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  • #1
    David Foster Wallace
    “I read," I say. "I study and read. I bet I've read everything you read. Don't think I haven't. I consume libraries. I wear out spines and ROM-drives. I do things like get in a taxi and say, "The library, and step on it." My instincts concerning syntax and mechanics are better than your own, I can tell, with all due respect. But it transcends the mechanics. I'm not a machine. I feel and believe. I have opinions. Some of them are interesting. I could, if you'd let me, talk and talk.”
    David Foster Wallace

  • #2
    David Foster Wallace
    “What the really great artists do is they're entirely themselves. They're entirely themselves, they've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.”
    David Foster Wallace

  • #3
    David Foster Wallace
    “I had kind of a midlife crisis at twenty which probably doesn’t augur well for my longevity”
    David Foster Wallace

  • #4
    David Foster Wallace
    “What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny little part of it at any given instant.”
    David Foster Wallace, Oblivion

  • #5
    David Foster Wallace
    “Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.”
    David Foster Wallace

  • #6
    David Foster Wallace
    “The next suitable person you’re in light conversation with, you stop suddenly in the middle of the conversation and look at the person closely and say, “What’s wrong?” You say it in a concerned way. He’ll say, “What do you mean?” You say, “Something’s wrong. I can tell. What is it?” And he’ll look stunned and say, “How did you know?” He doesn’t realize something’s always wrong, with everybody. Often more than one thing. He doesn’t know everybody’s always going around all the time with something wrong and believing they’re exerting great willpower and control to keep other people, for whom they think nothing’s ever wrong, from seeing it.”
    David Foster Wallace, The Pale King

  • #7
    David Foster Wallace
    “If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it”
    David Foster Wallace

  • #8
    David Foster Wallace
    “To be, in a word, unborable.... It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish”
    David Foster Wallace, The Pale King

  • #9
    David Foster Wallace
    “I'd tell you all you want and more, if the sounds I made could be what you hear”
    David Foster Wallace

  • #10
    David Foster Wallace
    “I'd like to be the sort of person who can enjoy things at the time, instead of having to go back in my head and enjoy them.”
    David Foster Wallace

  • #11
    David Foster Wallace
    “Routine, repetition, tedium, monotony, ephemeracy, inconsequence, abstraction, disorder, boredom, angst, ennui — these are the true hero's enemies, and make no mistake, they are fearsome indeed. For they are real.”
    David Foster Wallace, The Pale King

  • #12
    David Foster Wallace
    “the psychological need to believe that others take you as seriously as you take yourself. There is nothing particularly wrong with it, as psychological needs go, but yet of course we should always remember that a deep need for anything from other people makes us easy pickings.”
    David Foster Wallace, Brief Interviews with Hideous Men

  • #13
    David Foster Wallace
    “How odd I can have all this inside me and to you it’s just words.”
    David Foster Wallace, The Pale King

  • #14
    David Foster Wallace
    “No wonder we cannot appreciate the really central Kafka joke: that the horrific struggle to establish a human self results in a self whose humanity is inseparable from the horrific struggle. That our endless and impossible journey toward home is in fact our home.”
    David Foster Wallace, Consider the Lobster and Other Essays

  • #15
    Margaret Atwood
    “In the spring, at the end of the day, you should smell like dirt.”
    Margaret Atwood, Bluebeard's Egg

  • #16
    Margaret Atwood
    “I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.”
    Margaret Atwood

  • #17
    Margaret Atwood
    “Longed for him. Got him. Shit.”
    Margaret Atwood

  • #18
    Margaret Atwood
    “Perhaps I write for no one. Perhaps for the same person children are writing for when they scrawl their names in the snow.”
    Margaret Atwood

  • #19
    Margaret Atwood
    “Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh.

    And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time.

    There is a good deal of comfort, now, in remembering this.”
    Margaret Atwood, The Handmaid's Tale
    tags: love

  • #20
    Margaret Atwood
    “When you're young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. You're your own speeding car. You think you can get rid of things, and people too—leave them behind. You don't yet know about the habit they have, of coming back.

    Time in dreams is frozen. You can never get away from where you've been.”
    Margaret Atwood, The Blind Assassin

  • #21
    Margaret Atwood
    “We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.
    We lived in the gaps between the stories.”
    Margaret Atwood, The Handmaid’s Tale

  • #22
    Margaret Atwood
    “Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.”
    Margaret Atwood, The Blind Assassin

  • #23
    Margaret Atwood
    “Hatred would have been easier. With hatred, I would have known what to do. Hatred is clear, metallic, one-handed, unwavering; unlike love.”
    Margaret Atwood, Cat's Eye

  • #24
    Banksy
    “Art should comfort the disturbed and disturb the comfortable.”
    Banksy

  • #25
    Richard Brautigan
    “One day
    Time will die
    And love will bury it”
    Richard Brautigan

  • #26
    Jonathan Tropper
    “It would be a terrible mistake to go through life thinking that people are the sum total of what you see.”
    Jonathan Tropper, This is Where I Leave You

  • #27
    Jonathan Tropper
    “Phillip is the Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead.”
    Jonathan Tropper, This is Where I Leave You

  • #28
    Jonathan Tropper
    “We are all smiling in the picture, three brothers having a grand old time just playing around in the living room, no agendas, no buried resentments or permanent scars. Even under the best of circumstances, there's just something so damn tragic about growing up.”
    Jonathan Tropper, This is Where I Leave You

  • #29
    Jonathan Tropper
    “Childhood feels so permanent, like it's the entire world, and then one day it's over and you're shoveling wet dirt onto your father's coffin, stunned at the impermanence of everything.”
    Jonathan Tropper, This is Where I Leave You

  • #30
    Jonathan Tropper
    “Love made us partners in narcissism, and we talked ceaselessly about how close we were, how perfect our connection was, like we were the first people in history to ever get it exactly right.”
    Jonathan Tropper, This is Where I Leave You



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