Hannah > Hannah's Quotes

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  • #1
    Carson McCullers
    “We are homesick most for the places we have never known.”
    Carson McCullers

  • #2
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #3
    Joyce Carol Oates
    “Like a flame is real enough, isn't it, while it's burning?-even if there's a time it goes out?”
    Joyce Carol Oates, Foxfire: Confessions of a Girl Gang

  • #4
    Milan Kundera
    “For everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words.”
    Milan Kundera

  • #5
    Charlotte Brontë
    “Oh, that fear of his self-abandonment—far worse than my abandonment—how it goaded me! It was a barbed arrow-head in my breast; it tore me when I tried to extract it; it sickened me when remembrance thrust it farther in.”
    Charlotte Brontë, Jane Eyre

  • #6
    Milan Kundera
    “The woman he had loved most (he was thirty at the time) would tell him (he was nearly in despair when he heard it) that she held on to life by a thread. Yes, she did want to live, life gave her great joy, but she also knew that her 'i want to live' was spun from the threads of a spiderweb. It takes so little, so infinitely little, for someone to find himself on the other side of the border, where everything-- love, convictions, faith, history-- no longer has meaning. The whole mystery of human life resides in the fact that it is spent in the immediate proximity of, and even in direct contact with, that border, that it is separated from it not by kilometers but by barely a millimeter.”
    Milan Kundera, The Book of Laughter and Forgetting

  • #7
    Joan Didion
    “I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.”
    Joan Didion

  • #8
    Joan Didion
    “Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.”
    Joan Didion

  • #9
    Milan Kundera
    “Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress.”
    Milan Kundera, The Unbearable Lightness of Being

  • #10
    Milan Kundera
    “In Tereza's eyes, books were the emblems of a secret brotherhood.
    For she had but a single weapon against the world of crudity surrounding her:
    the books she took out of the municipal library, and above all, the novels.”
    Milan Kundera, The Unbearable Lightness of Being

  • #11
    Jonathan Safran Foer
    “I think and think and think, I‘ve thought myself out of happiness one million times, but never once into it.”
    Jonathan Safran Foer

  • #12
    Stephen Chbosky
    “Sometimes people use thought to not participate in life.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #13
    Milan Kundera
    “She began to teeter as she walked, fell almost daily, bumped into things or, at the very least, dropped objects. She was in the grip of an insuperable longing to fall. She lived in a constant state of vertigo. 'Pick me up,' is the message of a person who keeps falling.”
    Milan Kundera, The Unbearable Lightness of Being

  • #14
    Milan Kundera
    “In the sunset of dissolution, everything is illuminated by the aura of nostalgia, even the guillotine.”
    Milan Kundera, The Unbearable Lightness of Being

  • #15
    Milan Kundera
    “For existential mathematics, which does not exist, would probably propose this equation: the value of coincidence equals the degree of its improbability.”
    Milan Kundera

  • #16
    Charlotte Brontë
    “No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?"

    "They go to hell," was my ready and orthodox answer.

    "And what is hell? Can you tell me that?"

    "A pit full of fire."

    "And should you like to fall into that pit, and to be burning there for ever?"

    "No, sir."

    "What must you do to avoid it?"

    I deliberated a moment: my answer, when it did come was objectionable: "I must keep in good health and not die.”
    Charlotte Brontë, Jane Eyre

  • #17
    Eric Nuzum
    “Right there in that room, listening to the tape Laura gave me, I decided that I wanted something more than what I’d allowed myself to become. Listening to the voices and piano notes fade in and out, I decided that I wanted to be happy. If I had to fight for things in life, I wanted to fight for something bigger than the right to eat with a fork. I wanted to love and be loved and feel alive. I had no idea how to find my way, but listening to that music wash over me, I felt, for the first time, that the struggle I faced would be worth it.”
    Eric Nuzum, Giving Up the Ghost: A Story About Friendship, 80s Rock, a Lost Scrap of Paper, and What It Means to Be Haunted

  • #18
    Emily Brontë
    “I have not broken your heart - you have broken it; and in breaking it, you have broken mine.”
    Emily Brontë, Wuthering Heights

  • #19
    Edgar Allan Poe
    “And so being young and dipped in folly I fell in love with melancholy.”
    Edgar Allan Poe

  • #20
    T.S. Eliot
    “One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.”
    T.S. Eliot



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