Erica Maples > Erica's Quotes

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  • #1
    Vincent van Gogh
    “It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is well done.”
    Vincent Van Gogh

  • #2
    Leonardo da Vinci
    “Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.”
    Leonardo da Vinci

  • #3
    Leonardo da Vinci
    “A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.”
    Leonardo da Vinci

  • #4
    Anne Brontë
    “It is better to arm and strengthen your hero, than to disarm and enfeeble your foe.”
    Anne Brontë

  • #5
    Victor Hugo
    “Music expresses that which cannot be put into words and that which cannot remain silent”
    Victor Hugo

  • #6
    Robert Frost
    “Poetry is what gets lost in translation.”
    Robert Frost

  • #7
    Robert Frost
    “A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.”
    Robert Frost

  • #8
    Elie Wiesel
    “And then I explained to him how naive we were, that the world did know and remained silent. And that is why I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.”
    Elie Wiesel, Night

  • #9
    T.S. Eliot
    “To do the useful thing, to say the courageous thing, to contemplate the beautiful thing: that is enough for one man's life.”
    T.S. Eliot, The Use of Poetry and the Use of Criticism

  • #10
    Mary Oliver
    “The salamanders,
    like tiny birds, locked into formation,
    fly down into the endless mysteries

    of the transforming water,
    and how could anyone believe
    that anything in this world
    is only what it appears to be—

    that anything is ever final—
    that anything, in spite of its absence,
    ever dies
    a perfect death?

    (from the poem 'What Is It?')”
    Mary Oliver, House of Light

  • #11
    Mary Oliver
    “Landscape

    Isn't it plain the sheets of moss, except that
    they have no tongues, could lecture
    all day if they wanted about

    spiritual patience? Isn't it clear
    the black oaks along the path are standing
    as though they were the most fragile of flowers?

    Every morning I walk like this around
    the pond, thinking: if the doors of my heart
    ever close, I am as good as dead.

    Every morning, so far, I'm alive. And now
    the crows break off from the rest of the darkness
    and burst up into the sky—as though

    all night they had thought of what they would like
    their lives to be, and imagined
    their strong, thick wings.”
    Mary Oliver, Dream Work

  • #12
    Edward Hirsch
    “A Partial History of My Stupidity

    Traffic was heavy coming off the bridge
    and I took the road to the right, the wrong one,
    and got stuck in the car for hours.

    Most nights I rushed out into the evening
    without paying attention to the trees,
    whose names I didn't know,
    or the birds, which flew heedlessly on.

    I couldn't relinquish my desires
    or accept them, and so I strolled along
    like a tiger that wanted to spring,
    but was still afraid of the wildness within.

    The iron bars seemed invisible to others,
    but I carried a cage around inside me.

    I cared too much what other people thought
    and made remarks I shouldn't have made.
    I was slient when I should have spoken.

    Forgive me, philosophers,
    I read the Stoics but never understood them.

    I felt that I was living the wrong life,
    spiritually speaking,
    while halfway around the world
    thousands of people were being slaughtered,
    some of them by my countrymen.

    So I walked on--distracted, lost in thought--
    and forgot to attend to those who suffered
    far away, nearby.

    Forgive me, faith, for never having any.

    I did not believe in God,
    who eluded me.”
    Edward Hirsch

  • #13
    Brenda Ueland
    “Yes, I hate orthodox criticism. I don't mean great criticism, like that of Matthew Arnold and others, but the usual small niggling, fussy-mussy criticism, which thinks it can improve people by telling them where they are wrong, and results only in putting them in straitjackets of hesitancy and self-consciousness, and weazening all vision and bravery.

    ...I hate it because of all the potentially shining, gentle, gifted people of all ages, that it snuffs out every year. It is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the very first ones to get killed off. It is the brutal egotists that survive.”
    Brenda Ueland, If You Want to Write: A Book about Art, Independence and Spirit

  • #14
    Matthew Arnold
    “Wandering between two worlds, one dead
    The other powerless to be born,
    With nowhere yet to rest my head
    Like these, on earth I wait forlorn.

    Matthew Arnold

  • #15
    Elie Wiesel
    “They are committing the greatest indignity human beings can inflict on one another: telling people who have suffered excruciating pain and loss that their pain and loss were illusions. (v)”
    Elie Wiesel, Night

  • #16
    Elie Wiesel
    “There's a long road of suffering ahead of you. But don't lose courage. You've already escaped the gravest danger: selection. So now, muster your strength, and don't lose heart. We shall all see the day of liberation. Have faith in life. Above all else, have faith. Drive out despair, and you will keep death away from yourselves. Hell is not for eternity. And now, a prayer - or rather, a piece of advice: let there be comradeship among you. We are all brothers, and we are all suffering the same fate. The same smoke floats over all our heads. Help one another. It is the only way to survive.”
    Elie Wiesel, Night

  • #17
    Elie Wiesel
    “But because of his telling, many who did not believe have come to believe, and some who did not care have come to care. He tells the story, out of infinite pain, partly to honor the dead, but also to warn the living - to warn the living that it could happen again and that it must never happen again. Better than one heart be broken a thousand times in the retelling, he has decided, if it means that a thousand other hearts need not be broken at all. (vi)”
    Elie Wiesel, Night

  • #18
    Elie Wiesel
    “We cannot indefinitely avoid depressing subject matter, particularly it it is true, and in the subsequent quarter century the world has had to hear a story it would have preferred not to hear - the story of how a cultured people turned to genocide, and how the rest of the world, also composed of cultured people, remained silent in the face of genocide. (v)”
    Elie Wiesel, Night

  • #19
    Elie Wiesel
    “We were masters of nature, masters of the world. We had forgotten everything--death, fatigue, our natural needs. Stronger than cold or hunger, stronger than the shots and the desire to die, condemned and wandering, mere numbers, we were the only men on earth.”
    Elie Wiesel, Night

  • #20
    Plato
    “Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.”
    Plato

  • #21
    Nicholas Sparks
    “Poetry, she thought, wasn't written to be analyzed; it was meant to inspire without reason, to touch without understanding.”
    Nicholas Sparks, The Notebook

  • #22
    C.J. Heck
    “I've made a lot of choices, some good, some not so good; how sad for those who merely hitchhike along, never daring to choose at all.”
    C.J. Heck, Anatomy of a Poet

  • #23
    Matthew Arnold
    “Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.”
    Matthew Arnold

  • #24
    Matthew Arnold
    “The word 'God' is used in most cases as by no means a term of science or exact knowledge, but a term of poetry and eloquence, a term thrown out, so to speak, as a not fully grasped object of the speaker's consciousness — a literary term, in short; and mankind mean different things by it as their consciousness differs.”
    Matthew Arnold

  • #25
    Matthew Arnold
    “Culture is the endeavour to know the best and to make this knowledge prevail for the good of all humankind.”
    Matthew Arnold

  • #26
    Mary Oliver
    “The Poet With His Face In His Hands

    You want to cry aloud for your
    mistakes. But to tell the truth the world
    doesn’t need anymore of that sound.

    So if you’re going to do it and can’t
    stop yourself, if your pretty mouth can’t
    hold it in, at least go by yourself across

    the forty fields and the forty dark inclines
    of rocks and water to the place where
    the falls are flinging out their white sheets

    like crazy, and there is a cave behind all that
    jubilation and water fun and you can
    stand there, under it, and roar all you

    want and nothing will be disturbed; you can
    drip with despair all afternoon and still,
    on a green branch, its wings just lightly touched

    by the passing foil of the water, the thrush,
    puffing out its spotted breast, will sing
    of the perfect, stone-hard beauty of everything.”
    Mary Oliver, New and Selected Poems, Vol. 2

  • #27
    Mary Oliver
    “Poetry is a life-cherishing force. For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.”
    Mary Oliver, A Poetry Handbook

  • #28
    Helen Keller
    “I would rather walk with a friend in the dark, than alone in the light.”
    Helen Keller



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