Nicole > Nicole's Quotes

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  • #1
    David Graeber
    “When it came to questions of personal freedom, the equality of men and women, sexual mores or popular sovereignty – or even, for that matter, theories of depth psychology18 – indigenous American attitudes are likely to be far closer to the reader’s own than seventeenth-century European ones.”
    David Graeber, The Dawn of Everything: A New History of Humanity

  • #2
    “A moment’s reflection shows that women, their work, their concerns and innovations are at the core of this more accurate understanding of civilization. As we saw in earlier chapters, tracing the place of women in societies without writing often means using clues left, quite literally, in the fabric of material culture, such as painted ceramics that mimic both textile designs and female bodies in their forms and elaborate decorative structures. To take just two examples, it’s hard to believe that the kind of complex mathematical knowledge displayed in early Mesopotamian cuneiform documents or in the layout of Peru’s Chavín temples sprang fully formed from the mind of a male scribe or sculptor, like Athena from the head of Zeus. Far more likely, these represent knowledge accumulated in earlier times through concrete practices such as the solid geometry and applied calculus of weaving or beadwork. What until now has passed for ‘civilization’ might in fact be nothing more than a gendered appropriation – by men, etching their claims in stone – of some earlier system of knowledge that had women at its centre.”
    David Graeber, David Wengrow

  • #3
    “Textiles, basketry, network, matting and cordage were most likely always developed in parallel with the cultivation of edible plants, which also implies the development of mathematical and geometrical knowledge that is (quite literally) intertwined with the practice of these crafts. Women’s association with such knowledge extends back to some of the earliest surviving depictions of the human form: the ubiquitous sculpted female figurines of the last Ice Age with their woven headgear, string skirts and belts made of cord. There is a peculiar tendency among (male) scholars to skip over the gendered aspects of this kind of knowledge or veil it in abstractions.”
    David Graeber, David Wengrow

  • #4
    Kurt Vonnegut Jr.
    “America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register.

    Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #5
    Kurt Vonnegut Jr.
    “All moments, past, present and future, always have existed, always will exist.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #6
    Kurt Vonnegut Jr.
    “The letter said that they were two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
    Billy was working on his second letter when the first letter was published. The second letter started out like this:
    The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
    When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "so it goes.”
    Kurt Vonnegut, Slaughterhouse-Five



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