Scottie Leung > Scottie's Quotes

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  • #1
    Nicholas Sparks
    “You have no idea how much the last few days have meant to me," I began. "Meeting you has been the best thing that's ever happened to me." I hesitated, know that if I stopped now, I'd never be able to say it to anyone. "I love you," I whispered. "Did you ever imagine something like this?" she wondered aloud. "You and me , I mean?" "No," I said. "It scares me a little." My stomach flipped, and all at once, I was sure she didnt feel the same way. "You dont have to say it back to me," I began. "That's not why I said it--" "I know," she interrupted. "You don't understand. I wasnt scared because you told me. I got scared because I wanted to say it, too: I love you, John.”
    Nicholas Sparks, Dear John

  • #2
    Jonathan Safran Foer
    “I wanted to tell her everything, maybe if I'd been able to, we could have lived differently, maybe I'd be there with you now instead of here. Maybe... if I'd said, 'I'm so afraid of losing something I love that I refuse to love anything,' maybe that would have made the impossible possible. Maybe, but I couldn't do it, I had buried too much too deeply inside me. And here I am, instead of there.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #3
    Jonathan Safran Foer
    “Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.”
    Jonathan Safran Foer, Everything is Illuminated

  • #4
    Nicole Krauss
    “At the end, all that's left of you are your possessions. Perhaps that's why I've never been able to throw anything away. Perhaps that's why I hoarded the world: with the hope that when I died, the sum total of my things would suggest a life larger than the one I lived.”
    Nicole Krauss, The History of Love

  • #5
    Thich Nhat Hanh
    “Through my love for you, I want to express my love for the whole cosmos, the whole of humanity, and all beings. By living with you, I want to learn to love everyone and all species. If I succeed in loving you, I will be able to love everyone and all species on Earth... This is the real message of love.”
    Thich Nhat Hanh, Teachings on Love

  • #6
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #7
    Jarod Kintz
    “I don't understand people who say they need more "Me Time." What other time is there? Do these people spend part of their day in someone else's body?”
    Jarod Kintz, This Book is Not for Sale

  • #8
    Nicholas Sparks
    “I think it happens to everyone as they grow up. You find out who you are and what you want, and then you realize that people you've known forever don't see things the way you do. And so you keep the wonderful memories, but find yourself moving on.”
    Nicholas Sparks, True Believer

  • #9
    John Green
    “I always thought of it like you said, that all the strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships sink, or maybe we’re grass—our roots so interdependent that no one is dead as long as someone is alive. We don’t suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you’re imagining a world in which you can become irreparably broken. If you choose the grass, you’re saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications. Do you know what I mean?”
    John Green, Paper Towns

  • #10
    Lauren Kate
    “Please don't worry. I will always come for you. I won't let you go until you understand that."
    "Then I refuse to understand," she said.”
    Lauren Kate, Fallen

  • #11
    John Waters
    “You should never read just for "enjoyment." Read to make yourself smarter! Less judgmental. More apt to understand your friends' insane behavior, or better yet, your own. Pick "hard books." Ones you have to concentrate on while reading. And for god's sake, don't let me ever hear you say, "I can't read fiction. I only have time for the truth." Fiction is the truth, fool! Ever hear of "literature"? That means fiction, too, stupid.”
    John Waters, Role Models

  • #12
    Lauren Kate
    “I don't understand what you're still doing here."
    She blinked and nodded miserably, then began to turn away.
    "No!" He pulled her back. "Don't leave. It's just that you've never—we've never... gotten this far." He closed his eyes. "Will you say it again?" he asked, almost shyly. "Will you tell me ... what I am?"
    "You're an angel," she repeated slowly, surprised to see Daniel close his eyes and moan in pleasure, almost as if they were kissing. "I'm in love with an angel.”
    Lauren Kate, Fallen

  • #13
    Richelle Mead
    “He shook his head. “No. Because there's no one else out there who understands you like I do.”
    I waited for more. “That's it? You're not going to elaborate on what that means?”
    Those green eyes held me. “I don't think I need to.”
    Richelle Mead, The Golden Lily

  • #14
    John Green
    “Issac:"I dislike living in a world without Augustus Waters."
    Computer: "I don't understand-"
    Issac: "Me neither. Pause”
    John Green, The Fault in Our Stars

  • #15
    Philip Pullman
    “I don't profess any religion; I don't think it’s possible that there is a God; I have the greatest difficulty in understanding what is meant by the words ‘spiritual’ or ‘spirituality.'

    [Interview, The New Yorker, Dec. 26, 2005]”
    Philip Pullman

  • #16
    Nancy Werlin
    “It is absolutely okay with me if you need to keep some secrets. I've been thinking about this and I decided that a best friend is someone who, when they don't understand, they still understand.”
    Nancy Werlin, Impossible

  • #17
    Nicholas Sparks
    “When I think of you and me and what we shared, I know it would be easy for others to dismiss our time together as simply a by-product of the days and nights we spent by the sea, a "fling" that, in the long run, would mean absolutely nothing. Thats why I don't tell people about us. They wouldn't understand, and I don't feel the need to explain, simply becasue I know in my heart how real it was... how real this is. When I think of you I cant help smiling, knowing that you've completed me somehow. I love you, not just for now, but for always, and I dream of the day that you'll take me in your arms again”
    Nicholas Sparks, Dear John

  • #18
    “Lady Katsa, is it?"
    "Yes, Lord Prince."
    "I've heard you have one eye green as the Middluns grasses, and the other eye blue as the sky."
    "Yes, Lord Prince."
    "I've heard you can kill a man with the nail of your smallest finger."
    She smiled. "Yes, Lord Prince."
    "Does it make it easier?"
    "I don't understand you."
    "To have beautiful eyes. Does it lighten the burden of your Grace, to know you have beautiful eyes?”
    Kristin Cashore, Graceling

  • #19
    Coco Chanel
    “I don't understand how a woman can leave the house without fixing herself up a little - if only out of politeness. And then, you never know, maybe that's the day she has a date with destiny. And it's best to be as pretty as possible for destiny.”
    Coco Chanel

  • #20
    Cassandra Clare
    “She pulled away. "That doesn't make any sense."
    "Neither does this," he said, "but I don't care. I'm sick of trying to pretend I can live without you. Don't you understand that? Can't you see it's killing me?”
    Cassandra Clare, City of Fallen Angels

  • #21
    Nicholas Sparks
    “And when I came in with tears in my eyes, you always knew whether I needed you to hold me or just let me be. I don't know how you knew, but you did, and you made it easier for me.”
    nicholas sparks, The Notebook

  • #22
    Becca Fitzpatrick
    “Angel... I don't think you understand the lengths I would go to if it means keeping you here with me.”
    Becca Fitzpatrick, Silence

  • #23
    Katie McGarry
    “If you’re scared, tell me. If you need to cry and scream, then do it. And you sure as hell don’t walk away from us because you think it would be better for me. Here’s the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that too. I may not always understand, but damn, baby, I’ll try.”
    Katie McGarry, Pushing the Limits

  • #24
    Gillian Flynn
    “Love makes you want to be a better man—right, right. But maybe love, real love, also gives you permission to just be the man you are.”
    Gillian Flynn, Gone Girl

  • #25
    Penelope Douglas
    “I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.”
    Penelope Douglas, Bully

  • #26
    Gillian Flynn
    “It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.”
    Gillian Flynn, Gone Girl

  • #27
    Gillian Flynn
    “Sleep is like a cat: It only comes to you if you ignore it.”
    Gillian Flynn, Gone Girl

  • #28
    Gillian Flynn
    “Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.”
    Gillian Flynn, Gone Girl

  • #29
    Gillian Flynn
    “The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.

    Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes.

    So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?

    So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.”
    Gillian Flynn, Gone Girl
    tags: love

  • #30
    Gillian Flynn
    “There's a difference between really loving someone and loving the idea of her.”
    Gillian Flynn, Gone Girl



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