wendy!" and then Wendy would have cried if Michael had not been crying.”
    J.M. Barrie, Peter Pan

  • #16
    J.M. Barrie
    “Boy, why are you crying?”
    J.M. Barrie, Peter Pan

  • #17
    J.M. Barrie
    “In time they could not even fly after their hats. Want of practice, they called it; but what it really meant was that they no longer believed.”
    J.M. Barrie, Peter Pan

  • #18
    J.M. Barrie
    “It was then that Hook bit him.
    Not the pain of this but its unfairness was what dazed Peter. It made him quite helpless. He could only stare, horrified. Every child is affected thus the first time he is treated unfairly. All he thinks he has a right to when he comes to you to be yours is fairness. After you have been unfair to him he will love you again, but he will never afterwards be quite the same boy. No one ever gets over the first unfairness; no one except Peter.”
    J.M. Barrie, Peter Pan

  • #19
    J.M. Barrie
    “All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn't know any story to tell his children was once John.”
    J.M. Barrie, Peter Pan

  • #20
    J.M. Barrie
    “Would you like an adventure now, or would like to have your tea first?”
    J. M. Barrie, Peter Pan

  • #21
    Erika Johansen
    “Carlin always said that most men were dogs, and Kelsea had never taken her seriously; there were too many good books written by men.”
    Erika Johansen, The Queen of the Tearling

  • #22
    Cassandra Clare
    “Life is a book, and there are a thousand pages I have not read. I would read them together with you, as many as I can, before I die -"
    She put her hand against his chest, just over his heart, and felt its beat against her palm, a unique time signature that was all its own. "I only wish you would not speak of dying," she said. "But even for that, yes, I know how you are with your words, and, Will- I love all of them. Every word you say. The silly ones, the mad ones, the beautiful ones, and the ones that are only for me. I love them, and I love you.”
    Cassandra Clare, Clockwork Princess

  • #23
    Cassandra Clare
    “Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.”
    “You fear for Jem,” Will said.
    “Yes,” she said. “And I fear for you, too.”
    “No,” Will said, hoarsely. “Don’t waste that on me, Tess.”
    Cassandra Clare, Clockwork Princess

  • #24
    Cassandra Clare
    “Sometimes one must choose whether to be kind or honorable," he said. "Sometimes one cannot be both.”
    Cassandra Clare, Clockwork Princess

  • #25
    Daphne du Maurier
    “If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.”
    Daphne du Maurier, Rebecca

  • #26
    Daphne du Maurier
    “I wish I was a woman of about thirty-six dressed in black satin with a string of pearls.”
    Daphne du Maurier, Rebecca

  • #27
    Daphne du Maurier
    “I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again…For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.”
    Daphne du Maurier, Rebecca
    tags: time

  • #28
    Daphne du Maurier
    “We're not meant for happiness, you and I.”
    Daphne du Maurier, Rebecca

  • #29
    Daphne du Maurier
    “They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then—how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal.”
    Daphne du Maurier, Rebecca

  • #30
    Daphne du Maurier
    “He belonged to a walled city of the fifteenth century, a city of narrow, cobbled streets, and thin spires, where the inhabitants wore pointed shoes and worsted hose. His face was arresting, sensitive, medieval in some strange inexplicable way, and I was reminded of a portrait seen in a gallery I had forgotten where, of a certain Gentleman Unknown. Could one but rob him of his English tweeds, and put him in black, with lace at his throat and wrists, he would stare down at us in our new world from a long distant past—a past where men walked cloaked at night, and stood in the shadow of old doorways, a past of narrow stairways and dim dungeons, a past of whispers in the dark, of shimmering rapier blades, of silent, exquisite courtesy.”
    Daphne Du Maurier, Rebecca



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