Inese > Inese's Quotes

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  • #1
    James P. Carse
    “A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play.”
    James P. Carse, Finite and Infinite Games: A Vision of Life as Play and Possibility

  • #2
    Ken Wilber
    “I have one major rule: Everybody is right. More specifically, everybody — including me — has some important pieces of truth, and all of those pieces need to be honored, cherished, and included in a more gracious, spacious, and compassionate embrace.”
    Ken Wilber
    tags: truth

  • #3
    Slavoj Žižek
    “Word is murder of a thing, not only in the elementary sense of implying its absence - by naming a thing, we treat it as absent, as dead, although it is still present - but above all in the sense of its radical dissection: the word 'quarters' the thing, it tears it out of the embedment in its concrete context, it treats its component parts as entities with an autonomous existence: we speak about color, form, shape, etc., as if they possessed self-sufficient being.”
    Slavoj Žižek, Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out

  • #4
    Slavoj Žižek
    “When we are shown scenes of starving children in Africa, with a call for us to do something to help them, the underlying ideological message is something like: "Don't think, don't politicize, forget about the true causes of their poverty, just act, contribute money, so that you will not have to think!”
    Slavoj Zizek

  • #5
    Susan Sontag
    “Life is a movie; death is a photograph.”
    Susan Sontag

  • #6
    Marcel Proust
    “Love is a striking example of how little reality means to us.”
    Marcel Proust, In Search of Lost Time
    tags: love

  • #7
    “Этот чай действительно показался Свану, совершенно так же, как и Одетте, необыкновенно изысканным, и любовь чувствует такую потребность находить себе подкрепление, гарантию длительности, в наслаждениях, которые, напротив, без любви не существовали бы и прекращаются вместе с концом ее, что, покинув ее в семь часов, чтобы возвратиться домой и переодеться к вечеру, он не мог сдержать радости, доставленной ему часами, проведенными у Одетты, и всю дорогу повторял себе, сидя в своей двухместной карете: «Как приятно, однако, было бы иметь вот такую особу, у которой всегда можно было бы найти столь редкую вещь, как действительно вкусный чай».”
    Марсель Пруст, Swann’s Way
    tags: love, tea

  • #8
    “Я считаю, что с хворями надо бороться активным трудом, не уступать, что организмом можно командовать и надо подвергать его насилию. Он посопротивляется и в конце концов выздоровеет. Или помрет. Но тогда мне уже будет все равно.”
    Eldar Riazanov, Неподведенные итоги

  • #9
    Aldous Huxley
    “It’s dark because you are trying too hard.
    Lightly child, lightly. Learn to do everything lightly.
    Yes, feel lightly even though you’re feeling deeply.
    Just lightly let things happen and lightly cope with them.

    I was so preposterously serious in those days, such a humorless little prig.
    Lightly, lightly – it’s the best advice ever given me.
    When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
    No rhetoric, no tremolos,
    no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
    And of course, no theology, no metaphysics.
    Just the fact of dying and the fact of the clear light.

    So throw away your baggage and go forward.
    There are quicksands all about you, sucking at your feet,
    trying to suck you down into fear and self-pity and despair.
    That’s why you must walk so lightly.
    Lightly my darling,
    on tiptoes and no luggage,
    not even a sponge bag,
    completely unencumbered.”
    Aldous Huxley , Island

  • #10
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #11
    Milan Kundera
    “When the heart speaks, the mind finds it indecent to object.”
    Milan Kundera, The Unbearable Lightness of Being

  • #12
    Milan Kundera
    “She had an overwhelming desire to tell him, like the most banal of women. Don't let me go, hold me tight, make me your plaything, your slave, be strong! But they were words she could not say.

    The only thing she said when he released her from his embrace was, "You don't know how happy I am to be with you." That was the most her reserved nature allowed her to express.”
    Milan Kundera, The Unbearable Lightness of Being

  • #13
    Milan Kundera
    “The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful ... Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.”
    Milan Kundera, The Unbearable Lightness of Being

  • #14
    Milan Kundera
    “A single metaphor can give birth to love.”
    Milan Kundera, The Unbearable Lightness of Being

  • #15
    Carson McCullers
    “A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lillies of the swamp.”
    Carson McCullers, The Ballad of the Sad Café and Other Stories

  • #16
    Jeanette Winterson
    “The Buddhists say there are 149 ways to God. I'm not looking for God, only for myself, and that is far more complicated. God has had a great deal written about Him; nothing has been written about me. God is bigger, like my mother, easier to find, even in the dark. I could be anywhere, and since I can't describe myself I can't ask for help.”
    Jeanette Winterson, Sexing the Cherry
    tags: god, life

  • #17
    Jeanette Winterson
    “On more than one occasion I have been ready to abandon my whole life for love. To alter everything that makes sense to me and to move into a different world where the only known will be the beloved. Such a sacrifice must be the result of love... or is it that the life itself was already worn out? I had finished with that life, perhaps, and could not admit it, being stubborn or afraid, or perhaps did not known it, habit being a great binder. I think it is often so that those most in need of change choose to fall in love and then throw up their hands and blame it all on fate. But it is not fate, at least, not if fate is something outside of us; it is a choice made in secret after nights of longing.
    ... I may be cynical when I say that very rarely is the beloved more than a shaping spirit for the lover's dreams... To be a muse may be enough. The pain is when the dreams change, as they do, as they must. Suddenly the enchanted city fades and you are left alone again in the windy desert. As for your beloved, she didn't understand you.
    The truth is, you never understood yourself.”
    Jeanette Winterson, Sexing the Cherry

  • #18
    Jeanette Winterson
    “When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.

    He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.

    It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.

    As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.

    Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.

    He admitted he was in love with her, but he said he loved me.

    Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.

    Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.

    I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.

    'You're so simple and good,' he said, brushing the hair from my face.

    He meant, Your emotions are not complex like mine. My dilemma is poetic.

    But there was no dilemma. He no longer wanted me, but he wanted our life

    Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.

    'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'

    He asked me to shut up. He wasn't a hero.

    'Then why should I be a heroine?'

    He didn't answer, he plucked at the blanket.

    I considered my choices.

    I could stay and be unhappy and humiliated.

    I could leave and be unhappy and dignified.

    I could Beg him to touch me again.

    I could live in hope and die of bitterness.

    I took some things and left. It wasn't easy, it was my home too.

    I hear he's replaced the back fence.”
    Jeanette Winterson, Sexing the Cherry
    tags: love

  • #19
    Jeanette Winterson
    “I fell in love once, if love be that cruelty which takes us straight to the gates of Paradise only to remind us they are closed for ever.”
    Jeanette Winterson, Sexing the Cherry

  • #20
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #21
    Sylvia Plath
    “If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
    Sylvia Plath, The Bell Jar



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