Michelle > Michelle's Quotes

“We believe in ordinary acts of bravery, in the courage that drives one person to stand up for another.”
― Veronica Roth, Divergent

“I have a theory that selflessness and bravery aren't all that different.”
― Veronica Roth, Divergent

“The only way out of the labyrinth of suffering is to forgive.”
― John Green, Looking for Alaska

“And okay, fair enough, but there is this unwritten contract between author and reader and I think not ending your book kind of violates that contract.”
― John Green, The Fault in Our Stars

“For the two of us, home isn't a place. It is a person. And we are finally home.”
― Stephanie Perkins, Anna and the French Kiss

“I wish friends held hands more often, like the children I see on the streets sometimes. I'm not sure why we have to grow up and get embarrassed about it.”
― Stephanie Perkins, Anna and the French Kiss

“Boys turns girls into such idiots.”
― Stephanie Perkins, Anna and the French Kiss

“Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.

One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.

At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.

The boy did. By thinking about the girl.”
― Stephanie Perkins, Lola and the Boy Next Door

“Soap?"
"School of America in Paris" he explains. "SOAP".
Nice. My father sent me here to be cleansed.”
― Stephanie Perkins, Anna and the French Kiss

“Seriously, I don't know any American girl who can resist an English accent.”
― Stephanie Perkins, Anna and the French Kiss

“I suppose a fire that burns that bright is not meant to last.”
― Veronica Roth, Allegiant

“There is a difference between admitting and confessing. Admitting involves softening, making excuses for things that cannot be excused; confessing just names the crimes at its full severity.”
― Veronica Roth, Allegiant

“Keep in mind that people change, but the past doesn't.”
― Becca Fitzpatrick, Hush, Hush

“I don't go out with strangers," I said.

"Good thing I do. I'll pick you up at five.”
― Becca Fitzpatrick, Hush, Hush

“Hang on, did you just call me Angel?" I asked.
"If I did?"
"I don't like it."
He grinned. "It stays, Angel.”
― Becca Fitzpatrick, Hush, Hush

“Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"

Patch: "Single her out. Talk to her."

Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"

Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?”
― Becca Fitzpatrick, Hush, Hush

“Whoa, who peed in your Cheerios?”
― Becca Fitzpatrick, Crescendo

“He's got the whole bad-boy-in-need-of-redemption thing going on, but the catch is, most bad boys don't want redemption. They like being bad. They like the power they get from striking fear and panic into the hearts of mothers everywhere”
― Becca Fitzpatrick, Crescendo

“You're mine, Angel," he murmured, brushing the words across my jawbone as I arched my neck higher, inviting him to kiss everywhere. "You have me forever.”
― Becca Fitzpatrick, Crescendo

“I miss you."
"That's stupid," she said. "I saw you this morning."
"It's not the time," Levi said, and she could hear that he was smiling." It's the distance.”
― Rainbow Rowell, Fangirl

“I just can’t believe that life would give us to each other,’ he said, ‘and then take it back.’

‘I can,’ she said. ‘Life’s a bastard.”
― Rainbow Rowell, Eleanor & Park

“You’re never going to find a guy who’s exactly like you—first of all, because that guy never leaves his dorm room.”
― Rainbow Rowell, Fangirl

“When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.”
― John Green, Looking for Alaska

“Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in the back corner of the endless maze and to pretend that I was not lost, but home.”
― John Green, Looking for Alaska

“Y'all smoke to enjoy it. I smoke to die.”
― John Green, Looking for Alaska

“You spend your whole life stuck in the labyrinth, thinking about how you'll escape one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.”
― John Green, Looking for Alaska

“For she had embodied the Great Perhaps--she had proved to me that it was worth it to leave behind my minor life for grander maybes, and now she was gone and with her my faith in perhaps.”
― John Green, Looking for Alaska

“We all use the future to escape the present.”
― John Green

“He—that's Simon Bolivar—was shaken by the overwhelming revelation that the headlong race between his misfortunes and his dreams was at that moment reaching the finish line. The rest was darkness. Damn it," he sighed. "'How will I ever get out of this labyrinth!'

"So what's the labyrinth?" I asked her.

"That's the mystery, isn't it? Is the labyrinth living or dying? Which is he trying to escape—the world or the end of it?”
― John Green, Looking for Alaska

“The nature of the labyrinth, I scribbled into my spiral notebook, and the way out of it. This teacher rocked. I hated discussion classes. I hated talking, and I hated listening to everyone else stumble on their words and try to phrase things in the vaguest possible way so they wouldn't sound dumb, and I hated how it was all just a game of trying to figure out what the teacher wanted to hear and then saying it. I'm in class, so teach me.”
― John Green, Looking for Alaska