kikkomandy > kikkomandy's Quotes

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  • #1
    Jodi Picoult
    “You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.”
    Jodi Picoult, Mercy

  • #2
    Jodi Picoult
    “Let me tell you this: if you meet a loner, no matter what they tell you, it's not because they enjoy solitude. It's because they have tried to blend into the world before, and people continue to disappoint them.”
    Jodi Picoult, My Sister's Keeper

  • #3
    Jodi Picoult
    “You don't need water to feel like you're drowning, do you?”
    Jodi Picoult, Nineteen Minutes

  • #4
    Jodi Picoult
    “It takes two people to make a lie work: the person who tells it, and the one who believes it.”
    Jodi Picoult, Vanishing Acts

  • #5
    Jodi Picoult
    “Some lessons can't be taught, they simply have to be learned.”
    Jodi Picoult, Vanishing Acts

  • #6
    Jodi Picoult
    “Once you had put the pieces back together, even though you may look intact, you were never quite the same as you'd been before the fall.”
    Jodi Picoult

  • #7
    Jodi Picoult
    “When you don't fit in, you become superhuman. You can feel everyone else's eyes on you, stuck like Velcro. You can hear a whisper about you from a mile away. You can disappear, even when it looks like you're still standing right there. You can scream, and nobody hears a sound.
    You become the mutant who fell into the vat of acid, the Joker who can't remove his mask, the bionic man who's missing all his limbs and none of his heart.
    You are the thing that used to be normal, but that was so long ago, you can't even remember what it was like. ”
    Jodi Picoult, Nineteen Minutes

  • #8
    Jodi Picoult
    “After a certain point, a heart with so many stress fractures can never be anything but broken.”
    Jodi Picoult, Salem Falls

  • #9
    Jodi Picoult
    “Lately, I have been having nightmares, where I'm cut into so many pieces that there isn't enough of me to be put back together.”
    Jodi Picoult, My Sister's Keeper

  • #10
    Jodi Picoult
    “Let me tell you what you feel like when you know you are ready to die.
    You sleep a lot, and when you wake up the very first thought in your head is that you wish you could go back to bed.
    You go entire days without eating, because food is a commodity that keeps you here.
    You read the same page a hundred times.
    You rewind your life like a videocassette and see the things that make you weep, things that make you pause, but nothing that makes you want to play it forward.
    You forget to comb your hair, to shower, to dress.
    And then one day, when you make the decision that you have enough energy left in you to do this one, last, monumental thing, there comes a peace. Suddenly you are counting moments as you haven’t for months. Suddenly you have a secret that makes you smile, that makes people say you look wonderful, although you feel like a shell-brittle and capable of cracking into a thousand pieces. ”
    Jodi Picoult, Keeping Faith

  • #11
    Jodi Picoult
    “He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.”
    Jodi Picoult, The Pact

  • #12
    Jodi Picoult
    “You make yourself strong because it's expected of you. You become confident because someone beside you is unsure. You turn into the person others need you to be.”
    Jodi Picoult, Vanishing Acts

  • #13
    Jodi Picoult
    “Just because you keep something a secret doesn't mean it never happened, no matter how much you want that to be true.”
    Jodi Picoult, Vanishing Acts

  • #14
    Jodi Picoult
    “The way i see it, love is just a bigger, stickier form of trust.”
    Jodi Picoult, Mercy

  • #15
    I'm selfish, impatient and a little insecure. I make mistakes, I am out of control
    “I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”
    Marilyn Monroe

  • #16
    George Carlin
    “The reason I talk to myself is because I’m the only one whose answers I accept.”
    George Carlin

  • #17
    Stephanie Klein
    “Tell the truth, or someone will tell it for you.”
    Stephanie Klein, Straight Up and Dirty

  • #18
    Virginia Woolf
    “If you do not tell the truth about yourself you cannot tell it about other people.”
    Virginia Woolf

  • #19
    Marilyn Monroe
    “No one ever told me I was pretty when I was a little girl. All little girls should be told they're pretty, even if they aren't.”
    Marilyn Monroe

  • #20
    Naomi Wolf
    “Women who love themselves are threatening; but men who love real women, more so.”
    Naomi Wolf, The Beauty Myth

  • #21
    Naomi Wolf
    “To live in a culture in which women are routinely naked where men aren't is to learn inequality in little ways all day long. So even if we agree that sexual imagery is in fact a language, it is clearly one that is already heavily edited to protect men's sexual--and hence social--confidence while undermining that of women.”
    Naomi Wolf, The Beauty Myth

  • #22
    Naomi Wolf
    “Sadly, the signals that allow men and women to find the partners who most please them are scrambled by the sexual insecurity initiated by beauty thinking. A woman who is self-conscious can't relax to let her sensuality come into play. If she is hungry she will be tense. If she is "done up" she will be on the alert for her reflection in his eyes. If she is ashamed of her body, its movement will be stilled. If she does not feel entitled to claim attention, she will not demand that airspace to shine in. If his field of vision has been boxed in by "beauty"--a box continually shrinking--he simply will not see her, his real love, standing right before him.”
    Naomi Wolf, The Beauty Myth

  • #23
    Chuck Palahniuk
    “Want to talk third wave feminism, you could cite Ariel Levy and the idea that women have internalized male oppression. Going to spring break at Fort Lauderdale, getting drunk, and flashing your breasts isn't an act of personal empowerment. It's you, so fashioned and programmed by the construct of patriarchal society that you no longer know what's best for yourself.
    A damsel too dumb to even know she's in distress.”
    Chuck Palahniuk, Snuff

  • #24
    Charlotte Brontë
    “If men could see us as we really are, they would be a little amazed; but the cleverest, the acutest men are often under an illusion about women: they do not read them in a true light: they misapprehend them, both for good and evil: their good woman is a queer thing, half doll, half angel; their bad woman almost always a fiend.”
    Charlotte Brontë, Shirley

  • #25
    Naomi Wolf
    “When [beauty pornography is] aimed at men, its effect is to keep them from finding peace in sexual love. The fleeting chimera of the airbrushed centerfold, always receding before him, keeps the man destabilized in pursuit, unable to focus on the beauty of the woman--known, marked, lined, familiar—-who hands him the paper every morning.”
    Naomi Wolf, The Beauty Myth

  • #26
    Naomi Wolf
    “Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.”
    Naomi Wolf, The Beauty Myth

  • #27
    Naomi Wolf
    “For the first time in history, children are growing up whose earliest sexual imprinting derives not from a living human being, or fantasies of their own; since the 1960s pornographic upsurge, the sexuality of children has begun to be shaped in response to cues that are no longer human. Nothing comparable has ever happened in the history of our species; it dislodges Freud. Today's children and young men and women have sexual identities that spiral around paper and celluloid phantoms: from Playboy to music videos to the blank females torsos in women's magazines, features obscured and eyes extinguished, they are being imprinted with a sexuality that is mass-produced, deliberately dehumanizing and inhuman.”
    Naomi Wolf, The Beauty Myth

  • #28
    Naomi Wolf
    “Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life.

    Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.”
    Naomi Wolf, The Beauty Myth

  • #29
    Naomi Wolf
    “She may resent Playboy because she resents feeling ugly in sex--or, if "beautiful," her body defined and diminished by pornography. It inhibits in her something she needs to live, and gives her the ultimate anaphrodisiac: the self-critical sexual gaze. Alice Walker's essay "Coming Apart" investigates the damage done: Comparing herself to her lover's pornography, her heroine "foolishly" decides that she is not beautiful.”
    Naomi Wolf, The Beauty Myth

  • #30
    Naomi Wolf
    “Why should her lover, just because he is male, be in a position to judge her against other women? Why must she need to know her position and hate needing to, and hate knowing? Why should his reply have such exaggerated power? And it does. He does not know that what he says will affect the way she feels when they next make love. She is angry for a number of good reasons that may have nothing to do with this particular man's intentions. The exchange reminds her that, in spite of a whole fabric of carefully woven equalities, they are not equal in this way that is so crucial that its snagged thread unravels the rest.”
    Naomi Wolf, The Beauty Myth



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