Carrie Chaney > Carrie's Quotes

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  • #1
    Lauren Groff
    “[Grief is pain internalized, abscess of the soul. Anger is pain as energy, sudden explosion.]”
    Lauren Groff, Fates and Furies

  • #3
    Markus Zusak
    “Sometimes people are beautiful.
    Not in looks.
    Not in what they say.
    Just in what they are.”
    Markus Zusak, I Am the Messenger

  • #4
    Emily Brontë
    “He's more myself than I am. Whatever our souls are made of, his and mine are the same.”
    Emily Brontë, Wuthering Heights

  • #5
    A.S. Byatt
    “The individual appears for an instant, joins the community of thought, modifies it and dies; but the species, that dies not, reaps the fruit of his ephemeral existence.”
    A.S. Byatt, Possession

  • #6
    A.S. Byatt
    “A man is the history of his breaths and thoughts, acts, atoms and wounds, love indifference and dislike, also of his race and nation, the soil that fed him and his forbears, the stones and sands of his familiar places, long-silenced battles and struggles of conscience, of the smiles of girls and the slow utterance of old women, of accidents and the gradual action of inexorable law, of all this and something else, too, a single flame which in every way obeys the laws that pertain to Fire itself, and yet is lit and put out from one moment to the next, and can never be relumed in the whole waste of time to come.”
    A.S. Byatt, Possession

  • #7
    A.S. Byatt
    “History, writing, infect after a time a man's sense of himself...”
    A. S. Byatt

  • #8
    A.S. Byatt
    “[H]is mouth pursed, but pursed in American, more generous than English pursing, ready for broader vowels and less mincing sounds. His body was long and lean and trim; he had American hips, ready for a neat belt and the faraway ghost of a gunbelt.”
    A. S. Byatt

  • #9
    Chuck Palahniuk
    “One minute was enough, Tyler said, "A person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.”
    Chuck Palahniuk, Fight Club

  • #10
    Nicholas Sparks
    “Passion is passion. It's the excitement between the tedious spaces, and it doesn't matter where it's directed...It can be coins or sports or politics or horses or music or faith...the saddest people I've ever met in life are the ones who don't care deeply about anything at all.”
    Nicholas Sparks, Dear John

  • #11
    Laura Hillenbrand
    “Dignity is as essential to human life as water, food, and oxygen. The stubborn retention of it, even in the face of extreme physical hardship, can hold a man's soul in his body long past the point at which the body should have surrendered it.”
    Laura Hillenbrand, Unbroken: A World War II Story of Survival, Resilience and Redemption

  • #12
    Laura Hillenbrand
    “I am in an altogether new world now. I can think of nothing more wonderful. It is a real touch of all that heaven means.”
    Laura Hillenbrand, Unbroken: A World War II Story of Survival, Resilience and Redemption

  • #13
    Laura Hillenbrand
    “The paradox of vengefulness is that it makes men dependent upon those who have harmed them, believing that their release from pain will come only when their tormentors suffer.”
    Laura Hillenbrand, Unbroken: A World War II Story of Survival, Resilience and Redemption

  • #14
    Charlotte Brontë
    “I have for the first time found what I can truly love–I have found you. You are my sympathy–my better self–my good angel–I am bound to you with a strong attachment. I think you good, gifted, lovely: a fervent, a solemn passion is conceived in my heart; it leans to you, draws you to my centre and spring of life, wrap my existence about you–and, kindling in pure, powerful flame, fuses you and me in one.”
    Charlotte Bronte, Jane Eyre

  • #15
    Gordon B. Hinckley
    “True love is not so much a matter of romance as it is a matter of anxious concern for the well-being of one's companion.”
    Gordon B. Hinckley, Stand a Little Taller: Counsel and Inspiration for Each Day of the Year

  • #16
    “You have come nearer to mastering a good many aspects of cooking than anyone except a handful of great chefs, and some day it will pay off. I know it will. You will just have to go on working, and teaching, and getting around, and spreading the gospel until it does. (Avis DeVoto to Julia Child)”
    Joan Reardon, As Always, Julia: The Letters of Julia Child and Avis DeVoto: Food, Friendship, and the Making of a Masterpiece

  • #17
    “I'm getting stale. I always do this time of year. I keep my nose to the grindestone and put in long hours and rustle up good meals and do all the chores and run errands and get along with people -- and have a fine time doing it and enjoy life. Then I realize, bang, that I'm tired and I don't want to wait on my family for a while and I wish I could go away somewhere and have people wait on me hand and foot, and dress up and go to restaurants and the theater and act like a woman of the world. I feel as if I'd been swallowed up whole by all these powerful DeVotos and I'd like to be me for a while with somebody who never heard the name.”
    Joan Reardon, As Always, Julia: The Letters of Julia Child and Avis DeVoto: Food, Friendship, and the Making of a Masterpiece

  • #18
    “It is horrible how people will use anything as a political monkey wrench and to hell with the country. (Julia Child to Avis DeVoto)”
    Joan Reardon, As Always, Julia: The Letters of Julia Child and Avis DeVoto: Food, Friendship, and the Making of a Masterpiece

  • #19
    “To think that we might easily have gone through life not knowing each other, missing all this free flow of love and ideas and warmth and sharing... We share really almost everything. (Avis DeVoto to Julia Child)”
    Joan Reardon, As Always, Julia: The Letters of Julia Child and Avis DeVoto: Food, Friendship, and the Making of a Masterpiece

  • #20
    Diane Setterfield
    “When you read a manuscript that has been damaged by water, fire, light or just the passing of the years, your eye needs to study not just the shape of the letters but other marks of production. The speed of the pen. The pressure of the hand on the page. Breaks and releases in the flow. You must relax. Think of nothing. Until you wake into a dream where you are at once a pen flying of vellum and the vellum itself with the touch of ink tickling your surface. Then you can read it. The intention of the writer, his thoughts, his hesitations, his longings and his meaning. You can read as clearly as if you were the very candlelight illuminating the page as the pen speeds over it.”
    Diane Setterfield, The Thirteenth Tale

  • #21
    Diane Setterfield
    “My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.”
    Diane Setterfield, The Thirteenth Tale

  • #22
    Diane Setterfield
    “My genius is not so frail a thing that it cowers from the dirty fingers of newspapernen.”
    Diane Setterfield, The Thirteenth Tale

  • #23
    Diane Setterfield
    “There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.”
    Diane Setterfield, The Thirteenth Tale

  • #24
    Diane Setterfield
    “I don't pretend reality is the same for everyone.”
    Diane Setterfield, The Thirteenth Tale

  • #25
    Diane Setterfield
    “People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.”
    Diane Setterfield, The Thirteenth Tale

  • #26
    Diane Setterfield
    “But silence is not a natural environment for stories. They need words. Without them they grown pale, sicken and die. And then they haunt you.”
    Diane Setterfield, The Thirteenth Tale

  • #27
    Diane Setterfield
    “I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy. And yet I cannot pretend that the reading I have done in my adult years matches in its impact on my soul the reading I did as a child. I still believe in stories. I still forget myself when I am in the middle of a good book. Yet it is not the same. Books are, for me, it must be said, the most important thing; what I cannot forget is that there was a time when they were at once more banal and more essential than that. When I was a child, books were everything. And so there is in me, always, a nostalgic yearning for the lost pleasure of books. It is not a yearning that one ever expects to be fulfilled.”
    Diane Setterfield, The Thirteenth Tale

  • #28
    Diane Setterfield
    “All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it has rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on the black stuff that used to be a life, takes its energy for its own. It germinates,. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel....Readers are fools. They believe all writing is autobiographical. And so it is, but not in the way they think. The writer's life needs time to rot away before it can be used to nourish a work of fiction. It must be allowed to decay.”
    Diane Setterfield, The Thirteenth Tale

  • #29
    Diane Setterfield
    “Human lives are not pieces of string that can be separated out from a knot of others and laid out straight. Familes are webs. Impossible to touch one part of it without setting the rest vibrating. Impossible to understand one part without having a sense of the whole.”
    Diane Setterfield, The Thirteenth Tale

  • #30
    Diane Setterfield
    “A birth is not really a beginning. Our lives at the start are not really our own but only the continuation of someone else's story.”
    Diane Setterfield, The Thirteenth Tale

  • #31
    “It is not an easy thing to be a woman and love with the whole heart: which men do not understand -- having many loves, and delighting in danger and war.”
    M.M. Kaye



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