Jeanette > Jeanette's Quotes

“Nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man’s living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.”
― Jon Krakauer, Into the Wild

“You can’t ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving.”
― Paul Kalanithi, When Breath Becomes Air

“No risk is more terrifying than that taken by the first root. A lucky root will eventually find water, but its first job is to anchor -- to anchor an embryo and forever end its mobile phase, however passive that mobility was. Once the first root is extended, the plant will never again enjoy any hope (however feeble) of relocating to a place less cold, less dry, less dangerous. Indeed, it will face frost, drought, and greedy jaws without any possibility of flight. The tiny rootlet has only once chance to guess what the future years, decades -- even centuries -- will bring to the patch of soil where it sits. It assesses the light and humidity of the moment, refers to its programming, and quite literally takes the plunge.”
― Hope Jahren, Lab Girl

“Why am I always looking at life through a window?”
― Daniel Keyes, Flowers for Algernon

“My true potential had more to do with my willingness to struggle than with my past and present circumstances.”
― Hope Jahren, Lab Girl

“That's what it feels like when I write, like I have this beautiful world in my head, but when I try to remember it in order to write it down, I change it, and I can't ever get it back.”
― Ruth Ozeki, A Tale for the Time Being

“Am I crazy?" she asked. "I feel like I am sometimes."
"Maybe," he said, rubbing her forehead. "But don't worry about it. You need to be a little bit crazy. Crazy is the price you pay for having an imagination. It's your superpower. Tapping into the dream. It's a good thing not a bad thing.”
― Ruth Ozeki, A Tale for the Time Being

“Do not think that time simply flies away. Do not understand “flying” as the only function of time. If time simply flew away, a separation would exist between you and time. So if you understand time as only passing, then you do not understand the time being.   To grasp this truly, every being that exists in the entire world is linked together as moments in time, and at the same time they exist as individual moments of time. Because all moments are the time being, they are your time being.”
― Ruth Ozeki, A Tale for the Time Being

“For the time being, the entire earth and the boundless sky.”
― Ruth Ozeki, A Tale for the Time Being

“Death doesn't exist. It never did, it never will. But we've drawn so many pictures of it, so many years, trying to pin it down, comprehend it, we've got to thinking of it as an entity, strangely alive and greedy. All it is, however, is a stopped watch, a loss, an end, a darkness. Nothing.”
― Ray Bradbury, Something Wicked This Way Comes

“Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead – And wasn’t it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time...”
― Ray Bradbury, Something Wicked This Way Comes

“Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.”
― Ray Bradbury, Something Wicked This Way Comes

“The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.”
― Ray Bradbury, Something Wicked This Way Comes

“So in sum, what are we? We are the creatures that know and know too much. That leaves us with such a burden again we have a choice, to laugh or cry. No other animal does either. We do, depending on the season and the need.”
― Ray Bradbury, Something Wicked This Way Comes

“Is Death important? No. Everything that happens before death is what counts.”
― Ray Bradbury, Something Wicked This Way Comes

“But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
― Madeline Miller, Circe

“I thought once that gods are the opposite of death, but I see now they are more dead than anything, for they are unchanging, and can hold nothing in their hands.”
― Madeline Miller, Circe

“You cannot know how frightened gods are of pain. There is nothing more foreign to them, and so nothing they ache more deeply to see.”
― Madeline Miller, Circe

“I asked her how she did it once, how she understood the world so clearly. She told me that it was a matter of keeping very still and showing no emotions, leaving room for others to reveal themselves.”
― Madeline Miller, Circe

“But gods are born of ichor and nectar, their excellences already bursting from their fingertips. So they find their fame by proving what they can mar: destroying cities, starting wars, breeding plagues and monsters. All that smoke and savor rising so delicately from our altars. It leaves only ash behind.”
― Madeline Miller, Circe

“The lonely ones are making their moves with us, struggling with a fright that is so deep it has blinded their inner-sight. They know they will be shot if caught, so do we. They regard this moment as their last performance, so do we. The fright sweetens the mood. We are near to death as well as to heaven.”
― Anchee Min, Red Azalea: A Memoir

“I, on the other hand, still might not be considered a proper grown-up. I had been very much the adult when I was in elementary school. But as I continued on through junior high and high school, on the contrary, I became less grown-up. And then as the years passed, I turned into quite a childlike person. I suppose I just wasn't able to ally myself with time.”
― Hiromi Kawakami, The Briefcase

“That should be my epitaph when I die 'she did not have to do it'.”
― Marie Brennan, The Voyage of the Basilisk

“I had a habit of acting as though I were having a conversation with someone beside me – with the me who was not really right there beside me – as if to validate these random effervescences.”
― Hiromi Kawakami, Strange Weather in Tokyo

“I don’t know what’s worse: to not know what you are and be happy, or to become what you’ve always wanted to be, and feel alone.”
― Daniel Keyes, Flowers for Algernon

“I am afraid. Not of life, or death, or nothingness, but of wasting it as if I had never been.”
― Daniel Keyes, Flowers for Algernon

“There are a lot of people who will give money or materials, but very few who will give time and affection.”
― Daniel Keyes, Flowers for Algernon

“I'm living at a peak of clarity and beauty I never knew existed. Every part of me is attuned to the work. I soak it up into my pores during the day, and at night—in the moments before I pass off into sleep—ideas explode into my head like fireworks. There is no greater joy than the burst of solution to a problem. Incredible that anything could happen to take away this bubbling energy, the zest that fills everything I do. It's as if all the knowledge I've soaked in during the past months has coalesced and lifted me to a peak of light and understanding. This is beauty, love, and truth all rolled into one. This is joy.”
― Daniel Keyes, Flowers for Algernon

“I’m like a man who’s been half-asleep all his life, trying to find out what he was like before he woke up.”
― Daniel Keyes, Flowers for Algernon

“Some say it is best not to go near the center of time. Life is a vessel of sadness, but is noble to live life and without time there is no life. Others disagree. They would rather have an eternity of contentment, even if that eternity were fixed and frozen, like a butterfly mounted in a case.”
― Alan Lightman, Einstein’s Dreams