Lisa > Lisa's Quotes

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  • #1
    Neal Shusterman
    “Stupid dreams. Even the good ones are bad, because they remind you how poorly reality measures up.”
    Neal Shusterman, Unwind

  • #2
    Oscar Wilde
    “Be yourself; everyone else is already taken.”
    Oscar Wilde

  • #4
    John Green
    “Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.”
    John Green

  • #5
    Stephen Chbosky
    “And in that moment, I swear we were infinite.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #6
    Oscar Wilde
    “You can never be overdressed or overeducated.”
    Oscar Wilde

  • #7
    Oscar Wilde
    “Women are meant to be loved, not to be understood.”
    Oscar Wilde, Lord Arthur Savile's Crime and Other Stories

  • #8
    Oscar Wilde
    “Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”
    Oscar Wilde, The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything

  • #9
    Oscar Wilde
    “A good friend will always stab you in the front.”
    Oscar Wilde

  • #10
    Pascal Mercier
    “We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.”
    Pascal Mercier, Night Train to Lisbon

  • #11
    Pascal Mercier
    “A feeling is no longer the same when it comes the second time. It dies through the awareness of its return. We become tired and weary of our feelings when they come too often and last too long.”
    Pascal Mercier, Night Train to Lisbon

  • #12
    Pascal Mercier
    “In the years afterward, I fled whenever somebody began to understand me. That has subsided. But one thing remained: I don't want anybody to understand me completely. I want to go through life unknown. The blindness of others is my safety and my freedom.”
    Pascal Mercier, Night Train to Lisbon

  • #13
    Pascal Mercier
    “To understand yourself: Is that a discovery or a creation?”
    Pascal Mercier, Night Train to Lisbon

  • #14
    Pascal Mercier
    “Disappointment is considered bad. A thoughtless prejudice. How, if not through disappointment, should we discover what we have expected and hoped for? And where, if not in this discovery, should self-knowledge lie? So how could one gain clarity about oneself without disappointment?
    ...
    One could have the hope that he would become more real by reducing expectations, shrink to a hard, reliable core and thus be immune to the pain of disappointment. But how would it be to lead a life that banished every long, bold expectation, a life where there were only banal expectations like "the bus is coming"?”
    Pascal Mercier, Night Train to Lisbon

  • #15
    Pascal Mercier
    “There were people who read and there were the others. Whether you were the a reader or a non-reader was soon apparent. There was no greater distinction between people.”
    Pascal Mercier, Night Train to Lisbon

  • #16
    Pascal Mercier
    “It is a mistake to believe that the decisive moments of a life when its direction changes for ever must be marked by sentimental loud and shrill dramatics… In truth, the dramatic moments of a life-determining experience are often unbelievably low-key. It has so little in common with the bang, the flash, or the volcanic eruption that, at the moment it happens, the experience is often not even noticed. When it unfolds its revolutionary effect, and ensures that a life is revealed in a brand-new light, with a brand-new melody, it does that silently and in this wonderful silence resides its special nobility.”
    Pascal Mercier, Night Train to Lisbon

  • #17
    Pascal Mercier
    “You can never have for yourself someone who isn't on good terms with himself.”
    Pascal Mercier, Night Train to Lisbon

  • #18
    Pascal Mercier
    “...the dreamlike, bombastic wish to stand once again at that point in my life and be able to take a completely different direction than the one that has made me who I am now... To sit once more on the warm moss and hold the cap - it's the absurd wish to go back behind myself in time and take myself - the only marked by events - along on this journey.”
    Pascal Mercier, Night Train to Lisbon

  • #19
    Pascal Mercier
    “We are stratified creatures, creatures full of abysses, with a soul of inconstant quicksilver, with a mind whose color and shape change as in a kaleidoscope that is constantly shaken.”
    Pascal Mercier

  • #20
    Tan Twan Eng
    “For what is a person without memories? A ghost, trapped between worlds, without an identity, with no future, no past.”
    Tan Twan Eng, The Garden of Evening Mists

  • #21
    Tan Twan Eng
    “Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analysing the returning echoes of our memory in order to chart the terrain, in order to make sense of the world around us?”
    Twan Eng Tan, The Garden of Evening Mists

  • #22
    Tan Twan Eng
    “That point in time just as the last leaf is about to drop, as the remaining petal is about to fall; that moment captures everything beautiful and sorrowful about life. Mono no aware, the Japanese call it.”
    Tan Twan Eng, The Garden of Evening Mists

  • #23
    Tan Twan Eng
    “We were like two moths around a candle, I thought, circling closer and closer to the flame, waiting to see whose wings would catch fire first.”
    Tan Twan Eng, The Garden of Evening Mists

  • #24
    Haruki Murakami
    “You are a pastel-colored Persian carpet, and loneliness is a Bordeaux wine stain that won’t come out”
    Haruki Murakami, Men Without Women: Stories

  • #25
    Haruki Murakami
    “I wish there was a machine that could accurately measure sadness, and display it in numbers that you could record. And it would be great if that machine could fit in the palm of your hand. I think of this every time I measure the air in my tires.”
    Haruki Murakami, Hombres sin mujeres

  • #26
    Haruki Murakami
    “When I should have felt real pain, I stifled it. I didn’t want to take it on, so I avoided facing up to it. Which is why my heart is so empty now.”
    Haruki Murakami, Men Without Women

  • #27
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #28
    Donna Tartt
    “Some things are too terrible to grasp at once. Other things - naked, sputtering, indelible in their horror - are too terrible to really grasp ever at all. It is only later, in solitude, in memory that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself - quite to one's surprise - in an entirely different world.”
    Donna Tartt, The Secret History

  • #29
    Haruki Murakami
    “I want you always to remember me. Will you remember that I existed, and that I stood next to you here like this?”
    Haruki Murakami, Norwegian Wood

  • #30
    Haruki Murakami
    “I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once. ”
    Haruki Murakami, Norwegian Wood

  • #31
    Haruki Murakami
    “No truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow. All we can do is see it through to the end and learn something from it, but what we learn will be no help in facing the next sorrow that comes to us without warning.”
    Haruki Murakami, Norwegian Wood



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