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  • #1
    Virginia Woolf
    “I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee’s life of the poet. She died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross–roads still lives. She lives in you and in me, and in many other women who are not here to–night, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or so—I am talking of the common life which is the real life and not of the little separate lives which we live as individuals—and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting–room and see human beings not always in their relation to each other but in relation to reality; and the sky. too, and the trees or whatever it may be in themselves; if we look past Milton’s bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare’s sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would he impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.”
    Virginia Woolf, A Room of One’s Own

  • #2
    Virginia Woolf
    “And since a novel has this correspondence to real life, its values are to some extent those of real life. But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally this is so. Yet is it the masculine values that prevail. Speaking crudely, football and sport are "important"; the worship of fashion, the buying of clothes "trivial." And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.”
    Virginia Woolf, A Room of One’s Own

  • #3
    J.D. Salinger
    “I'm sick of not having the courage to be an absolute nobody.”
    J.D. Salinger, Franny and Zooey

  • #4
    Amor Towles
    “He had said that our lives are steered by uncertainties, many of which are disruptive or even daunting; but that if we persevere and remain generous of heart, we may be granted a moment of lucidity—a moment in which all that has happened to us suddenly comes into focus as a necessary course of events, even as we find ourselves on the threshold of the life we had been meant to lead all along.”
    Amor Towles, A Gentleman in Moscow

  • #5
    William Faulkner
    “Caddy got the box and set it on the floor and opened it. It was full of stars. When I was still, they were still. When I moved, they glinted and sparkled. I hushed.”
    William Faulkner, The Sound and the Fury

  • #6
    Joan Didion
    “I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later—because I did not belong there, did not come from there—but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.”
    Joan Didion, Slouching Towards Bethlehem

  • #7
    Richard Siken
    “I sleep. I dream. I make up things that I would never say. I say them very quietly.”
    Richard Siken

  • #8
    Joan Didion
    “We tell ourselves stories in order to live.”
    Joan Didion, The White Album

  • #9
    William Faulkner
    “Caddy smelled like trees.”
    William Faulkner, The Sound and the Fury

  • #10
    E.B. White
    “A poem compresses much in a small space and adds music, thus heightening its meaning. The city is like poetry: it compresses all life, all races and breeds, into a small island and adds music and the accompaniment of internal engines. The island of Manhattan is without any doubt the greatest human concentrate on earth, the poem whose magic is comprehensible to millions of permanent residents but whose full meaning will always remain elusive.”
    E.B. White, Here Is New York

  • #11
    Tony Kushner
    “Night flight to San Francisco; chase the moon across America. God, it’s been years since I was on a plane. When we hit 35,000 feet we’ll have reached the tropopause, the great belt of calm air, as close as I’ll ever get to the ozone. I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was frightening. But I saw something that only I could see because of my astonishing ability to see such things: Souls were rising, from the earth far below, souls of the dead, of people who had perished, from famine, from war, from the plague, and they floated up, like skydivers in reverse, limbs all akimbo, wheeling and spinning. And the souls of these departed joined hands, clasped ankles, and formed a web, a great net of souls, and the souls were three-atom oxygen molecules of the stuff of ozone, and the outer rim absorbed them and was repaired. Nothing’s lost forever. In this world, there’s a kind of painful progress. Longing for what we’ve left behind, and dreaming ahead. At least I think that’s so.”
    Tony Kushner, Perestroika
    tags: hope

  • #13
    E.B. White
    “Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. Of these three trembling cities the greatest is the last--the city of final destination, the city that is a goal. It is this third city that accounts for New York's high-strung disposition, its poetical deportment, its dedication to the arts, and its incomparable achievements. Commuters give the city its tidal restlessness; natives give it solidity and continuity; but the settlers give it passion.”
    E.B. White, Here Is New York

  • #14
    Tony Kushner
    “It isn't easy, it doesn't count if it's easy, it's the hardest thing. Forgiveness. Which is maybe where love and justice finally meet.”
    Tony Kushner, Millennium Approaches

  • #15
    Milan Kundera
    “And therein lies the whole of man's plight. Human time does not turn in a circle; it runs ahead in a straight line. That is why man cannot be happy: happiness is the longing for repetition.”
    Milan Kundera, The Unbearable Lightness of Being

  • #16
    Tony Kushner
    “My whole life has conspired to bring me to this place, and I can’t despise my whole life.”
    Tony Kushner, Millennium Approaches

  • #16
    Tony Kushner
    “I've lived through such terrible times and there are people who live through much worse. But you see them living anyway. When they're more spirit than body, more sores than skin, when they're burned and in agony, when flies lay eggs in the corners of the eyes of their children - they live. Death usually has to take life away. I don't know if that's just the animal. I don't know if it's not braver to die, but I recognize the habit; the addiction to being alive. So we live past hope. If I can find hope anywhere, that's it, that's the best I can do. It's so much not enough. It's so inadequate. But still bless me anyway. I want more life.”
    Tony Kushner, Angels in America

  • #17
    Ray Bradbury
    “Tom," said Douglas, "just promise me one thing, okay?"
    "It's a promise. What?"
    "You may be my brother and maybe I hate you sometimes, but stick around, all right?"
    "You mean you'll let me follow you and the older guys when you go on hikes?"
    "Well . . . sure . . . even that. What I mean is, don't go away, huh? Don't let any cars run over you or fall of a cliff."
    "I should say not! Whatta you think I am, anyway?"
    "'Cause if worst comes to worst, and both of us are real old--say forty or forty-five some day-- we can own a gold mine out West and sit there smoking corn silk and growing bears."
    "Growing beards! Boy!"
    "Like I say, you stick around and don't let nothing happen."
    "You can depend on me," said Tom.
    "It's not you I worry about," said Douglas. "It's the way God runs the world."
    Tom thought about this for a moment.
    "He's all right, Doug," said Tom. "He tries.”
    Ray Bradbury, Dandelion Wine

  • #18
    Ray Bradbury
    “Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.”
    Ray Bradbury, Dandelion Wine

  • #19
    F. Scott Fitzgerald
    “She smiled, a moving childish smile that was like all the lost youth in the world.”
    F. Scott Fitzgerald, Tender Is the Night

  • #20
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #21
    F. Scott Fitzgerald
    “Sometimes it is harder to deprive oneself of a pain than of a pleasure and the memory so possessed him that for the moment there was nothing to do but to pretend.”
    F. Scott Fitzgerald, Tender Is the Night

  • #22
    Milan Kundera
    “He suddenly recalled from Plato's Symposium: People were hermaphrodites until God split then in two, and now all the halves wander the world over seeking one another. Love is the longing for the half of ourselves we have lost.”
    Milan Kundera, The Unbearable Lightness of Being

  • #23
    Tony Kushner
    “The white cracker who wrote the National Anthem knew what he was doing. He set the word "free" to a note so high nobody could reach it. That was deliberate.”
    Tony Kushner, Perestroika

  • #24
    Joan Didion
    “That was the year, my twenty-eighth, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and every procrastination, every mistake, every word, all of it.”
    Joan Didion

  • #25
    Joan Didion
    “What makes Iago evil? Some people ask. I never ask.”
    Joan Didion, Play It As It Lays

  • #26
    Joan Didion
    “Memory fades, memory adjusts, memory conforms to what we think we remember.”
    Joan Didion, Blue Nights

  • #27
    Joan Didion
    “…quite simply, I was in love with New York. I do not mean "love" in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later—because I did not belong there, did not come from there”
    Joan Didion, Slouching Towards Bethlehem

  • #28
    Joan Didion
    “It is often said that New York is a city for only the very rich and the very poor. It is less often said that New York is also, at least for those of us who came there from somewhere else, a city for only the very young.”
    Joan Didion, Slouching Towards Bethlehem

  • #29
    “Girl power in my mind is to let girls be exactly what they are. Let them be angry. Let them be resentful. And rebellious. Let them be hard and soft and loving and sad and silly. Let them be wrong. Let them be right. Let them be everything. because, they are everything.”
    Amy Sherman-Palladino

  • #30
    William Shakespeare
    “There is a tide in the affairs of men
    Which, taken at the flood, leads on to fortune;
    Omitted, all the voyage of their life
    Is bound in shallows and in miseries.
    On such a full sea are we now afloat;
    And we must take the current when it serves,
    Or lose our ventures.”
    William Shakespeare , Julius Caesar



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