Izu > Izu's Quotes

“I hunger to commit the act of touch.”
― Margaret Atwood, The Handmaid's Tale

“Oliver was Oliver,' I said, as if that summed things up.

'Parce que c'était lui, parce que c'était moi,' my father added, quoting Montaigne's all-encompassing explanation for his friendship with Etienne de la Boétie.

I was thinking, instead, of Emily Brontë's words: because 'he's more myself than I am.”
― André Aciman, Call Me by Your Name

“We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!”
― Andre Aciman, Call Me by Your Name

“I'm like you,' he said. 'I remember everything.'

I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name”
― André Aciman, Call Me by Your Name

“People who read are hiders. They hide who they are. People who hide don’t always like who they are.”
― André Aciman, Call Me by Your Name

“And on that evening when we grow older still we'll speak about these two young men as though they were two strangers we met on the train and whom we admire and want to help along. And we'll want to call it envy, because to call it regret would break our hearts.”
― André Aciman, Call Me by Your Name

“Is it better to speak or die?”
― André Aciman, Call Me by Your Name

“Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)”
― André Aciman, Call Me by Your Name

“Did I want him to act? Or would I prefer a lifetime of longing provided we both kept this little Ping-Pong game going: not knowing, not-not-knowing, not-not-not-knowing? Just be quiet, say nothing, and if you can't say "yes," don't say "no," say "later." Is this why people say "maybe" when they mean "yes," but hope you'll think it's "no" when all they really mean is, Please, just ask me once more, and once more after that?”
― André Aciman, Call Me by Your Name

“I suddenly realized that we were on borrowed time, that time is always borrowed, and that the lending agency exacts its premium precisely when we are least prepared to pay and need to borrow more...”
― André Aciman, Call Me by Your Name

“Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh.

And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time.

There is a good deal of comfort, now, in remembering this.”
― Margaret Atwood, The Handmaid's Tale

“Ignoring isn’t the same as ignorance, you have to work at it.”
― Margaret Atwood, The Handmaid's Tale

“But who can remember pain, once it’s over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.”
― Margaret Atwood, The Handmaid’s Tale

“We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.
We lived in the gaps between the stories.”
― Margaret Atwood, The Handmaid’s Tale

“Better never means better for everyone... It always means worse, for some.”
― Margaret Atwood, The Handmaid’s Tale

“You can only be jealous of someone who has something you think you ought to have yourself.”
― Margaret Atwood, The Handmaid’s Tale

“A rat in a maze is free to go anywhere, as long as it stays inside the maze.”
― Margaret Atwood, The Handmaid’s Tale

“But remember that forgiveness too is a power. To beg for it is a power, and to withhold or bestow it is a power, perhaps the greatest.
Maybe none of this is about control. Maybe it isn't really about who can own whom, who can do what to whom and get away with it, even as far as death. Maybe it isn't about who can sit and who has to kneel or stand or lie down, legs spread open. Maybe it's about who can do what to whom and be forgiven for it. Never tell me it amounts to the same thing.”
― Margaret Atwood, The Handmaid’s Tale

“The moment of betrayal is the worst, the moment when you know beyond any doubt that you've been betrayed: that some other human being has wished you that much evil”
― Margaret Atwood, The Handmaid’s Tale

“I wait, washed, brushed, fed, like a prize pig. Sometime in the eighties they invented pig balls, for pigs who were being fattened in pens. Pig balls were large colored balls; the pigs rolled them around with their snouts. The pig marketers said this improved their muscle tone; the pigs were curious, they liked having something to think about. I read about that in Introduction to Psychology; that, and the chapter on caged rats who'd give themselves electric shocks for something to do. And the one on the pigeons trained to peck a button that made a grain of corn appear. Three groups of them: the first one got one grain per peck, the second one grain every other peck, the third was random. When the man in charge cut off the grain, the first group gave up quite soon, the second group a little later. The third group never gave up. They'd peck themselves to death, rather than quit. Who knew what worked?
I wish I had a pig ball.”
― Margaret Atwood

“It is very useful, when one is young, to learn the difference between "literally" and "figuratively." If something happens literally, it actually happens; if something happens figuratively, it feels like it is happening.

If you are literally jumping for joy, for instance, it means you are leaping in the air because you are very happy. If you are figuratively jumping for joy, it means you are so happy that you could jump for joy, but are saving your energy for other matters.”
― Lemony Snicket, The Bad Beginning

“The book was long, and difficult to read, and Klaus became more and more tired as the night wore on. Occasionally his eyes would close. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over.”
― Lemony Snicket , The Bad Beginning

“But one type of book that practically no one likes to read is a book about the law. Books about the law are notorious for being very long, very dull, and very difficult to read. This is one reason many lawyers make heaps of money. The money is an incentive - the word "incentive" here means "an offered reward to persuade you to do something you don't want to do - to read long, dull, and difficult books.”
― Lemony Snicket, The Bad Beginning

“I don't know if you've ever noticed this, but first impressions are often entirely wrong. You can look at a painting for the first time, for example, and not like it at all, but after looking at it a little longer you may find it very pleasing. The first time you try Gorgonzola cheese you may find it too strong, but when you are older you may want to eat nothing but Gorgonzola cheese. Klaus, when Sunny was born, did not like her at all, but by the time she was six weeks old the two of them were thick as thieves. Your initial opinion on just about anything may change over time.”
― Lemony Snicket, The Bad Beginning

“But the law is an odd thing. For instance, one country in Europe has a law that requires all its bakers to sell bread at the exact same price. A certain island has a law that forbids anyone from removing its fruit. And a town not too far from where you live has a law that bars me from coming within five miles of its borders.”
― Lemony Snicket, The Bad Beginning

“To my wonderful readers:
Sorry about that last cliff-hanger.
Well, no, not really. HAHAHAHA.
But seriously, I love you guys.”
― Rick Riordan, The House of Hades

“But magic is neither good nor evil. It is a tool, like a knife. Is a knife evil? Only if the wielder is evil.”
― Rick Riordan, The House of Hades

“Annabeth's voice caught on the word friend. Percy was a lot more than that. Even boyfriend really didn't cover it. They'd been through so much together, at this point Percy was part of her--a sometimes annoying part, sure, but definitely a part she could not live without.”
― Rick Riordan, The House of Hades

“Love is no game! It is no flowery softness! It is hard work- It demands everything from you- especially the truth. Only then does it yield results.”
― Rick Riordan, The House of Hades

“Annabeth dies, trying to keep her boyfriend, the Son of Poseidon, from drowning.”
― Rick Riordan, The House of Hades