Jay Rain > Jay's Quotes

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  • #1
    Arthur Schopenhauer
    “Talent hits a target no one else can hit. Genius hits a target no one else can see.”
    Arthur Schopenhauer

  • #2
    Mark Twain
    “Never tell the truth to people who are not worthy of it.”
    Mark Twain

  • #3
    Edward Abbey
    “Better a cruel truth than a comfortable delusion.”
    Edward Abbey

  • #4
    Amy Tan
    “Chance is the first step you take, luck is what comes afterward.”
    Amy Tan, The Kitchen God's Wife

  • #5
    “Insanity is doing the same thing, over and over again, but expecting different results.”
    Narcotics Anonymous

  • #6
    Mae West
    “You only live once, but if you do it right, once is enough.”
    Mae West

  • #7
    George Bernard Shaw
    “Life isn't about finding yourself. Life is about creating yourself.”
    George Bernard Shaw

  • #8
    Jojo Moyes
    “...I told him a story of two people. Two people who shouldn't have met, and who didn't like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other.”
    Jojo Moyes, Me Before You

  • #9
    Jojo Moyes
    “You can only actually help someone who wants to be helped.”
    Jojo Moyes, Me Before You

  • #10
    Martin Luther King Jr.
    “Let no man pull you so low as to hate him.”
    Martin Luther King Jr., A Knock at Midnight: Inspiration from the Great Sermons of Reverend Martin Luther King, Jr.

  • #11
    Khaled Hosseini
    “For you, a thousand times over”
    Khaled Hosseini, The Kite Runner

  • #12
    Charles de Lint
    “The stronger a woman gets, the more insecure the men in her life feel. It doesn’t work that way for a woman. We celebrate strength--in our partners as well as in ourselves.”
    Charles de Lint, Memory and Dream

  • #13
    Anthony Doerr
    “Don’t you want to be alive before you die?”
    Anthony Doerr, All the Light We Cannot See

  • #14
    Lloyd Alexander
    “Fantasy is hardly an escape from reality. It's a way of understanding it.”
    Lloyd Alexander

  • #15
    “Time you enjoy wasting is not wasted time.”
    Marthe Troly-Curtin, Phrynette Married

  • #16
    I'm selfish, impatient and a little insecure. I make mistakes, I am out of control
    “I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”
    Marilyn Monroe

  • #17
    André Gide
    “It is better to be hated for what you are than to be loved for what you are not.”
    Andre Gide, Autumn Leaves

  • #18
    Oscar Wilde
    “Be yourself; everyone else is already taken.”
    Oscar Wilde

  • #19
    Maya Angelou
    “There is no greater agony than bearing an untold story inside you.”
    Maya Angelou, I Know Why the Caged Bird Sings

  • #20
    “I'll take crazy over stupid any day.”
    Joss Whedon

  • #21
    Charles Dickens
    “They are Man's and they cling to me, appealing from their fathers. This boy is Ignorance and this girl is Want. Beware them both, and all of their degree, but most of all beware this boy for on his brow I see that written which is Doom, unless the writing be erased.”
    Charles Dickens, A Christmas Carol

  • #22
    Suetonius
    “On reflecting at dinner that he had done nothing to help anybody all day, he uttered these memorable and praiseworthy words: "Friends, I have lost a day.”
    Suetonius

  • #23
    Osho
    “Joy is spiritual. It is different, totally different from pleasure or happiness. It has nothing to do with the outside, with the other, it is an inner phenomenon.”
    Osho, Joy: The Happiness That Comes from Within

  • #24
    John Green
    “There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.”
    John Green, The Fault in Our Stars

  • #25
    John Green
    “I'm in love with you," he said quietly.

    "Augustus," I said.

    "I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
    John Green, The Fault in Our Stars

  • #26
    John Green
    “Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.”
    John Green, The Fault in Our Stars

  • #27
    Robert Anton Wilson
    “These ideas can be made more concrete with a parable, which I borrow from John Fowles’s wonderful novel, The Magus.

    Conchis, the principle character in the novel, finds himself Mayor of his home
    town in Greece when the Nazi occupation begins. One day, three Communist
    partisans who recently killed some German soldiers are caught. The Nazi commandant gives Conchis, as Mayor, a choice — either Conchis will execute the three partisans himself to set an example of loyalty to the new regime, or the Nazis will execute every male in the town.

    Should Conchis act as a collaborator with the Nazis and take on himself the
    direct guilt of killing three men? Or should he refuse and, by default, be responsible for the killing of over 300 men?

    I often use this moral riddle to determine the degree to which people are hypnotized by Ideology. The totally hypnotized, of course, have an answer at once; they know beyond doubt what is correct, because they have memorized the Rule Book. It doesn’t matter whose Rule Book they rely on — Ayn Rand’s or Joan Baez’s or the Pope’s or Lenin’s or Elephant Doody Comix — the hypnosis is indicated by lack of pause for thought, feeling and evaluation. The response is immediate because it is because mechanical. Those who are not totally hypnotized—those who have some awareness of concrete events of sensory space-time, outside their heads— find the problem terrible and terrifying and admit they don’t know any 'correct' answer.

    I don’t know the 'correct' answer either, and I doubt that there is one. The
    universe may not contain 'right' and 'wrong' answers to everything just because Ideologists want to have 'right' and 'wrong' answers in all cases, anymore than it provides hot and cold running water before humans start tinkering with it. I feel sure that, for those awakened from hypnosis, every hour of every day presents choices that are just as puzzling (although fortunately not as monstrous) as this parable. That is why it appears a terrible burden to be aware of who you are, where you are, and what is going on around you, and why most people would prefer to retreat into Ideology, abstraction, myth and self-hypnosis.

    To come out of our heads, then, also means to come to our senses, literally—to live with awareness of the bottle of beer on the table and the bleeding body in the street. Without polemic intent, I think this involves waking from hypnosis in a very literal sense. Only one individual can do it at a time, and nobody else can do it for you. You have to do it all alone.”
    Robert Anton Wilson, Natural Law: or Don't Put a Rubber on Your Willy
    tags: truth

  • #28
    Richard Hell
    “Memories are better than life. Nothing I'm part of is good until later. I love what time does. I make decisions on the basis of sensing what will produce the best memory. They're my finest works: all that multidimensional and liquid maze of experience minus the fear and uncertainty, or with the fear and uncertainty changed to something else. Because they're already finished. I made them up and they comprise me. It's as if experience is only the dark, chaotic factory where these little infinity jewels are pressed into being. Everyone is the poet of their memories. Usually it's better to get things over with so you have the memory. But like the best poems, they're also never really finished because they gain new meaning as time reveals them in different lights. Maybe every memory is inside you from the beginning; they erupt and branch and merge in fantastic patterns, but if you really tried you could trace any one of them back to the same original. Maybe the best ones are all the same: of being born. Or dying, or whatever it is.”
    Richard Hell

  • #29
    Harry G. Frankfurt
    “Telling a lie is an act with a sharp focus. It is designed to insert a particular falsehood at a particular point in a set or system of beliefs, in order to have that point occupied by the truth. This requires a degree of craftsmanship, in which the teller of the lie submits to objective constraints imposed by what he takes to be the truth. The liar is inescapably concerned with truth-values. In order to invent a lie at all, he must think he knows what is true. And in order to invent an effective lie, he must design his falsehood under the guidance of that truth.

    On the other hand, a person who takes to bullshit his way through has much more freedom. His focus is panoramic rather than particular. He does not limit himself to inserting a certain falsehood at a specific point, and thus he is not constrained by the truths surrounding that point or intersecting it. He is prepared, so far as is required, to fake the context as well. This freedom from the constraints to which the liar must submit does not necessarily mean, of course, that his task is easier than the task of the liar. But the mode of creativity upon which it relies is less analytical and less deliberative than that which is mobilized in lying. It is more expansive and independent, with more spacious opportunities for improvisation, color and imaginative play. This is less a matter of craft than of art. Hence the familiar notion of the 'bullshit artist'.”
    Harry G. Frankfurt, On Bullshit

  • #30
    Tamora Pierce
    “Every now and then I like to do as I'm told, just to confuse people.”
    Tamora Pierce, Melting Stones



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