Taylor Hopping > Taylor's Quotes

“I Wanna Hold Your Hand.’ First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That’s what everyone wants. Not 24-7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche or a blow job or a million-dollar crib. No. They wanna hold your hand. They have a feeling that they can’t hide.”
― Rachel Cohn, Nick & Norah's Infinite Playlist

“She's cinematic and I'm a fucking sitcom.”
― David Levithan, Nick & Norah's Infinite Playlist

“I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you just feel we’re becoming more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it would mean that such a thing is still possible? I want to believe that.”
― Rachel Cohn, Nick & Norah's Infinite Playlist

“Singing in the rain. I'm singing in the rain. And it's such a fucking glorious feeling. An unexpected downpour and I am just giving myself into it. Because what the fuck else can you do? Run for cover? Shriek and curse? No--when the rain falls you just let it fall and you grin like a madman and you dance with it because if you can make yourself happy in the rain, then you're doing pretty alright in life.”
― David Levithan, Nick & Norah's Infinite Playlist

“There’s no such thing as ready,” she says. “There’s only willing.”
― Rachel Cohn, Nick & Norah's Infinite Playlist

“We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.”
― Rachel Cohn, Nick & Norah's Infinite Playlist

“I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.”
― David Levithan, Nick & Norah's Infinite Playlist

“And I find myself saying, “It wasn’t really about her.” And finding it’s true.

What do you mean?” Norah asks.

It was about the feeling, you know? She caused it in me, but it wasn’t about her. It was about my reaction, what I wanted to feel and then convinced myself that I felt, because I wanted it that bad. That illusion. It was love because I created it as love.”
― David Levithan, Nick & Norah's Infinite Playlist

“Tikkun olam.”

Exactly. Basically, it says that the world has been broken into pieces. All this chaos, all this discord. And our job - everyone’s job - is to try to put the pieces back together. To make things whole again.”

And you believe that?”

I guess I do. I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you feel we’re becoming more and more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.”

Do you really think it’s getting worse? I mean, aren’t we better off than we were twenty years ago? Or a hundred?”

We’re better off. But I don’t know if the world’s better off. I don’t know if the two are the same thing.”

You’re right.”

Excuse me?”

I said, ‘You’re right.’”

But nobody ever says, ‘You’re right.’ Just like that.”

Really?”

Really.”

…Then it hits me.

Maybe we’re the pieces,”

What?”

Maybe that’s it. With what you were talking about before. The world being broken. Maybe it isn’t that we’re supposed to find the pieces and put them back together. Maybe we’re the pieces. Maybe, what we’re supposed to do is come together. That’s how we stop the breaking.”

Tikkun olam.”
― David Levithan, Nick & Norah's Infinite Playlist

“Wold domination is exhausting and cliche. People ought to just focus on being individual responsible citizens of the earth instead of assholes.”
― Rachel Cohn, Nick & Norah's Infinite Playlist

“This is not something insignificant. This is real. This is happening, and this is ours.”
― David Levithan, Nick & Norah's Infinite Playlist

“No, It does. And if I left, you’d probably want to give me my jacket back. And if you did, I wouldn’t be able to put it on, because the whole time I’d be knowing how perfectly it fit on you. How even though the sleeves are ridiculously too long and the collar is all fucked up and for all I know some guy named Salvatore is going to come in this very club and say, ‘Hey, that’s my jacket’ and strike up a conversation and sweep you off your feet away from me- even though all those things are true or possibly true, I just can’t ruin the image of you sitting there across from me wearing my jacket better than I, or anyone else could. If I don’t owe it to you, and I don’t owe it to me, I at least owe it Salvatore.”
― David Levithan, Nick & Norah's Infinite Playlist

“The only use she has for the word fun is to make the word funeral.”
― Rachel Cohn, Nick & Norah's Infinite Playlist

“So what do you have to confess now?"
I don't know why I'm saying any of this, except that is the truth.
"I'm confessing that I don't know if I'm ready for this."
"What is 'this'?"
"Being open. Being hurt. Liking. Not being liked. Seeing the flicker on. Seeing the flicker off. Leaping. Falling. Crashing.”
― David Levithan , Nick & Norah's Infinite Playlist

“I can be a badass DJ when I want, but I am also an insufferable music snob.”
― Rachel Cohn, Nick & Norah's Infinite Playlist

“My eye is still used to searching for her in a crowd. My breath is still used to catching when I see her and the light is angled just right. My body is still used to hers moving next to mine. So the distance—anything short of contact—is a constant rejection. We were together for six months, and in each of those months my desire found new ways to be fueled by her. It’s over can’t kill that. All of the songs I wrote in my head were for her, and now I can’t stop them from playing. This null soundtrack. I’m tired, she’d said, and I told her that I was tired, too, and that I wanted to take some time for us, too. And then she’d said, No, I’m tired of you, and I slipped into the surreal-but-true universe where we were over and I wasn’t over it. She was no longer any kind of here that I could get to”
― David Levithan, Nick & Norah's Infinite Playlist

“Dr. Armonson stitched up her wrist wounds. Within five minutes of the transfusion he declared her out of danger. Chucking her under the chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets."

And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.”
― Jeffrey Eugenides, The Virgin Suicides

“You're gorgeous, you old hag, and if I could give you just one gift ever for the rest of your life it would be this. Confidence. It would be the gift of confidence. Either that or a scented candle”
― David Nicholls, One Day

“Live each day as if it's your last', that was the conventional advice, but really, who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. Better by far to simply try and be good and courageous and bold and to make a difference. Not change the world exactly, but the bit around you. Go out there with your passion and your electric typewriter and work hard at...something. Change lives through art maybe. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.”
― David Nicholls, One Day

“He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph.”
― David Nicholls, One Day

“I think reality is overrated.”
― David Nicholls, One Day

“She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.”
― David Nicholls, One Day

“You feel a little bit lost right now about what to do with your life, a bit rudderless and oarless and aimless but that’s okay… That’s alright because we’re all meant to be like that at twenty-four.”
― David Nicholls, One Day

“No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy.
Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them:
‘We grew up together.”
― David Nicholls, One Day

“The little bit you and me might change the world," Malloy smiled, "it wouldnt show up until a hundred years after we were dead. We'd never see it."

"But it'd be there.”
― James Jones, From Here to Eternity