More-`♡´- > More-`♡´- 's Quotes

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  • #1
    Leah Raeder
    “The clearest sign of coming catastrophe is when all the bad shit in your life suddenly stops. You’re entering the eye of the shitstorm.”
    Leah Raeder, Black Iris

  • #2
    D.H. Lawrence
    “We've got to live, no matter how many skies have fallen.”
    D.H. Lawrence, Lady Chatterley's Lover

  • #3
    Elizabeth Gaskell
    “Sometimes one likes foolish people for their folly, better than wise people for their wisdom.”
    Elizabeth Gaskell, Wives and Daughters

  • #4
    Ava Dellaira
    “I think a lot of people want to be someone, but we are scared that if we try, we won't be as good as everyone imagines we could be.”
    Ava Dellaira, Love Letters to the Dead

  • #5
    Ava Dellaira
    “What I told you about saving people isn't true. You might think it is, because you might want someone else to save you, or you might want to save someone so badly. But no one else can save you, not really. Not from yourself. [...] You fall asleep in the foothills, and the wolf comes down from the mountains. And you hope someone will wake you up. Or chase it off. Or shoot it dead. But when you realize that the wolf is inside you, that's when you know. You can't run from it. And no one who loves you can kill the wolf, because it's part of you. They see your face on it. And they won't fire the shot.”
    Ava Dellaira, Love Letters to the Dead

  • #6
    Ava Dellaira
    “And maybe what growing up really means is knowing that you don't have to be just a character, going whichever way the story says. It's knowing you could be the author instead.”
    Ava Dellaira, Love Letters to the Dead

  • #7
    Stephen Chbosky
    “And in that moment, I swear we were infinite.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #8
    Antoine de Saint-Exupéry
    “What makes the desert beautiful,' said the little prince, 'is that somewhere it hides a well...”
    Antoine de Saint-Exupéry, The Little Prince

  • #9
    Ava Dellaira
    “When we are in love, we are both completely in danger and completely saved.”
    Ava Dellaira, Love Letters to the Dead

  • #10
    Cassandra Clare
    “Once there was a boy,” said Jace.

    Clary interrupted immediately. “A Shadowhunter boy?”

    “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky.

    “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father.

    “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen.

    “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud.

    “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’

    “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.”
    Cassandra Clare, City of Bones

  • #11
    Cassandra Clare
    “Ah,” said Magnus. “Nerd love. It is a beautiful thing, while also being an object of mockery and hilarity for those of us who are more sophisticated.”
    Cassandra Clare, City of Lost Souls

  • #12
    Stephanie Perkins
    “For the two of us, home isn't a place. It is a person. And we are finally home.”
    Stephanie Perkins, Anna and the French Kiss

  • #13
    Stephanie Perkins
    “French name, English accent, American school. Anna confused.”
    Stephanie Perkins, Anna and the French Kiss

  • #14
    Stephanie Perkins
    “Will you please tell me you love me? I’m dying here.”
    Stephanie Perkins, Anna and the French Kiss

  • #15
    Stephanie Perkins
    “Boys turns girls into such idiots.”
    Stephanie Perkins, Anna and the French Kiss

  • #16
    Stephanie Perkins
    “I'm saying I'm in love with you! I've been in love with you this whole bleeding year!”
    Stephanie Perkins, Anna and the French Kiss

  • #17
    Stephanie Perkins
    “Why is it that the right people never wind up together? Why are people so afraid to leave a relationship, even if they know it's a bad one?”
    Stephanie Perkins, Anna and the French Kiss

  • #18
    Stephanie Perkins
    “Girl scouts didn't teach me what to do with emotionally unstable drunk boys.”
    Stephanie Perkins, Anna and the French Kiss

  • #19
    Stephanie Perkins
    “I'm a little distracted by this English French American Boy Masterpiece.”
    Stephanie Perkins, Anna and the French Kiss

  • #20
    Stephanie Perkins
    “Soap?"
    "School of America in Paris" he explains. "SOAP".
    Nice. My father sent me here to be cleansed.”
    Stephanie Perkins, Anna and the French Kiss

  • #21
    Stephanie Perkins
    “I don't want to feel this way around him. I want things to be normal. I want to be his friend, not another stupid girl holding out for something that will never happen.”
    Stephanie Perkins, Anna and the French Kiss

  • #22
    Stephanie Perkins
    “Seriously, I don't know any American girl who can resist an English accent.”
    Stephanie Perkins, Anna and the French Kiss

  • #23
    Cassandra Clare
    “And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.”
    Cassandra Clare, City of Glass

  • #24
    Cassandra Clare
    Tess, Tess, Tessa.

    Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it – a heart ringing – but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.

    Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die.

    I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free.

    And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart.

    You are not the last dream of my soul.

    You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetime’s worth.

    With hope at least,
    Will Herondale

    Cassandra Clare, Clockwork Prince

  • #25
    Cassandra Clare
    “If Jem dies, I cannot be with Tessa,” said Will. “Because it will be as if I were waiting for him to die, or took some joy in his death, if it let me have her. And I will not be that person. I will not profit from his death. So he must live.” He lowered his arm, his sleeve bloody. “It is the only way any of this can ever mean anything. Otherwise it is only —”

    “Pointless, needless suffering and pain? I don’t suppose it would help if I told you that was the way life is. The good suffer, the evil flourish, and all that is mortal passes away,” Magnus said.

    “I want more than that,” said Will. “You made me want more than that. You showed me I was only ever cursed because I had chosen to believe myself so. You told me there was possibility, meaning. And now you would turn your back on what you created.”
    Cassandra Clare, Clockwork Princess

  • #26
    Cassandra Clare
    “Life is a book and there are a thousand pages I have not yet read.”
    Cassandra Clare, Clockwork Princess

  • #27
    Cassandra Clare
    “Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.”
    “You fear for Jem,” Will said.
    “Yes,” she said. “And I fear for you, too.”
    “No,” Will said, hoarsely. “Don’t waste that on me, Tess.”
    Cassandra Clare, Clockwork Princess

  • #28
    Cassandra Clare
    “I am catastrophically in love with you.”
    Cassandra Clare, Clockwork Princess

  • #29
    Cassandra Clare
    “Will rose slowly to his feet. He could not believe he was doing what he was doing, but it was clear that he was, clear as the silver rim around the black of Jem’s eyes. “If there is a life after this one,” he said, “let me meet you in it, James Carstairs.”

    “There will be other lives.” Jem held his hand out, and for a moment, they clasped hands, as they had done during their parabatai ritual, reaching across twin rings of fire to interlace their fingers with each other. “The world is a wheel,” he said. “When we rise or fall, we do it together.”

    Will tightened his grip on Jem’s hand, which felt thin as twigs in his. “Well, then,” he said, through a tight throat, “since you say there will be another life for me, let us both pray I do not make as colossal a mess of it as I have this one.”
    Cassandra Clare, Clockwork Princess

  • #30
    Cassandra Clare
    “Of course you can have a true Shadowhunter name," Will said. "You can have mine."
    Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
    Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.”
    Cassandra Clare, Clockwork Princess



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