Sofia > Sofia's Quotes

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  • #1
    Shirley Jackson
    “Eleanor looked up, surprised; the little girl was sliding back in her chair, sullenly refusing her milk, while her father frowned and her brother giggled and her mother said calmly, 'She wants her cup of stars.'

    Indeed yes, Eleanor thought; indeed, so do I; a cup of stars, of course.

    'Her little cup,' the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill's good country milk was not rich enough for the little girl. 'It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk.' The waitress nodded, unconvinced, and the mother told the little girl, 'You'll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?'

    Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.”
    Shirley Jackson, The Haunting of Hill House

  • #2
    Erich Maria Remarque
    “To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and again and often forever.”
    Erich Maria Remarque, All Quiet on the Western Front
    tags: war

  • #3
    Vincent van Gogh
    “A great fire burns within me, but no one stops to warm themselves at it, and passers-by only see a wisp of smoke”
    Vincent Van Gogh

  • #4
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #5
    Stephen  King
    “Your hair is winter fire
    January embers
    My heart burns there, too.”
    Stephen King, It

  • #6
    Shirley Jackson
    “She had taken to wondering lately, during these swift-counted years, what had been done with all those wasted summer days; how could she have spent them so wantonly? I am foolish, she told herself early every summer, I am very foolish; I am grown up now and know the values of things. Nothing is ever really wasted, she believed sensibly, even one's childhood, and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by.”
    Shirley Jackson, The Haunting of Hill House

  • #7
    Shirley Jackson
    “Fear," the doctor said, "is the relinquishment of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway.”
    Shirley Jackson, The Haunting of Hill House

  • #8
    Shirley Jackson
    “Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long.”
    Shirley Jackson, The Haunting of Hill House

  • #9
    Anaïs Nin
    “Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #10
    Angela Duckworth
    “When I am around people,” Kat wrote, “my heart and soul radiate with the awareness that I am in the presence of greatness. Maybe greatness unfound, or greatness underdeveloped, but the potential or existence of greatness nevertheless. You never know who will go on to do good or even great things or become the next great influencer in the world—so treat everyone like they are that person.”
    Angela Duckworth, Grit: The Power of Passion and Perseverance

  • #11
    Jonathan Safran Foer
    “I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #12
    Jim Morrison
    “Is everybody in? Is everybody in? Is everybody in? The ceremony is about to begin. The entertainment for this evening is not new, you've seen this entertainment through and through you have seen your birth, your life, your death....you may recall all the rest. Did you have a good world when you died? -enough to base a movie on??”
    Jim Morrison, An American Prayer

  • #13
    Dante Alighieri
    “In the middle of the journey of our life I found myself within a dark woods where the straight way was lost.”
    Dante Alighieri, Inferno

  • #14
    Dante Alighieri
    “The man who lies asleep will never waken fame, and his desire and all his life drift past him like a dream, and the traces of his memory fade from time like smoke in air, or ripples on a stream.”
    Dante Alighieri, The Divine Comedy: Inferno - Purgatorio - Paradiso

  • #15
    Dante Alighieri
    “Heaven wheels above you, displaying to you her eternal glories, and still your eyes are on the ground”
    Dante Alighieri

  • #16
    Hermann Hesse
    “I sped through heaven and saw god at work. I suffered holy pains. I dropped all my defenses and was afraid of nothing in the world. I accepted all things and to all things I gave up my heart.”
    Hermann Hesse
    tags: love

  • #17
    Colson Whitehead
    “It was the sound of the god of death from one of the forgotten religions, the one that got it right, upstaging the pretenders with their billions of duped faithful. Every god ever manufactured by the light of cave fires to explain the thunder or calling forth the fashionable supplications in far-flung temples was the wrong one. He had come around after all this time, preening as he toured the necropolis, his kingdom risen at last.”
    Colson Whitehead, Zone One

  • #18
    Dante Alighieri
    “As little flowers, which the chill of night has bent and huddled, when the white sun strikes, grow straight and open fully on their stems, so did I, too, with my exhausted force.”
    Dante Alighieri, Inferno

  • #19
    Mark Z. Danielewski
    “Little solace comes
    to those who grieve
    when thoughts keep drifting
    as walls keep shifting
    and this great blue world of ours
    seems a house of leaves

    moments before the wind.”
    Mark Z. Danielewski, House of Leaves

  • #20
    Mark Z. Danielewski
    “I took my morning walk, I took my evening walk, I ate something, I thought about something, I wrote, I napped and dreamt something too, and with all that something, I still have nothing because so much of sum’thing has always been and always will be you.

    I miss you.”
    Mark Z. Danielewski, House of Leaves

  • #21
    W. Somerset Maugham
    “You have a hierarchy of values; pleasure is at the bottom of the ladder, and you speak with a little thrill of self-satisfaction, of duty, charity, and truthfulness. You think pleasure is only of the senses; the wretched slaves who manufactured your morality despised a satisfaction which they had small means of enjoying. You would not be so frightened if I had spoken of happiness instead of pleasure: it sounds less shocking, and your mind wonders from the sty of Epicurus to his garden. But I will speak of pleasure, for I see that men aim at that, and I do not know that they aim at happiness. It is pleasure that lurks in the practice of every one of your virtues. Man performs actions because they are good for him, and when they are good for other people as well they are thought virtuous: if he finds pleasure in giving alms he is charitable; if he finds pleasure in helping others he is benevolent; if he finds pleasure in working for society he is public-spirited; but it is for your private pleasure that you give twopence to a beggar as much as it is for my private pleasure that I drink another whiskey and soda. I, less of a humbug than you, neither applaud myself for my pleasure nor demand your admiration.”
    W. Somerset Maugham, Of Human Bondage

  • #22
    Elaine Scarry
    “He cannot will his entry into and exit from the activity on a daily basis. There is not, as there is for most workers, a brief interval of exemption at the end of the day when he is permitted to enact a wholly different set of gestures; the timing of his eventual exit will by determined not by his own will but by the end of the war, whether that comes in days, months, or years, and there is of course a very high probability that even when the war ends he will never exit from it. Although in all forms of work the worker mixes himself with and eventually becomes inseparable from the materials of his labor (an inseparability that has only its most immediate sign the residues which coat his body, the coal beneath the skin of his arm, the spray of grain in his hair, the ink on his fingers), the boy in war is, to an extent, found in almost no other form of work, inextricably bound up with the men and materials of his labor: he will learn to perceive himself as he will be perceived by others, as indistinguishable from the men of his unit, regiment, division, and above all national group (all of whom will share the same name: he is German) as he is also inextricably bound up with the qualities and conditions – berry laden or snow laden - of the ground over which he walks or runs or crawls and with which he craves and courts identification, as in the camouflage postures he adopts, now running bent over parallel with the ground it is his work to mime, now arching forward conforming the curve of his back to the curve of a companion boulder, now standing as upright and still and narrow as the slender tree behind which he hides; he is the elms and the mud, he is the one hundred and sixth, he is a small piece of German terrain broken off and floating dangerously through the woods of France. He is a fragment of American earth wedged into an open hillside in Korea and reworked by its unbearable sun and rain. He is dark blue like the sea. He is light grey like the air through which he flies. He is sodden in the green shadows of earth. He is a light brown vessel of red Australian blood that will soon be opened and emptied across the rocks and ridges of Gallipoli from which he can never again become distinguishable.”
    Elaine Scarry, The Body in Pain: The Making and Unmaking of the World

  • #23
    Vaslav Nijinsky
    “I danced frightening things. They were frightened of me and therefore thought that I wanted to kill them. I did not want to kill anyone. I loved everyone, but no one loved me, and therefore I became nervous.”
    Vaslav Nijinsky, The Diary of Vaslav Nijinsky

  • #24
    “the hard season will split you through. do not worry. you will bleed water. do not worry. this is grief. your face will fall out and down your skin and there will be scorching. but do not worry. keep speaking the years from their hiding places. keep coughing up smoke from all the deaths you have died. keep the rage tender. because the soft season will come. it will come. loud. ready. gulping. both hands in your chest. up all night. up all of the nights. to drink all damage into love. – therapy”
    Nayyirah Waheed, salt.

  • #25
    Guillermo del Toro
    “What makes a man a man? A friend of mine once wondered. Is it his origins? The way he comes to life? I don't think so. It's the choices he makes. Not how he starts things, but how he decides to end them.”
    Guillermo del Toro, Hellboy: The Art of the Movie

  • #26
    Dorothy Parker
    Résumé
    Razors pain you,
    Rivers are damp,
    Acids stain you,
    And drugs cause cramp.
    Guns aren't lawful,
    Nooses give,
    Gas smells awful.
    You might as well live.”
    Dorothy Parker, Enough Rope

  • #27
    Ocean Vuong
    “I got what I wanted—a boy swimming toward me. Except I was no shore, Ma. I was driftwood trying to remember what I had broken from to get here.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #28
    Christopher Marlowe
    “Faustus: Stay, Mephistopheles, and tell me, what good will
    my soul do thy lord?

    Mephistopheles: Enlarge his kingdom.

    Faustus: Is that the reason he tempts us thus?

    Mephistopheles: Solamen miseris socios habuisse doloris.
    (It is a comfort to the wretched to have companions in misery.)”
    Christopher Marlowe, Dr. Faustus

  • #29
    Christopher Marlowe
    “Was this the face that launched a thousand ships/And burnt the topless towers of Ilium?”
    Christoper Marlowe, The Tragical History of Dr. Faustus
    tags: latin

  • #30
    Emily Brontë
    “If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.”
    Emily Jane Brontë , Wuthering Heights



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