Jackie Blue > Jackie's Quotes

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  • #1
    Herman Melville
    “I know not all that may be coming, but be it what it will, I'll go to it laughing.”
    Herman Melville, Moby-Dick or, The Whale

  • #2
    J.K. Rowling
    “Remember, if the time should come when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good, and kind, and brave, because he strayed across the path of Lord Voldemort. Remember Cedric Diggory.”
    J.K. Rowling, Harry Potter and the Goblet of Fire

  • #3
    Harper Lee
    “They're certainly entitled to think that, and they're entitled to full respect for their opinions... but before I can live with other folks I've got to live with myself. The one thing that doesn't abide by majority rule is a person's conscience.”
    Harper Lee, To Kill a Mockingbird

  • #4
    Abraham Lincoln
    “I am not bound to win, but I am bound to be true. I am not bound to
    succeed, but I am bound to live up to what light I have.”
    Abraham Lincoln

  • #5
    Rainer Maria Rilke
    “May what I do flow from me like a river, no forcing and no holding back, the way it is with children.”
    Rainer Maria Rilke

  • #6
    Warsan Shire
    “all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father?

    hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth.

    that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer.

    you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about.

    last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.”
    Warsan Shire

  • #7
    Anaïs Nin
    “I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.”
    Anaïs Nin

  • #8
    Anaïs Nin
    “I hate men who are afraid of women's strength.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #9
    Kurt Vonnegut Jr.
    “I tell you, we are here on Earth to fart around, and don't let anybody tell you different.”
    Kurt Vonnegut, A Man Without a Country

  • #10
    Kurt Vonnegut Jr.
    “And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #11
    Kurt Vonnegut Jr.
    “Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #12
    Kurt Vonnegut Jr.
    “Love is where you find it. I think it is foolish to go around looking for it, and I think it can be poisonous. I wish that people who are conventionally supposed to love each other would say to each other, when they fight, 'Please — a little less love, and a little more common decency'.”
    Kurt Vonnegut , Slapstick, or Lonesome No More!

  • #13
    Kurt Vonnegut Jr.
    “Live by the harmless untruths that make you brave and kind and healthy and happy.”
    Kurt Vonnegut Jr., Cat’s Cradle
    tags: arts

  • #14
    Kurt Vonnegut Jr.
    “When the last living thing
    Has died on account of us,
    How poetical it would be
    If Earth could say,
    In a voice floating up
    Perhaps
    From the floor
    Of the Grand Canyon,
    "It is done."
    People did not like it here.”
    Kurt Vonnegut

  • #15
    Kurt Vonnegut Jr.
    “I've often thought there ought to be a manual to hand to little kids, telling them what kind of planet they're on, why they don't fall off it, how much time they've probably got here, how to avoid poison ivy, and so on. I tried to write one once. It was called Welcome to Earth. But I got stuck on explaining why we don't fall off the planet. Gravity is just a word. It doesn't explain anything. If I could get past gravity, I'd tell them how we reproduce, how long we've been here, apparently, and a little bit about evolution. I didn't learn until I was in college about all the other cultures, and I should have learned that in the first grade. A first grader should understand that his or her culture isn't a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society. Cultural relativity is defensible and attractive. It's also a source of hope. It means we don't have to continue this way if we don't like it.”
    Kurt Vonnegut

  • #16
    Anaïs Nin
    “I want to run out and kiss her fantastic beauty, kiss it and say, "You carry away with you a reflection of me, a part of me. I dreamed you, I wished for your existence. You will always be part of my life. If I love you, it must be because we have shared at some time the same imaginings, the same madness, the same stage.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #17
    Anaïs Nin
    “If I fall asleep, it is because I am overloaded. I sleep because one hour with Henry contains five years of my life, and one phrase, one caress answers the expectations of a hundred nights. When I hear him laugh, I say, "I have heard Rabelais.". And I swallow his laughter like bread and wine.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #18
    Anaïs Nin
    “The truth is that this is the only way I can live: in two directions. I need two lives. I am two beings. When I return to Hugo in the evening, to the peace and warmth of the house, I return with deep contentment, as if this was the only condition for me. I bring home to Hugo a whole woman, freed of all 'possessed' fevers, cured of the poison of restlessness and curiosity which used to threaten our marriage, cured through action. Our love lives, because I live. I sustain and feed it. I am loyal to it, in my own way, which cannot be his way. If he ever reads these lines, he must believe me. I am writing calmly, lucidly while waiting for him to come home, as one waits for the chosen lover, the eternal one.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #19
    Maggie Nelson
    “156. Why is the sky blue? -A fair enough question, and one I have learned the answer to several times. Yet every time I try to explain it to someone or remember it to myself, it eludes me. Now I like to remember the question alone, as it reminds me that my mind is essentially a sieve, that I am mortal.

    157. The part I do remember: that the blue of the sky depends on the darkness of empty space behind it. As one optics journal puts it, "The color of any planetary atmosphere viewed against the black of space and illuminated by a sunlike star will also be blue." In which case blue is something of an ecstatic accident produced by void and fire.”
    Maggie Nelson, Bluets

  • #20
    Maggie Nelson
    “One thing they don’t tell you ’bout the blues when you got ’em, you keep on fallin’ ’cause there ain't no bottom,' sings Emmylou Harris, and she may be right. Perhaps it would help to be told that there is no bottom, save, as they say, wherever and whenever you stop digging. You have to stand there, spade in hand, cold whiskey sweat beaded on your brow, eyes misshapen and wild, some sorry-ass grave digger grown bone-tired of the trade. You have to stand there in the dirty rut you dug, alone in the darkness, in all its pulsing quiet, surrounded by the scandal of corpses.”
    Maggie Nelson, Bluets

  • #21
    Henry Miller
    “Develop an interest in life as you see it; the people, things, literature, music - the world is so rich, simply throbbing with rich treasures, beautiful souls and interesting people. Forget yourself.”
    Henry Miller

  • #22
    Henry Miller
    “I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...”
    Henry Miller, Tropic of Cancer

  • #23
    Maggie Nelson
    “7. But what kind of love is it, really? Don’t fool yourself and call it sublimity. Admit that you have stood in front of a little pile of powdered ultramarine pigment in a glass cup at a museum and felt a stinging desire. But to do what? Liberate it? Purchase it? Ingest it? . . . You might want to reach out and disturb the pile of pigment, for example, first staining your fingers with it, then staining the world. You might want to dilute it and swim in it, you might want to rouge your nipples with it, you might want to paint a virgin’s robe with it. But still you wouldn’t be accessing the blue of it. Not exactly.”
    Maggie Nelson, Bluets

  • #24
    Henry Miller
    “How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap.

    To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…”
    Henry Miller, Sexus

  • #25
    Henry Miller
    “Talk is only a pretext for other, subtler forms of communication. When the latter are inoperative speech becomes dead. If two people are intent upon communicating with one another it doesn’t matter in the least how bewildering the talk becomes. People who insist upon clarity and logic often fail in making themselves understood. They are always-searching for a more perfect transmitter, deluded by the supposition that the mind is the only instrument for the exchange of thought. When one really begin to talk one delivers himself. Words are thrown about recklessly, not counted like pennies. One doesn’t care about grammatical or factual errors, contradictions, lies and so on. One talks. If you are talking to some one who knows how to listen he understands perfectly, even though the words make no sense. When this kind of talk gets under way a marriage takes place, no matter whether you are talking to a man or a woman. Men talking with other men have as much need of this sort of marriage as women talking with women have. Married couples seldom enjoy this kind of talk, for reasons which are only too obvious.”
    Henry Miller, Sexus

  • #26
    Henry Miller
    “Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...]
    I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.”
    Henry Miller, A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953
    tags: love

  • #27
    Anaïs Nin
    “Things I forgot to tell you:

    That I love you, and that when I awake in the morning I use my intelligence to discover more ways of appreciating you.

    That when June comes back she will love you more because I have loved you. There are new leaves on the tip and climax of your already overrich head.

    That I love you.
    That I love you.
    That I love you.

    I have become an idiot like Gertrude Stein. That’s what love does to intelligent women. They cannot write letters anymore.”
    Anaïs Nin, A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953
    tags: love

  • #28
    Henry Miller
    “Do anything, but let it produce joy. Do anything, but let it yield ecstasy.”
    Henry Miller, Tropic of Cancer

  • #29
    Rainer Maria Rilke
    “Why do you want to shut out of your life any uneasiness, any misery, any depression, since after all you don't know what work these conditions are doing inside you? Why do you want to persecute yourself with the question of where all this is coming from and where it is going? Since you know, after all, that you are in the midst of transitions and you wished for nothing so much as to change. If there is anything unhealthy in your reactions, just bear in mind that sickness is the means by which an organism frees itself from what is alien; so one must simply help it to be sick, to have its whole sickness and to break out with it, since that is the way it gets better.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #30
    Rainer Maria Rilke
    “I want to be with those who know secret things or else alone.”
    Rainer Maria Rilke



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