Katelynn > Katelynn's Quotes

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  • #1
    C.S. Lewis
    “Aslan" said Lucy "you're bigger".
    "That is because you are older, little one" answered he.
    "Not because you are?"
    "I am not. But every year you grow, you will find me bigger.”
    C.S. Lewis, Prince Caspian

  • #2
    P.G. Wodehouse
    “I have been studying the principles of socialism deeply of late, and I came to the conclusion that I must join the cause. It looked good to me. You work for the equal distribution of property and start in by swiping all you can and sitting on it. Ah, noble scheme! Me for it!”
    P.G. Wodehouse, The Prince And Betty

  • #3
    Mike McHargue
    “I think a lot of do what I did in that moment. We have experiences with God that are beautiful and moving, but over time they just become things that make us feel superior to other people.”
    Mike McHargue, Finding God in the Waves: How I Lost My Faith and Found It Again Through Science

  • #4
    Kelly Corrigan
    “He'd never be able to appreciate that for a mother, the most elusive, exhilerating buzz was fixing.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #5
    Kelly Corrigan
    “Makes you wonder what else people might tell you if you just keep asking questions.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #6
    Kelly Corrigan
    “MH and Leon had accepted the call to raise a child, not by railroading her into becoming a gratifying mashup of biology and dreams, but by allowing her to reveal her nature over time, in no particular order, with switchbacks and reversals along the way.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #7
    Kelly Corrigan
    “Right then, as the first campers headed down the hill for morning cheers, twelve-year-old Lucy... said what I wish everyone would say - not "I'm sorry" but "I know." Is there a broth more restoring than company?”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #8
    Kelly Corrigan
    “You can't be really loved if you can't bear to be really known.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #9
    Kelly Corrigan
    “Mary Corrigan knew a cheap yes was a cigarette buzz, passing in minutes, leaving your sour-stomached and polluted, somewhere you don't want to be, doing something you don't want to do, with no one but y-o-u to blame.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #10
    Kelly Corrigan
    “Learn to say no. And when you do, don't complain and don't explain. Every excuse you make is like an invitation to ask you again in a different way.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #11
    Kelly Corrigan
    “Rather than trying to make me happy, as cheap songs and misguided greeting cards suggest is the promise of true love, Edward was doing the one thing that would keep us together: taking care of himself. As with my parents, sometimes the art of relationship is declaring your limits, protecting your boundaries, saying no.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #12
    Kelly Corrigan
    “According to my mother, the cornerstone of a proper apology is taking responsibility, and the capstone is naming the transgression. Contrition must be felt and conveyed. Finally, apologies are better served plain, hold the rationalizations. In other words, I'm sorry should be followed by a pause or period, not by but and never by you.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #13
    Kelly Corrigan
    “Maybe being wrong is not the same as being bad, I thought, not a sign that your insides were rotten.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #14
    Kelly Corrigan
    “Laura was the first person to say, 'You don't need to be something you aren't. You are good enough.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #15
    Kelly Corrigan
    “Thirteen is a pivotal moment, and not just because of mustaches and curves. It's a time of explosive intellectual and emotional growth. But it's also when life tends to get treacherous. They are going into the eye of the hurricane. We want our faith, our community, to help them find and feel their own power.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #16
    Kelly Corrigan
    “That's how it works: someone important believes in us, loudly and with conviction and against all substantiation, and over time, we begin to believe, too - not in our shot at perfection, mind you, but in the good enough version of us that they have reflected.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #17
    Kelly Corrigan
    “I love you.
    The first time the words pass between two people: electrifying.
    Ten thousand times later: cause for marvel.
    The last time: the dream you revisit over and over and over again.”
    Kelly Corrigan, Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say

  • #18
    Kate Morton
    “There was no such thing as the right time, he explained. Time was an idea: it had no end and no beginning; it could not be seen or heard or smelled. It could be measured, sure enough, but no words had been found to explain precisely what is was. As to the "right" time, it was simply a matter of agreeing to agree.”
    Kate Morton, The Clockmaker's Daughter
    tags: time

  • #19
    Jenny Colgan
    “Just do something. You might make a mistake, then you can fix it. But if you do nothing, you can't fix anything. And your life might turn out full of regrets.”
    Jenny Colgan, The Little Shop of Happy Ever After

  • #20
    Jenny Colgan
    “She had always been dainty, and never quite confident enough to dance where anyone might see. Here, though, nobody cared or noticed. The emphasis wasn't on looking good or being sexy or standing out; it was about hurling yourself into it and dancing as if you didn't have a care in the world, or a worry, or even a thought; it was dancing as catharsis, and Nina very quickly found that she absolutely loved it.”
    Jenny Colgan, The Bookshop on the Corner

  • #21
    Jenny Colgan
    “There was a universe inside every human being every bit as big as the universe outside them. Books were the best way Nina knew - apart from, sometimes, music - to breach the barrier, to connect the internal universe with the external, the words acting merely as a conduit between the two worlds.”
    Jenny Colgan, The Bookshop on the Corner

  • #22
    Rainbow Rowell
    “Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.”
    Rainbow Rowell, Eleanor & Park

  • #23
    “The Grum’s Ledger is a tale of regret. In real life, there was no happy ending. Alexander Grum died alone because he was afraid to seize love and risk and all the unknowns that go with it. He chose certainty- and it was his ruin.”
    Jon Cohen

  • #24
    Min Jin Lee
    “But a God that did everything we thought was right and good wouldn't be the creator of the universe. He would be our puppet. He wouldn't be God. There's more to everything than we can know.”
    Min Jin Lee, Pachinko

  • #25
    Min Jin Lee
    “And yet we played on, because we had hope that we might be the lucky ones. How could you get angry at the ones who wanted to be in the game? Etsuko had failed in this important way - she had not taught her children to hope, to believe in the perhaps-absurd possibility that they might win. Pachinko was a foolish game, but life was not.”
    Min Jin Lee, Pachinko

  • #26
    Julie Buxbaum
    “I sometimes forget that you're just a teenager. But I remember that - how everything feels bigger or, I don't know, somehow just more when you're your age.”
    Julie Buxbaum, Tell Me Three Things

  • #27
    “White people who expect me to be white have not yet realized that their cultural way of being is not in fact the result of goodness, rightness, or God's blessing. Pushing back, resisting the lie, is hella work.”
    Austin Channing Brown, I'm Still Here: Black Dignity in a World Made for Whiteness

  • #28
    “The ideology that whiteness is supreme, better, best, permeates the air we breathe - in our schools, in our offices and in our country's common life. White supremacy is a tradition that must be named and a religion that must be renounced. When this work has not been done, those who live in whiteness become oppressive, whether intentional or not”
    Austin Channing Brown, I'm Still Here: Black Dignity in a World Made for Whiteness

  • #29
    “My story is not about condemning white people but about rejecting the assumption - sometimes spoken, sometimes not - that white is right: closer to God, holy, chosen, the epitome of being.”
    Austin Channing Brown, I'm Still Here: Black Dignity in a World Made for Whiteness

  • #30
    “There is another way." Another way of speaking, of thinking, of being that did not need white affirmation to be valuable.”
    Austin Channing Brown, I'm Still Here: Black Dignity in a World Made for Whiteness



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