Millie > Millie's Quotes

Showing 1-17 of 17
sort by

  • #1
    Bret Easton Ellis
    “Disappear Here.
    The syringe fills with blood.
    You're a beautiful boy and that's all that matters.
    Wonder if he's for sale.
    People are afraid to merge. To merge.”
    Bret Easton Ellis, Less Than Zero

  • #2
    Bret Easton Ellis
    “All it comes down to is this: I feel like shit but look great.”
    Bret Easton Ellis, American Psycho

  • #3
    Bret Easton Ellis
    “What does that mean know me, know me, nobody ever knows anybody else, ever! You will never know me. ”
    Bret Easton Ellis, The Rules of Attraction

  • #4
    Bret Easton Ellis
    “No one ever likes the right person.”
    Bret Easton Ellis, The Rules of Attraction

  • #5
    Bret Easton Ellis
    “I only had sex with her because I'm in love with you.”
    Bret Easton Ellis, The Rules of Attraction

  • #6
    Bret Easton Ellis
    “Our lives are not all interconnected. That theory is a crock. Some people truly do not need to be here.”
    Bret Easton Ellis

  • #7
    Bret Easton Ellis
    “But this road doesn't go anywhere,” I told him.
    “That doesn't matter.”
    “What does?” I asked, after a little while.
    “Just that we're on it, dude,” he said.”
    Bret Easton Ellis, Less Than Zero

  • #8
    Bret Easton Ellis
    “People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.”
    Bret Easton Ellis, Less Than Zero

  • #9
    Bret Easton Ellis
    “Disappear here”
    Bret Easton Ellis, Less Than Zero

  • #10
    Bret Easton Ellis
    “And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn't remember if he was Catholic or not.”
    Bret Easton Ellis, The Rules of Attraction
    tags: lust

  • #11
    Bret Easton Ellis
    “A great numb feeling washes over me as I let go of the past and look forward to the future. Pretend to be a vampire. I don't really need to pretend, because it's who I am, an emotional vampire. I've just come to expect it. Vampires are real. That I was born this way. That I feed off of other people's real emotions. Search for this night's prey. Who will it be?”
    Bret Easton Ellis, The Rules of Attraction

  • #12
    Bret Easton Ellis
    “Look how black the sky is, the writer said. I made it that way.”
    Bret Easton Ellis, Lunar Park

  • #13
    Bret Easton Ellis
    “Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s own taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface, was all that anyone found meaning in…this was civilization as I saw it, colossal and jagged…”
    Bret Easton Ellis, American Psycho

  • #14
    Jay McInerney
    “Everything becomes symbol and irony when you've been betrayed”
    Jay McInerney, Bright Lights, Big City

  • #15
    Jay McInerney
    “Great minds sink alike, right?”
    Jay McInerney, Story of My Life

  • #16
    Jay McInerney
    “It's like, you can't trust anybody, and if somebody you know doesn't fuck you over it's just because the price of selling you down the river was never high enough.”
    Jay McInerney, Story of My Life

  • #17
    Chris Brogan
    “Don't settle: Don't finish crappy books. If you don't like the menu, leave the restaurant. If you're not on the right path, get off it.”
    Chris Brogan



Rss