Ethan Liebzeit > Ethan's Quotes

“The worst part of holding the memories is not the pain. It's the loneliness of it. Memories need to be shared.”
― Lois Lowry, The Giver

“Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.”
― Kazuo Ishiguro, Never Let Me Go

“If you take a book with you on a journey," Mo had said when he put the first one in her box, "an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it... yes, books are like flypaper—memories cling to the printed page better than anything else.”
― Cornelia Funke, Inkheart

“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
― Haruki Murakami, Kafka on the Shore

“People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.”
― Diane Setterfield, The Thirteenth Tale

“So many versions of just one memory, and yet none of them were right or wrong. Instead, they were all pieces. Only when fitted together, edge to edge, could they even begin to tell the whole story.”
― Sarah Dessen, Just Listen

“If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.”
― Daphne du Maurier, Rebecca

“What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic."

[Cosmos, Part 11: The Persistence of Memory (1980)]”
― Carl Sagan, Cosmos

“Of all the priceless objects left behind, this is what we rescue. These artifacts. Memory cues. Useless souvenirs. Nothing you could auction. The scars left from happiness.”
― Chuck Palahniuk, Diary

“So many objects, so many memories. Each was being labelled and packed away in bags just as it was in her mind. To be stored in an area that would sometime be called upon to teach and help in future life.”
― Cecelia Ahern, P.S. I Love You

“Usually at least once in a person's childhood we lose an object that at the time is invaluable and irreplaceable to us, although it is worthless to others. Many people remember that lost article for the rest of their lives. Whether it was a lucky pocketknife, a transparent plastic bracelet given to you by your father, a toy you had longed for and never expected to receive, but there it was under the tree on Christmas... it makes no difference what it was. If we describe it to others and explain why it was so important, even those who love us smile indulgently because to them it sounds like a trivial thing to lose. Kid stuff. But it is not. Those who forget about this object have lost a valuable, perhaps even crucial memory. Becuase something central to our younger self resided in that thing. When we lost it, for whatever reason, a part of us shifted permanently.”
― Jonathan Carroll, The Ghost in Love

“Sometimes we keep the physical objects until memory is enough”
― Vikki Wakefield, Friday Brown

“It’s not that Mom didn’t keep anything, it’s that she kept the wrong things. We leave memories on objects we love and cherish, things we use and wear down.”
― Victoria Schwab, The Archived

“Memories, dreams, and our imagination are linked inextricably with the objects of our lives and the rich associations we have with meaningful places. But in our culture's steadfast dedication to consumption, we no longer mend, we discard.”
― Sarah Robinson, Nesting: Body, Dwelling, Mind

“It's possible, in a poem or short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things—a chair, a window curtain, a fork, a stone, a woman's earring—with immense, even startling power.”
― Raymond Carver

“Now all the mute objects of my life seem to tell my story, to stretch back in time, if I look closely enough. ”
― Jeffrey Eugenides, Middlesex

“The world, the human world, is bound together not by protons and electrons, but by stories. Nothing has meaning in itself: all the objects in the world would be shards of bare mute blankness, spinning wildly out of orbit, if we didn't bind them together with stories.”
― Brian Morton

“The stories that unfold in the space of a writer's study, the objects chosen to watch over a desk, the books selected to sit on the shelves, all weave a web of echoes and reflections of meanings and affections, that lend a visitor the illusion that something of the owner of this space lives on between these walls, even if the owner is no more.”
― Alberto Manguel, The Library at Night

“It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things-- a chair, a window curtain, a fork, a stone, a woman's earring-- with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine-- the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me.”
― Raymond Carver

“Stories are artifacts, not really made things which we create and can take credit for, but pre-existing objects which we dig up.”
― Stephen King, Everything's Eventual

“It's hard to let go of objects because they are full of stories...They speak to us of the life we had, and the lives we never knew...We can, in fact, never be free of our stuff until we have dealt with the stories it carries. In the end, it does indeed tell us something about who we are.”
― Lisa Tracy, Objects of Our Affection: Uncovering My Family's Past, One Chair, Pistol, and Pickle Fork at a Time

“How objects are handed on is all about story-telling. I am giving you this because I love you. Or because it was given to me. Because I bought it somewhere special. Because you will care for it. Because it will complicate your life. Because it will make someone else envious. There is no easy story in legacy. What is remembered and what is forgotten?”
― Edmund de Waal, The Hare With Amber Eyes: A Family's Century of Art and Loss

“We don't need more museums that try to construct the historical narratives of a society, community, team, nation, state, tribe, company, or species. We all know that the ordinary, everyday stories of individuals are riches, more humane, and much more joyful.”
― Orhan Pamuk, The Innocence of Objects

“Most lives vanish. A person dies, and little by little all traces of that life disappear. An inventor survives in his inventions, an architect survives in his buildings, but most people leave behind no monuments or lasting achievements: a shelf of photograph albums, a fifth-grade report card, a bowling trophy, an ashtray filched from a Florida hotel room on the final morning of some dimly remembered vacation. A few objects, a few documents, and a smattering of impressions made on other people. Those people invariably tell stories about the dead person, but more often than not dates are scrambled, facts are left out, and the truth becomes increasingly distorted, and when those people die in their turn, most of the stories vanish with them.”
― Paul Auster