Adrienne > Adrienne's Quotes

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  • #1
    Jonathan Safran Foer
    “Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #2
    Jonathan Safran Foer
    “If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.”
    Jonathan Safran Foer, Everything Is Illuminated

  • #3
    Jonathan Safran Foer
    “When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible.”
    Jonathan Safran Foer

  • #4
    Jonathan Safran Foer
    “She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #5
    Jonathan Safran Foer
    “One day you will do things for me that you hate. That is what it means to be family.”
    Jonathan Safran Foer, Everything is Illuminated

  • #6
    Jonathan Safran Foer
    “Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release...

    So she had to satisfy herself with the idea of love--loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.”
    Jonathan Safran Foer
    tags: love

  • #7
    Jonathan Safran Foer
    “I hope that one day you will have the experience of doing something you do not understand for someone you love.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #8
    Jonathan Safran Foer
    “Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #9
    Jonathan Safran Foer
    “Love me, because love doesn't exist, and I have tried everything that does.”
    Jonathan Safran Foer, Everything is Illuminated

  • #10
    Jonathan Safran Foer
    “Songs are as sad as the listener.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #11
    Jonathan Safran Foer
    “He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
    Jonathan Safran Foer, Everything is Illuminated

  • #12
    Jonathan Safran Foer
    “There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #13
    Jonathan Safran Foer
    “She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.”
    Jonathan Safran Foer, Everything is Illuminated

  • #14
    Jonathan Safran Foer
    “The only thing more painful than being an active forgetter is to be an inert rememberer.”
    Jonathan Safran Foer, Everything Is Illuminated

  • #15
    Nicole Krauss
    “Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.”
    Nicole Krauss, The History of Love

  • #16
    Nicole Krauss
    “Holding hands, for example, is a way to remember how it feels to say nothing together.”
    Nicole Krauss

  • #17
    Nicole Krauss
    “At the end, all that's left of you are your possessions. Perhaps that's why I've never been able to throw anything away. Perhaps that's why I hoarded the world: with the hope that when I died, the sum total of my things would suggest a life larger than the one I lived.”
    Nicole Krauss, The History of Love

  • #18
    Nicole Krauss
    “Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.”
    Nicole Krauss, The History of Love

  • #19
    Nicole Krauss
    “She was gone, and all that was left was the space you'd grown around her, like a tree that grows around a fence. For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.”
    Nicole Krauss, The History of Love

  • #20
    Nicole Krauss
    “I was never a man of great ambition
    I cried too easily
    I didn't have a head for science
    Words often failed me
    While others prayed I only moved my lips”
    Nicole Krauss, The History of Love

  • #21
    Nicole Krauss
    “Sometimes I imagine my own autopsy. Disappointment in myself: right kidney. Disappointment of others in me: left kidney. Personal failures: kishkes. ... When the clocks are turned back and the dark falls before I'm ready, this, for reasons I can't explain, I feel in my wrists. And when I wake up and my fingers are stiff , almost certainly I was dreaming of my childhood. ... Yesterday I saw a man kicking a dog and I felt it behind my eyes. I don't know what to call this, a place before tears. The pain of forgetting: spine. The pain of remembering: spine. All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist: my knees. ... To everything a season, to every time I've woken only to make the mistake of believing for a moment that someone was sleeping beside me: a hemorrhoid. Loneliness: there is no organ that can take it all.”
    Nicole Krauss

  • #22
    Nicole Krauss
    “And if the man who once upon a time had been a boy who promised he'd never fall in love with another girl as long as he lived kept his promise, it wasn't because he was stubborn or even loyal. He couldn't help it.”
    Nicole Krauss, The History of Love

  • #23
    Nicole Krauss
    “I want to say somewhere: I've tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in.”
    Nicole Krauss, The History of Love

  • #24
    Nicole Krauss
    “Then he almost but didn't say the two sentence he'd been meaning to say for years: part of me is made of glass, and also, I love you”
    Nicole Krauss
    tags: love

  • #25
    Nicole Krauss
    “When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.”
    Nicole Krauss, The History of Love

  • #26
    Nicole Krauss
    “When will you learn that there isn't a word for everything?”
    Nicole Krauss, The History of Love

  • #27
    Nicole Krauss
    “Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact.”
    Nicole Krauss, The History of Love

  • #28
    Evelyn Waugh
    “I should like to bury something precious in every place where I've been happy and then, when I'm old and ugly and miserable, I could come back and dig it up and remember.”
    Evelyn Waugh, Brideshead Revisited

  • #29
    Evelyn Waugh
    “Perhaps all our loves are merely hints and symbols; vagabond-language scrawled on gate-posts and paving-stones along the weary road that others have tramped before us; perhaps you and I are types and this sadness which sometimes falls between us springs from disappointment in our search, each straining through and beyond the other, snatching a glimpse now and then of the shadow which turns the corner always a pace or two ahead of us.”
    Evelyn Waugh, Brideshead Revisited

  • #30
    Evelyn Waugh
    “I felt that I was leaving part of myself behind, and that wherever I went afterwards I should feel the lack of it, and search for it hopelessly, as ghosts are said to do, frequenting the spots where they buried material treasures without which they cannot pay their way to the nether world.”
    Evelyn Waugh, Brideshead Revisited



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