Marie.lauren > Marie.lauren's Quotes

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  • #1
    Anaïs Nin
    “I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anais Nin

  • #2
    Andrea Dworkin
    “Feminism is hated because women are hated. Antifeminism is a direct expression of misogyny; it is the political defense of woman hating.”
    Andrea Dworkin, Right-Wing Women

  • #3
    Euripides
    “Of all creatures that can feel and think,
    we women are the worst treated things alive”
    Euripides, Medea

  • #4
    Anaïs Nin
    “I am only responsible for my own heart, you offered yours up for the smashing my darling. Only a fool would give out such a vital organ”
    Anais Nin

  • #5
    Anaïs Nin
    “I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them.”
    Anais Nin

  • #6
    Anaïs Nin
    “There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest.”
    Anais Nin

  • #9
    Anaïs Nin
    “If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.”
    Anais Nin

  • #9
    Anaïs Nin
    “I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.”
    Anais Nin

  • #12
    Anaïs Nin
    “I believe one writes because one has to create a world in which one can live.”
    Anais Nin

  • #13
    Anaïs Nin
    “You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #15
    Anaïs Nin
    “Societies in decline have no use for visionaries.”
    Anais Nin

  • #18
    Anaïs Nin
    “The truly faithless one is the one who makes love to only a fraction of you. And denies the rest.”
    Anais Nin

  • #20
    Anaïs Nin
    “Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"

    Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.

    You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.”
    Anais Nin

  • #21
    Anaïs Nin
    “We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.”
    Anais Nin

  • #21
    Anaïs Nin
    “I will always be the virgin-prostitute, the perverse angel, the two-faced sinister and saintly woman.”
    Anais Nin, Henry & June

  • #23
    George R.R. Martin
    “I will hurt you for this. I don't know how yet, but give me time. A day will come when you think yourself safe and happy, and suddenly your joy will turn to ashes in your mouth, and you'll know the debt is paid.”
    George R.R. Martin, A Clash of Kings

  • #24
    Darren Shan
    “I don't like it, but my hands are tied. I just want you to know this: if I ever get the chance to betray you, I will. If the opportunity arises to pay you back, I'll take it. You'll never be able to trust me.”
    Darren Shan, Cirque du Freak: A Living Nightmare

  • #25
    Sylvia Plath
    “I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, "This is what it is to be happy.”
    Sylvia Plath, The Bell Jar

  • #26
    Niccolò Machiavelli
    “The vulgar crowd always is taken by appearances, and the world consists chiefly of the vulgar.”
    Niccolò Machiavelli, The Prince

  • #28
    Sylvia Plath
    “because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.”
    Sylvia Plath, The Bell Jar

  • #29
    Niccolò Machiavelli
    “People should either be caressed or crushed. If you do them minor damage they will get their revenge; but if you cripple them there is nothing they can do. If you need to injure someone, do it in such a way that you do not have to fear their vengeance.”
    Niccolo Machiavelli

  • #32
    Sylvia Plath
    “I felt very still and empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo.”
    Sylvia Plath, The Bell Jar

  • #33
    Sylvia Plath
    “I couldn’t see the point of getting up. I had nothing to look forward to.”
    Sylvia Plath, The Bell Jar

  • #34
    Sylvia Plath
    “I felt wise and cynical as all hell.”
    Sylvia Plath, The Bell Jar

  • #35
    Sylvia Plath
    “I didn't know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of the throat and I'd cry for a week.”
    Sylvia Plath, The Bell Jar

  • #36
    Sylvia Plath
    “If you love her," I said, "you'll love somebody else someday.”
    Sylvia Plath, The Bell Jar

  • #37
    Sylvia Plath
    “At this rate, I'd be lucky if I wrote a page a day.

    Then I knew what the problem was.

    I needed experience.

    How could I write about life when I'd never had a love affair or a baby or even seen anybody die? A girl I knew had just won a prize for a short story about her adventures among the pygmies in Africa. How could I compete with that sort of thing?”
    Sylvia Plath, The Bell Jar

  • #38
    Sylvia Plath
    “I wondered why I couldn't go the whole way doing what I should any more. This made me sad and tired. Then I wondered why I couldn't go the whole way doing what I shouldn't, the way Doreen did, and this made me even sadder and more tired.”
    Sylvia Plath, The Bell Jar

  • #39
    Sylvia Plath
    “The floor seemed wonderfully solid. It was comforting to know I had fallen and could fall no farther.”
    Sylvia Plath, The Bell Jar

  • #40
    Sylvia Plath
    “It was my first big chance, but here I was, sitting back and letting it run through my fingers like so much water.”
    Sylvia Plath, The Bell Jar



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