Maeve > Maeve's Quotes

“It's embarrassingly plain how inadequate language is.”
― Anthony Doerr, All the Light We Cannot See

“She walks like a ballerina in dance slippers, her feet as articulate as hands, a little vessel of grace moving out into the fog.”
― Anthony Doerr, All the Light We Cannot See

“To men like that, time was a surfeit, a barrel they watched slowly drain. When really, he thinks, it’s a glowing puddle you carry in your hands; you should spend all your energy protecting it. Fighting for it. Working so hard not to spill one single drop.”
― Anthony Doerr, All the Light We Cannot See

“What mazes there are in this world. The branches of trees, the filigree of roots, the matrix of crystals, the streets her father recreated in his models... None more complicated than the human brain, Etienne would say, what may be the most complex object in existence; one wet kilogram within which spin universes.”
― Anthony Doerr, All the Light We Cannot See

“Each day means a new twenty-four hours. Each day means everything's possible again. You live in the moment, you die in the moment, you take it all one day at a time.”
― Marie Lu, Legend

“He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.”

LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.”
― Andy Weir, The Martian

“The heart of another is a dark forest, always, no matter how close it has been to one’s own.”
― Willa Cather

“We'd stared into the face of Death, and Death blinked first. You'd think that would make us feel brave and invincible. It didn't.”
― Rick Yancey, The 5th Wave

“There's an old saying about the truth setting you free. Don't buy it. Sometimes the truth slams the cell door shut and throws a thousand bolts.”
― Rick Yancey, The 5th Wave

“I don't care what the stars say about how small we are. One, even the smallest, weakest, most insignificant one, matters.”
― Rick Yancey, The 5th Wave

“I don't move. I wait behind my log, terrified. Over the past ten minutes, it's become such a dear friend, I consider naming it: Howard, my pet log.”
― Rick Yancey, The 5th Wave

“When I cry - when I let myself cry - that's who I cry for. I don't cry for myself. I cry for the Cassie that's gone.
And I wonder what that Cassie would think of me.
The Cassie who kills.”
― Rick Yancey, The 5th Wave

“Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.”
― Patrick Rothfuss, The Name of the Wind

“It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”
― Patrick Rothfuss, The Name of the Wind

“Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.

First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door.

Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door.

Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.”
― Patrick Rothfuss, The Name of the Wind

“When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.”
― Patrick Rothfuss, The Name of the Wind

“We understand how dangerous a mask can be. We all become what we pretend to be.”
― Patrick Rothfuss, The Name of the Wind

“You have to be a bit of a liar to tell a story the right way.”
― Patrick Rothfuss, The Name of the Wind

“I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.”
― Patrick Rothfuss, The Name of the Wind

“You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while.”
― Patrick Rothfuss, The Name of the Wind

“The best lies about me are the ones I told.”
― Patrick Rothfuss, The Name of the Wind

“Congratulations. That was the stupidest thing I've ever seen. Ever.”
― Patrick Rothfuss, The Name of the Wind

“The boy grows upward, but the girl grows up.”
― Patrick Rothfuss, The Name of the Wind

“I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.”
― Patrick Rothfuss, The Name of the Wind

“Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.”
― Patrick Rothfuss, The Name of the Wind

“It wasn't even a good note. 'If you are reading this I am probably dead.' What sort of a note is that?”
― Patrick Rothfuss, The Name of the Wind

“It gets tiresome being spoken to as if you are a child, even if you happen to be one.”
― Patrick Rothfuss, The Name of the Wind

“I also felt guilty about the three pens I'd stolen, but only for a second. And since there was no convenient way to give them back, I stole a bottle of ink before I left.”
― Patrick Rothfuss, The Name of the Wind

“Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself.”
― Patrick Rothfuss, The Name of the Wind

“I wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enought to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.”
― Patrick Rothfuss, The Name of the Wind