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  • #1
    Yuval Noah Harari
    “One of history’s few iron laws is that luxuries tend to become necessities and to spawn new obligations.”
    Yuval Noah Harari, Sapiens: A Brief History of Humankind

  • #2
    Yuval Noah Harari
    “So, monotheism explains order, but is mystified by evil. Dualism explains evil, but is puzzled by order. There is one logical way of solving the riddle: to argue that there is a single omnipotent God who created the entire universe – and He’s evil. But nobody in history has had the stomach for such a belief.”
    Yuval Noah Harari, Sapiens: A Brief History of Humankind

  • #3
    Yuval Noah Harari
    “most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.”
    Yuval Noah Harari, Sapiens: A Brief History of Humankind

  • #4
    Yuval Noah Harari
    “On 20 July 1969, Neil Armstrong and Buzz Aldrin landed on the surface of the moon. In the months leading up to their expedition, the Apollo II astronauts trained in a remote moon-like desert in the western United States. The area is home to several Native American communities, and there is a story – or legend – describing an encounter between the astronauts and one of the locals. One day as they were training, the astronauts came across an old Native American. The man asked them what they were doing there. They replied that they were part of a research expedition that would shortly travel to explore the moon. When the old man heard that, he fell silent for a few moments, and then asked the astronauts if they could do him a favour. ‘What do you want?’ they asked. ‘Well,’ said the old man, ‘the people of my tribe believe that holy spirits live on the moon. I was wondering if you could pass an important message to them from my people.’ ‘What’s the message?’ asked the astronauts. The man uttered something in his tribal language, and then asked the astronauts to repeat it again and again until they had memorised it correctly. ‘What does it mean?’ asked the astronauts. ‘Oh, I cannot tell you. It’s a secret that only our tribe and the moon spirits are allowed to know.’ When they returned to their base, the astronauts searched and searched until they found someone who could speak the tribal language, and asked him to translate the secret message. When they repeated what they had memorised, the translator started to laugh uproariously. When he calmed down, the astronauts asked him what it meant. The man explained that the sentence they had memorised so carefully said, ‘Don’t believe a single word these people are telling you. They have come to steal your lands.”
    Yuval Noah Harari, Sapiens: A Brief History of Humankind

  • #5
    Tiffany Reisz
    “Tell me something boss. What do you think is the highest form of art?

    'Literature," he answered without hesitation. 'Painters and sculptors require elaborate supplies and tools. Dancers must have music. Musicians must have instruments. Literature needs nothing but a voice to speak it or sand to scrawl it in.”
    Tiffany Reisz, The Siren

  • #6
    Anaïs Nin
    “I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.”
    Anaïs Nin

  • #7
    Anaïs Nin
    “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.”
    Anais Nin

  • #8
    Anaïs Nin
    “I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them.”
    Anais Nin

  • #9
    Anaïs Nin
    “There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest.”
    Anais Nin

  • #10
    Anaïs Nin
    “We don't see things as they are, we see them as we are.”
    Anaïs Nin

  • #11
    Anaïs Nin
    “I am only responsible for my own heart, you offered yours up for the smashing my darling. Only a fool would give out such a vital organ”
    Anais Nin

  • #12
    Anaïs Nin
    “The secret of joy is the mastery of pain.”
    Anais Nin

  • #13
    Anaïs Nin
    “You cannot save people. You can only love them.”
    Anaïs Nin

  • #14
    Anaïs Nin
    “What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. One is not in bondage to the past, which has shaped our feelings, to race, inheritance, background. All this can be altered if we have the courage to examine how it formed us. We can alter the chemistry provided we have the courage to dissect the elements.”
    Anais Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #15
    Anaïs Nin
    “Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.”
    ANAIS NIN

  • #16
    Anaïs Nin
    “I believe one writes because one has to create a world in which one can live.”
    Anais Nin

  • #17
    Anaïs Nin
    “There is not one big cosmic meaning for all; there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #18
    Anaïs Nin
    “I write emotional algebra.”
    Anais Nin

  • #19
    Anaïs Nin
    “She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself.”
    Anaïs Nin

  • #20
    Anaïs Nin
    “The truly faithless one is the one who makes love to only a fraction of you. And denies the rest.”
    Anais Nin

  • #21
    Anaïs Nin
    “Do you know what I would answer to someone who asked me for a description of myself, in a hurry? This:

    ?? !!

    For indeed my life is a perpetual question mark--my thirst for books, my observations of people, all tend to satisfy a great, overwhelming desire to know, to understand, to find an answer to a million questions. And gradually the answers are revealed, many things are explained, and above all, many things are given names and described, and my restlessness is subdued. Then I become an exclamatory person, clapping my hands to the immense surprises the world holds for me, and falling from one ecstasy into another. I have the habit of peeping and prying and listening and seeking--passionate curiosity and expectation. But I have also the habit of being surprised, the habit of being filled with wonder and satisfaction each time I stumble on some wondrous thing. The first habit could make me a philosopher or a cynic or perhaps a humorist. But the other habit destroys all the delicate foundations, and I find each day that I am still...only a Woman!”
    Anaïs Nin, The Early Diary of Anaïs Nin, Vol. 2: 1920-1923

  • #22
    Anaïs Nin
    “For you and for me the highest moment, the keenest joy, is not when our minds dominate but when we lose our minds, and you and I both lose it in the same way, through love.”
    Anais Nin, Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin

  • #23
    Anaïs Nin
    “There are many ways to be free. One of them is to transcend reality by imagination, as I try to do.”
    Anais Nin

  • #24
    Anaïs Nin
    “I made no resolutions for the New Year. The habit of making plans, of criticizing, sanctioning and molding my life, is too much of a daily event for me. ”
    Anaïs Nin

  • #25
    Anaïs Nin
    “Sometimes we reveal ourselves when we are least like ourselves.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #26
    Anaïs Nin
    “We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.”
    Anais Nin



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