Brooke Buchanan > Brooke's Quotes

“I had absolutely no interest in being somebody else's muse.
I am not a muse.
I am the somebody.
End of fucking story.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“I used to think soul mates were two of the same. I used to think I was supposed to look for somebody that was like me. I don't believe in soul mates anymore and I'm not looking for anything. But if I did believe in them, I'd believe your soul mate was somebody who had all the things you didn't, that needed all the things you had. Not somebody who's suffering from the same stuff you are.”
― Taylor Jenkins Reid , Daisy Jones & The Six

“Passion is...it's fire. And fire is great, man. But we're made of water. Water is how we keep living. Water is what we need to survive.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“You have to have one person in your life that you know would never do anything to steer you wrong. They may disagree with you. They could even break your heart, from time to time. But you have to have one person, at least, who you know will always tell you the truth.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“She had written something that felt like I could have written it, except I knew I couldn't have. I wouldn't have come up with something like that. Which is what we all want from art, isn’t it? When someone pins down something that feels like it lives inside us? Takes a piece of your heart out and shows it to you? It’s like they are introducing you to a part of yourself.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“No matter who you choose to go down the road with, you're gonna get hurt. That's just the nature of caring about someone. No matter who you love, they will break your heart along the way.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“Music is never about music. If it was, we'd be writing songs about guitars. But we don't. We write songs about women.

Women will crush you, you know? I suppose everybody hurts everybody, but women always seem to get back up, you ever notice that? Women are always still standing.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“But loving somebody isn't perfection and good times and laughing and making love. Love is forgiveness and patience and faith and every once in a while, it's a gut punch. That's why it's a dangerous thing, when you go loving the wrong person. When you love somebody who doesn't deserve it. You have to be with someone that deserves your faith and you have to be deserving of someone else's. It's sacred.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“Nothing is all good or all bad,” she says. “Life is so much messier than that.”
― V.E. Schwab, The Invisible Life of Addie LaRue

“I remember seeing that picture and realizing that photographs weren’t real. There’s no context, just the illusion that you’re showing a snapshot of a life, but life isn’t snapshots, it’s fluid. So photos are like fictions. I loved that about them. Everyone thinks photography is truth, but it’s just a very convincing lie.”
― V.E. Schwab, The Invisible Life of Addie LaRue

“And when the girl looks at him, she doesn't see perfect. She sees someone who cares too much, who feels too much, who is lost, and hungry, and wasting inside his curse. She sees the truth, and he doesn't know how, or why, only knows that he doesn't want it to end. Because for the first time in months, in years, his whole life, perhaps, Henry doesn't feel cursed at all. For the first time, he feels seen.”
― V.E. Schwab, The Invisible Life of Addie LaRue

“But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
― Madeline Miller, Circe

“He showed me his scars, and in return he let me pretend that I had none.”
― Madeline Miller, Circe

“It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness. If I had ever believed it, I no longer did.”
― Madeline Miller, Circe

“I asked her how she did it once, how she understood the world so clearly. She told me that it was a matter of keeping very still and showing no emotions, leaving room for others to reveal themselves.”
― Madeline Miller, Circe

“Suddenly we’re not kids anymore, and it feels like it happened overnight, so fast I didn’t have time to notice, to let go of everything that used to matter so much, to see that the old wounds that once felt like gut-level lacerations have faded to small white scars, mixed in among the stretch marks and sunspots and little divots where time has grazed against my body.
I’ve put so much time and distance between myself and that lonely girl, and what does it matter? Here is a piece of my past, right in front of me, miles away from home. You can’t outrun yourself. Not your history, not your fears, not the parts of yourself you’re worried are wrong.”
― Emily Henry, People We Meet on Vacation

“How were you supposed to change- in ways both big and small- when your family was always there to remind you of exactly the person you apparently signed an ironclad contract to be?”
― Taylor Jenkins Reid, Malibu Rising

“Nina understood, maybe for the first time, that letting people love you and care for you is part of how you love and care for them.”
― Taylor Jenkins Reid, Malibu Rising

“Too much self-sufficiency was sort of mean to the people who loved you, Kit thought. You robbed them of how good it feels to give, of their sense of value.”
― Taylor Jenkins Reid, Malibu Rising

“I was once told by someone wise that writing is perilous as you cannot always guarantee your words will be read in the spirit in which they were written.”
― Jojo Moyes, The Last Letter from Your Lover

“She’d read somewhere that you only truly saw what someone looked like in the first few minutes of meeting them, that after then it was only an impression, colored by what you thought of them.”
― Jojo Moyes, The Last Letter from Your Lover

“He talked to her in the way that people tell lifelong secrets to fellow passengers in railway carriages.”
― Jojo Moyes, The Last Letter from Your Lover

“I learned a long time ago, Ellie, that ‘if only’ is a very dangerous game indeed.”
― Jojo Moyes, The Last Letter from Your Lover

“I am always half in life, half in a fantastical version of it in my head.”
― Dolly Alderton, Everything I Know About Love

“Nearly everything I know about love, I've learnt from my long-term friendships with women.”
― Dolly Alderton, Everything I Know About Love

“Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.”
― Dolly Alderton, Everything I Know About Love

“I wasn't aware that words could hold so much. I didn't know a sentence could be so full.”
― Delia Owens, Where the Crawdads Sing

“His dad had told him many times that the definition of a real man is one who cries without shame, reads poetry with his heart, feels opera in his soul, and does what’s necessary to defend a woman.”
― Delia Owens, Where the Crawdads Sing

“Unworthy boys make a lot of noise”
― Delia Owens, Where the Crawdads Sing

“If anyone would understand loneliness, the moon would.”
― Delia Owens, Where the Crawdads Sing