Taryn Martin > Taryn's Quotes

“He was fond of books, for they are cool and sure friends”
― Victor Hugo, Les Misérables

“Friendship ... is born at the moment when one man says to another "What! You too? I thought that no one but myself . . .”
― C.S. Lewis, The Four Loves

“People think a soul mate is your perfect fit, and that's what everyone wants. But a true soul mate is a mirror, the person who shows you everything that is holding you back, the person who brings you to your own attention so you can change your life.

A true soul mate is probably the most important person you'll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then leave.

A soul mates purpose is to shake you up, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light can get in, make you so desperate and out of control that you have to transform your life, then introduce you to your spiritual master...”
― Elizabeth Gilbert, Eat, Pray, Love

“You’re wishin’ too much, baby. You gotta stop wearing your wishbone where your backbone oughtta be.”
― Elizabeth Gilbert, Eat, Pray, Love

“We all have the potential to fall in love a thousand times in our lifetime. It's easy. The first girl I ever loved was someone I knew in sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven't even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you’ll meet maybe four or five of these people over the span of 80 years. But there’s still one more tier to all this; there is always one person you love who becomes that definition. It usually happens retrospectively, but it happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of these loveable qualities are self-destructive and unreasonable. The person who defines your understanding of love is not inherently different than anyone else, and they’re often just the person you happen to meet the first time you really, really, want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else.”
― Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

“When you start thinking about what your life was like 10 years ago--and not in general terms, but in highly specific detail--it's disturbing to realize how certain elements of your being are completely dead. They die long before you do. It's astonishing to consider all the things from your past that used to happen all the time but (a) never happen anymore, and (b) never even cross your mind. It's almost like those things didn't happen. Or maybe it seems like they just happened to someone else. To someone you don't really know. To someone you just hung out with for one night, and now you can't even remember her name.”
― Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

“Sometimes I think that the amount of time you live on earth is just an inverse reflection of how good you were in a previous existence. For example, infants who die from SIDs were actually great people when they were alive for real, so they get to go to heaven after a mere five weeks in purgatory. Meanwhile anyone Willard Scott ever congratulated for turning one hundred two was obviously a terrible individual who had many many previous sins to pay for and had to spend a century in his or her own unknown purgatory even though the person seemed perfectly wholesome in this particular world.”
― Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

“As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
― John Green, The Fault in Our Stars

“You don't get to choose if you get hurt in this world...but you do have some say in who hurts you. I like my choices.”
― John Green, The Fault in Our Stars

“Thomas Edison's last words were "It's very beautiful over there". I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.”
― John Green, Looking for Alaska

“There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.”
― John Green, The Fault in Our Stars

“I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.”
― John Green, Looking for Alaska

“What a treacherous thing to believe that a person is more than a person.”
― John Green, Paper Towns

“That's always seemed so ridiculous to me, that people want to be around someone because they're pretty. It's like picking your breakfeast cereals based on color instead of taste.”
― John Green, Paper Towns

“It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.”
― John Green, Paper Towns

“Maybe its like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And then things happen - these people leave us, or don’t love us, or don’t get us, or we don’t get them, and we lose and fail and hurt one another. And the vessel starts to crack in places. And I mean, yeah once the vessel cracks open, the end becomes inevitable. Once it starts to rain inside the Osprey, it will never be remodeled. But there is all this time between when the cracks start to open up and when we finally fall apart. And its only that time that we see one another, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face to face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade, but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.”
― John Green, Paper Towns

“The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.”
― John Green, Paper Towns

“Margo always loved mysteries. And in everything that came afterward, I could never stop thinking that maybe she loved mysteries so much that she became one.”
― John Green, Paper Towns

“I'd had nearly four years of experience looking at these clocks, but their sluggishness never ceased to surprise. If I am ever told that I have one day to live, I will head straight to the hallowed halls of Winter Park High School, where a day has been known to last a thousand years.”
― John Green, Paper Towns

“Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time."
"Yeah, bu-"

"I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.”
― John Green, Paper Towns

“The fundamental mistake I had always made - and that she had, in fairness, always led me to make - was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.”
― John Green, Paper Towns

“I can almost imagine a happiness without her, the ability to let her go, to feel our roots are connected even if I never see that leaf of grass again.”
― John Green, Paper Towns

“I don't know how I look, but I know how I feel: Young. Goofy. Infinite.”
― John Green, Paper Towns

“[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!”
― Jack Kerouac, On the Road

“I realized these were all the snapshots which our children would look at someday with wonder, thinking their parents had lived smooth, well-ordered lives and got up in the morning to walk proudly on the sidewalks of life, never dreaming the raggedy madness and riot of our actual lives, our actual night, the hell of it, the senseless emptiness.”
― Jack Kerouac, On the Road

“I was surprised, as always, by how easy the act of leaving was, and how good it felt. The world was suddenly rich with possibility.”
― Jack Kerouac, On the Road

“LA is the loneliest and most brutal of American cities; NY gets god-awful cold in the winter but there's a feeling of wacky comradeship somewhere in some streets. LA is a jungle.”
― Jack Kerouac, On the Road

“If I knew I was going to die at a specific moment in the future, it would be nice to be able to control what song I was listening to; this is why I always bring my iPod on airplanes.”
― Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

“It's so hard to forget pain, but it's even harder to remember sweetness. We have no scar to show for happiness. We learn so little from peace.”
― Chuck Palahniuk, Diary

“your handwriting. the way you walk. which china pattern you choose. it's all giving you away. everything you do shows your hand. everything is a self portrait. everything is a diary.”
― Chuck Palahniuk, Diary