Kat > Kat's Quotes

“Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.”
― Robert Frost

“It’s so easy to be easy—if you let it.”
― Charles Bukowski, Love Is a Dog from Hell

“There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.”
― Ray Bradbury, Fahrenheit 451

“Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were heading for shore.”
― Ray Bradbury, Fahrenheit 451

“The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.”
― Ray Bradbury, Fahrenheit 451

“If our love is a sin, then heaven must be full of such tender and selfless sinning as ours.”
― Radclyffe Hall, The Well of Loneliness

“I was trying to explain my situation to myself. My situation was that I was in pain and nobody knew it, even I had trouble knowing it. So I told myself, over and over, You are in pain. It was the only way I could get through to myself. I was demonstrating externally and irrefutably an inward condition.”
― Susanna Kaysen, Girl, Interrupted

“Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60's. Or maybe I was just a girl... interrupted.”
― Susanna Kaysen, Girl, Interrupted

“In a strange way we were free. We'd reached the end of the line. We had nothing more to lose. Our privacy, our liberty, our dignity: all of this was gone and we were stripped down to the bare bones of our selves”
― Susanna Kaysen, Girl, Interrupted

“I’ve been dead for seven years, that’s as warm as they get.”
― Maggie Stiefvater, The Raven Boys

“It's like scrying into that weird space. There's so much coming out of him, it shouldn't be possible. Do you remember that woman who came in who was pregnant with quadruplets? It was like that, but worse."
"He's pregnant?" Blue asked.”
― Maggie Stiefvater, The Raven Boys

“Gansey could’ve had any and all of the friends that he wanted. Instead he had chosen the three of them, three guys who should’ve, for three different reasons, been friendless.”
― Maggie Stiefvater, The Raven Boys

“You are made of dreams and this world is not for you.”
― Maggie Stiefvater, Call Down the Hawk

“But when I think of you, I want to be alone together. I want to strive against and for. I want to live in contact. I want to be a context for you, and you for me.

I love you, and I love you, and I want to find out what that means together.”
― Amal El-Mohtar, This Is How You Lose the Time War

“I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
― Amal El-Mohtar, This Is How You Lose the Time War

“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
― Sally Rooney, Normal People

“Beauty is terror. Whatever we call beautiful, we quiver before it.”
― Donna Tartt, The Secret History

“That life - whatever else it is - is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch.”
― Donna Tartt, The Goldfinch

“—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.”
― Donna Tartt, The Goldfinch

“Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is a catastrophe. The basic fact of existence – of walking around trying to feed ourselves and find friends and whatever else we do – is a catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me – and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death.”
― Donna Tartt, The Goldfinch

“Are you happy here?" I said at last.
He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.”
― Donna Tartt, The Secret History

“And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
― Donna Tartt, The Goldfinch

“Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?”
― Donna Tartt, The Secret History

“You are being self-pitying."
"I'm nearly done. You don't have much more of this to bear."
"I like you better this way."
"Crushed and broken," Gansey said. "Just the way women like 'em.”
― Maggie Stiefvater, The Raven Boys

“Stay away from the ones you love too much. Those are the ones who will kill you.”
― Donna Tartt, The Goldfinch

“And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.”
― Ray Bradbury, Fahrenheit 451

“I was okay just a moment ago. I will learn how to be okay again.”
― Nina LaCour, We Are Okay

“We were nostalgic for a time that wasn't yet over.”
― Nina LaCour, We Are Okay

“I thought that it was more likely the opposite. I must have shut grief out. Found it in books. Cried over fiction instead of the truth. The truth was unconfined, unadorned. There was no poetic language to it, no yellow butterflies, no epic floods. There wasn't a town trapped underwater or generations of men with the same name destined to make the same mistakes. The truth was vast enough to drown in.”
― Nina LaCour, We Are Okay

“What I mean is don't be a person who seeks out grief. There is enough of that in life.”
― Nina LaCour, We Are Okay