Amber Holloway > Amber's Quotes

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  • #1
    Flannery O'Connor
    “Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one.”
    Flannery O'Connor

  • #2
    Marjorie Kinnan Rawlings
    “They listened with flattering attention. He was filled with enthusiasm. He began at the beginning and tried to tell it as he thought Penny would do. Half-way through, he looked down at the cake. He lost interest in the account.

    "Then Pa shot him," he ended abruptly.”
    Marjorie Kinnan Rawlings, The Yearling

  • #3
    Marjorie Kinnan Rawlings
    “Perhaps all men were moved against their will. A man ordered his life, and then an obscurity of circumstance sent him down a road that was not of his own desire or choosing. Something beyond a man’s immediate choice and will reached through the earth and stirred him. He did not see how any man might escape it.”
    Marjorie Kinnan Rawlings, South Moon Under

  • #4
    Brenda Sutton Rose
    “My mother’s dress bears the stains of her life:
    blueberries, blood, bleach,
    and breast milk;
    She cradles in her arms a lifetime
    of love and sorrow;
    Its brilliance nearly blinds me.”
    Brenda Sutton Rose

  • #5
    Brenda Sutton Rose
    “Are you aware that Jesus Christ can spell? I get so tired of you spelling every slang and cuss word that crosses your mind, as though you are pulling one over on the Lord.”
    Brenda Sutton Rose, Dogwood Blues

  • #6
    Patricia Hickman
    “Because of sorrow, my awareness of life's pulse is strongly detectable. It is syncopation while I journey, a lap of ocean in the eyes of every person I meet. This awareness informs the flesh of my stories. Grief has been an odd companion, at first a terror, but now I am all the better having accepted it for its intrinsic worth.”
    Patricia Hickman, The Pirate Queen

  • #7
    Brenda Sutton Rose
    “The truth had lacerated him to the bone, had punctured his heart, and had ripped through his soul. The truth had slain him and tended to his wounds. The truth had hated him and loved him. The truth had opened his eyes to his own faults.”
    Brenda Sutton Rose, Dogwood Blues

  • #8
    James Caskey
    “I began to doubt that I would ever know the truth of what transpired, or who those people really were. But all that changed one rainy August afternoon, when I was surprised by a dead man who had answers.”
    James Caskey, Haunted Savannah: America's Most Spectral City

  • #9
    Flannery O'Connor
    “The woods are full of regional writers, and it is the great horror of every serious Southern writer that he will become one of them.”
    Flannery O'Connor, Mystery and Manners: Occasional Prose

  • #10
    Brenda Sutton Rose
    “Jasmine felt a sense of power in cooking. It was she who controlled the ingredients, she who controlled the menus, and she who controlled the fragrances that filled her home.”
    Brenda Sutton Rose, Dogwood Blues

  • #11
    James Caskey
    “Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin.”
    James Caskey, Charleston's Ghosts: Hauntings in the Holy City

  • #12
    Natalie Goldberg
    “No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present.

    Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet.

    I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away.”
    Natalie Goldberg

  • #13
    J. Randolph Cresenzo
    “If John Grisham, Harper Lee, and Larry the Cable Guy were penned up in a remote cabin for a weekend with nothing but good bourbon, fine wine, and a couple of cases of Pabst Blue Ribbon beer, something like Common Pleas (A Tale of Whoa!) might result...”
    J. Randolph Cresenzo, COMMON PLEAS

  • #14
    Maureen Johnson
    “I decided to deflect her attitude by giving a long, Southern answer. I come from people who know how to draw things out. Annoy a Southerner, and we will drain away the moments of your life with our slow, detailed replies until you are nothing but a husk of your former self and that much closer to death.”
    Maureen Johnson, The Name of the Star

  • #15
    Eudora Welty
    “Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.”
    Eudora Welty

  • #16
    Richard Ford
    “She said that it was a mistake to have made as few superficial friends as I have done in my life, and to have concentrated only on the few things I have concentrated on--her, for one. My children, for another. Sportswriting and being an ordinary citizen. This did not leave me well enough armored for the unexpected, was her opinion. She said this was because I didn't know my parents very well, had gone to a military school, and grown up in the south, which was full of betrayers and secret-keepers and untrustworthy people, which I agree is true, though I never knew any of them.”
    Richard Ford, The Sportswriter

  • #17
    William Faulkner
    “Only Southerners have taken horsewhips and pistols to editors about the treatment or maltreatment of their manuscript. This--the actual pistols--was in the old days, of course, we no longer succumb to the impulse. But it is still there, within us.”
    William Faulkner, The Sound and the Fury

  • #18
    “The past that Southerners are forever talking about is not a dead past--it is a chapter from the legend that our kinfolks have told us, it is a living past, living for a reason. The past is a part of the present, it is a comfort, a guide, a lesson.”
    Ben Robertson, Red Hills and Cotton: An Upcountry Memory

  • #19
    “I am often asked “Why do Southerners still care about the Civil War?”… Because it is unique in the American experience. Defeat was total, surrender unconditional and the land still occupied.”
    Tim Heaton

  • #20
    Sally Mann
    “The proverbial hospitality of the South may be selectively extended but it is not a myth.”
    Sally Mann, Hold Still: A Memoir with Photographs

  • #21
    Wilton Barnhardt
    “Southerners. Such literate, civilized folk, such charm and cleverness and passion for living, such genuine interest in people, all people, high and low, white and black, and yet how often it had come to, came to, was still coming to vicious incomprehension, usually over race but other things too - religion, class, money. How often the lowest elements had burst out of the shadows and hollers, guns and torches blazing, galloping past the educated and tolerant as nightriders, how often the despicable had run riot over the better Christian ideals... how often cities had burned, people had been strung up in trees, atrocities had been permitted to occur and then, in the seeking of justice for those outrages, how slippery justice had proven, how delayed its triumph. Oh you expect such easily obtained violence in the Balkans or among Asian or African tribal peoples centuries-deep in blood feuds, but how was there such brutality and wickedness in this place of church and good intention, a place of immense friendliness and charity and fondness for the rituals of family and socializing, amid the nation's best cooking and best music... how could one place contain the other place?”
    Wilton Barnhardt, Lookaway, Lookaway

  • #22
    Frances Mayes
    “Growing up in Fitzgerald, I lived in an intense microcosm, where your neighbor knows what you're going to do even before you do, where you can recognize a family gene pool by the lift of an eyebrow, or the length of a neck, or a way of walking. What is said, what is left to the imagination, what is denied, withheld, exaggerated-all these secretive, inverted things informed my childhood. Writing the stories that I found in the box, I remember being particularly fascinated by secrets kept in order to protect someone from who you are. That protection, sharpest knife in the drawer, I absorbed as naturally as a southern accent. At that time, I was curious to hold up to the light glimpses of the family that I had so efficiently fled. We were remote-back behind nowhere-when I was growing up, but even so, enormous social change was about to crumble foundations. Who were we, way far South? "We're south of everywhere," my mother used to lament.”
    Frances Mayes, Under Magnolia: A Southern Memoir

  • #23
    Rick Perlstein
    “I think the people from Mississippi ought to come to Chicago to learn how to hate." Martin Luther King, Jr. after the violent reception he received in Chicago in 1966.”
    Rick Perlstein, Nixonland: The Rise of a President and the Fracturing of America

  • #24
    Vicki Covington
    “Wasting talent is a sin. I’m not big on sin, but I know a sin when I see one staring me in the face. I’m not big on sin, but I know a sin when I see one staring me in the face. It’s just not courteous to not use or wear something that somebody’s given you as a well-meaning gift. It goes against Southern ways, not that God is Southern by any stretch of the imagination, but I do think He expects us to be an example for the rest of the country, as far as manners go.”
    Vicki Covington, Bird of Paradise

  • #25
    James Baldwin
    “The South is very beautiful but its beauty makes one sad because the lives that people live, and have lived here, are so ugly that now they cannot even speak to one another. It does not demand much reflection to be appalled at the inevitable state of mind achieved by people who dare not speak freely about those things which most disturb them.”
    James Baldwin, Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays

  • #26
    Michael Lee West
    “The first time I saw my father-in-law's cotton, I though of the Original Sin, gardening being the root of the South's downfall.”
    Michael Lee West, She Flew the Coop

  • #27
    Steven Erikson
    “Ambition is not a dirty word. Piss on compromise. Go for the throat.”
    Steven Erikson, Gardens of the Moon

  • #28
    “I’m tough, I’m ambitious, and I know exactly what I want. If that makes me a bitch, okay.”
    Madonna

  • #29
    Damien Echols
    “Those with less curiosity or ambition just mumble that God works in mysterious ways. I intend to catch him in the act.”
    Damien Echols, Life After Death

  • #30
    Criss Jami
    “If you're waiting until you feel talented enough to make it, you'll never make it.”
    Criss Jami, Healology



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