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  • #1
    Donna Tartt
    “More than anything I was relieved that in my unfamiliar babbling-and-wanting-to-talk state I'd stopped myself from blurting the thing I'd never said, even though it was something we both knew well enough without me saying out loud to him in the street - which was, of course, I love you.”
    Donna Tartt, The Goldfinch

  • #2
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #3
    Jennifer Donnelly
    “It goes on, this world, stupid and brutal.
    But I do not.
    I do not.”
    Jennifer Donnelly, Revolution

  • #4
    Jennifer Donnelly
    “Hope is the crystal meth of emotions. It hooks you fast and kills you hard.”
    Jennifer Donnelly, Revolution

  • #5
    Fyodor Dostoevsky
    “I think I could stand anything, any suffering, only to be able to say and to repeat to myself every moment, 'I exist.' In thousands of agonies -- I exist. I'm tormented on the rack -- but I exist! Though I sit alone in a pillar -- I exist! I see the sun, and if I don't see the sun, I know it's there. And there's a whole life in that, in knowing that the sun is there.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #6
    Sally Rooney
    “It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
    Sally Rooney, Normal People

  • #7
    Sally Rooney
    “Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn't know if she would ever find out where it was or become part of it.”
    Sally Rooney, Normal People

  • #8
    Sally Rooney
    “No one can be independent of other people completely, so why not give up the attempt, she thought, go running in the other direction, depend on people for everything, allow them to depend on you, why not.”
    Sally Rooney, Normal People

  • #9
    Sally Rooney
    “She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.
    You should go, she says. I’ll always be here. You know that.”
    Sally Rooney, Normal People

  • #10
    Sally Rooney
    “Gradually the waiting began to feel less like waiting and more like this was simply what life was: the distracting tasks undertaken while the thing you are waiting for continues not to happen.”
    Sally Rooney, Conversations with Friends

  • #11
    Sally Rooney
    “My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all.”
    Sally Rooney, Mr Salary

  • #12
    Anne Carson
    “You remember too much,
    my mother said to me recently.
    Why hold onto all that? And I said,
    Where can I put it down?”
    Anne Carson, Glass, Irony and God

  • #13
    Jeanette Winterson
    “I seem to have run in a great circle, and met myself again on the starting line.”
    Jeanette Winterson, Oranges Are Not the Only Fruit

  • #14
    Jeanette Winterson
    “He: What’s the matter with you?

    Me: Nothing.

    Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her.”
    Jeanette Winterson, Gut Symmetries

  • #15
    Jeanette Winterson
    “You’ll get over it…” It’s the clichés that cause the trouble. To lose someone you love is to alter your life for ever. You don’t get over it because ‘it” is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to grieve over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to?”
    Jeanette Winterson, Written on the Body

  • #16
    Jeanette Winterson
    “Many waters cannot quench love, neither can floods drown it. What then kills love? Only this: Neglect. Not to see you when you stand before me. Not to think of you in the little things. Not to make the road wide for you, the table spread for you. To choose you out of habit not desire, to pass the flower seller without a thought. To leave the dishes unwashed, the bed unmade, to ignore you in the mornings, make use of you at night. To crave another while pecking your cheek. To say your name without hearing it, to assume it is mine to call.”
    Jeanette Winterson, Written on the Body
    tags: love

  • #17
    Jeanette Winterson
    “Why is the measure of love loss?”
    Jeanette Winterson, Why Be Happy When You Could Be Normal?

  • #18
    Emily Brontë
    “I wish I were a girl again, half savage and hardy, and free... Why am I so changed? I'm sure I should be myself were I once among the heather on those hills.”
    Emily Brontë, Wuthering Heights: Includes eBook, Library Edition

  • #19
    Jeanette Winterson
    “I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had.”
    Jeanette Winterson, Oranges Are Not the Only Fruit

  • #20
    Jeanette Winterson
    “I want someone who is fierce and will love me until death and knows that love is as strong as death, and be on my side forever and ever. I want someone who will destroy and be destroyed by me.”
    Jeanette Winterson, Oranges Are Not the Only Fruit
    tags: love

  • #21
    Jeanette Winterson
    “But not all dark places need light, I have to remember that.”
    Jeanette Winterson, Oranges Are Not the Only Fruit

  • #22
    “There are two reasons why people don’t talk about things; either it doesn’t mean anything to them, or it means everything.”
    Luna Adriana

  • #23
    Suzanne Rivecca
    “The San Francisco therapist kept telling me I shouldn’t be terrified of creative experimentation.
    “I don’t know what’s going to come out of me,” I told her. “It has to be perfect. It has to be irreproachable in every way.”
    “Why?” she said.
    “To make up for it,” I said. “To make up for the fact that it’s me.”
    Suzanne Rivecca

  • #24
    Claudia Rankine
    “In my dream I apologize to everyone I meet. Instead of introducing myself, I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. In real life, oddly enough, when I am fully awake and out and about, if I catch someone’s eye, I quickly look away. Perhaps this too is a form of apology. Perhaps this is the form apologies take in real life. In real life the looking away is the apology, despite the fact that when I look away I almost always feel guilty; I do not feel as if I have apologized. Instead I feel as if I have created a reason to apologize, I feel the guilt of having ignored that thing—the encounter. I could have nodded, I could have smiled without showing my teeth. In some small way I could have wordlessly said, I see you seeing me and I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. Afterwards, after I have looked away, I never feel as if I can say, Look, look at me again so that I can see you, so that I can acknowledge that I have seen you, so that I can see you and apologize.”
    Claudia Rankine, Don’t Let Me Be Lonely: An American Lyric



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