Rohith > Rohith's Quotes

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  • #1
    G.K. Chesterton
    “Always be comic in a tragedy. What the deuce else can you do?”
    G.K. Chesterton, The Man Who Was Thursday

  • #2
    G.K. Chesterton
    “I shall approach. Before taking off his hat, I shall take off my own. I shall say, "The Marquis de Saint Eustache, I believe." He will say, "The celebrated Mr. Syme, I presume." He will say in the most exquisite French, "How are you?" I shall reply in the most exquisite Cockney, "Oh, just the Syme."'

    'Oh shut it...what are you really going to do?'

    'But it was a lovely catechism! ...Do let me read it to you. It has only forty-three questions and answers, some of the Marquis's answers are wonderfully witty. I like to be just to my enemy.'

    'But what's the good of it all?' asked Dr. Bull in exasperation.

    'It leads up to the challenge...when the Marquis as given the forty-ninth reply, which runs--'

    'Has it...occurred to you...that the Marquis may not say all the forty-three things you have put down for him?'

    'How true that is! ...Sir, you have a intellect beyond the common.”
    G.K. Chesterton, The Man Who Was Thursday: A Nightmare

  • #3
    G.K. Chesterton
    “It may be conceded to the mathematicians that four is twice two. But two is not twice one; two is two thousand times one.”
    G. K. Chesterton, The Man Who Was Thursday

  • #4
    G.K. Chesterton
    “What are we going to do?" asked the Professor.
    "At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost.”
    G.K. Chesterton, The Man Who Was Thursday: A Nightmare

  • #5
    G.K. Chesterton
    “Why is it," he asked vaguely, "that I think you are quite a decent fellow? Why do I positively like you, Gregory?" He paused a moment, and then added with a sort of fresh curiosity, "Is it
    because you are such an ass?”
    G.K. Chesterton, The Man Who Was Thursday: A Nightmare

  • #6
    W. Somerset Maugham
    “Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all to know it. To recognize it you must repeat the adventure of the artist. It is a melody that he sings to you, and to hear it again in your own heart you want knowledge and sensitiveness and imagination.”
    W. Somerset Maugham, The Moon and Sixpence

  • #7
    W. Somerset Maugham
    “Unconsciously, perhaps, we treasure the power we have over people by their regard for our opinion of them, and we hate those upon whom we have no such influence.”
    W. Somerset Maugham, The Moon and Sixpence

  • #8
    John Steinbeck
    “It has always seemed strange to me...The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling, are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second.”
    John Steinbeck, Cannery Row

  • #9
    John Steinbeck
    “[Cannery Row's] inhabitants are, as the man once said, 'whores, pimps, gamblers, and sons of bitches,' by which he meant everybody. Had the man looked through another peephole he might have said, 'saints and angels and martyrs and holy men,' and he would have meant the same thing.”
    John Steinbeck, Cannery Row

  • #10
    John Steinbeck
    “Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holymen" and he would have meant the same thing.”
    John Steinbeck, Cannery Row

  • #11
    Evelyn Waugh
    “What an immature, self-destructive, antiquated mischief is man! How obscure and gross his prancing and chattering on his little stage of evolution! How loathsome and beyond words boring all the thoughts and self-approval of his biological by-product! this half-formed, ill-conditioned body! this erratic, maladjusted mechanism of his soul: on one side the harmonious instincts and balanced responses of the animal, on the other the inflexible purpose of the engine, and between them man, equally alien from the being of Nature and the doing of the machine, the vile becoming!”
    Evelyn Waugh, Decline and Fall

  • #12
    Evelyn Waugh
    “Life is like the big wheel at Luna Park. You pay five francs and go into a room with tiers of seats all around, and in the centre the floor is made of a great disc of polished wood that revolves quickly. At first you sit down and watch the others. They are all trying to sit in the wheel, and they keep getting flung off, and that makes them laugh too. It's great fun.

    You see, the nearer you can get to the hub of the wheel the slower it is moving and the easier it is to stay on. There's generally someone in the centre who stands up and sometimes does a sort of dance. Often he's paid by the management, though, or, at any rate, he's allowed in free. Of course at the very centre there's a point completely at rest, if one could only find it; I'm not very near that point myself. Of course the professional men get in the way. Lots of people just enjoy scrambling on and being whisked off and scrambling on again. How they all shriek and giggle! Then there are others, like Margot, who sit as far out as they can and hold on for dear life and enjoy that. But the whole point about the wheel is that you needn't get on it at all, if you don't want to. People get hold of ideas about life, and that makes them think they've got to join in the game, even if they don't enjoy it. It doesn't suit everyone.

    People don't see that when they say "life" they mean two different things. They can mean simply existence, with its physiological implications of growth and organic change. They can't escape that - even by death, but because that's inevitable they think the other idea of life is too - the scrambling and excitement and bumps and the effort to get to the middle, and when we do get to the middle, it's just as if we never started. It's so odd.

    Now you're a person who was clearly meant to stay in the seats and sit still and if you get bored watch the others. Somehow you got on to the wheel, and you got thrown off again at once with a hard bump. It's all right for Margot, who can cling on, and for me, at the centre, but you're static. Instead of this absurd division into sexes they ought to class people as static and dynamic. There's a real distinction there, though I can't tell you how it comes. I think we're probably two quite different species spiritually.”
    Evelyn Waugh, Decline and Fall

  • #13
    John Steinbeck
    “After the bare requisites to living and reproducing, man wants most to leave some record of himself, a proof, perhaps, that he has really existed. He leaves his proof on wood, on stone or on the lives of other people. This deep desire exists in everyone, from the boy who writes dirty words in a public toilet to the Buddha who etches his image in the race mind. Life is so unreal. I think that we seriously doubt that we exist and go about trying to prove that we do.”
    John Steinbeck, The Pastures of Heaven

  • #14
    John Steinbeck
    “He did not often think of people as individuals, but rather as antidotes for the poison of his loneliness, as escapes from the imprisoned ghosts.”
    John Steinbeck, The Pastures of Heaven

  • #15
    Marcel Theroux
    “Imagine: If a man who shakes hands up and down meets a man who shakes hands side to side, what will happen?

    Nathan looked perplexed but he extended his hand all the same. As they shook, their clasped hands went round and round in circles.”
    Marcel Theroux, The Confessions of Mycroft Holmes
    tags: humour

  • #16
    Octavio Paz
    “I thought that the world was a vast system of signs, a conversation between giant beings. My actions, the cricket's saw, the star's blink, were nothing but pauses and syllables, scattered phrases from that dialogue. What word could it be, of which I was only a syllable? Who speaks the word? To whom is it spoken?”
    Octavio Paz

  • #17
    John Steinbeck
    “All great and precious things are lonely.”
    John Steinbeck, East of Eden

  • #18
    John Steinbeck
    “To be alive at all is to have scars.”
    John Steinbeck, The Winter of Our Discontent

  • #19
    Antoine de Saint-Exupéry
    “The Little Prince : What are you doing there?
    The Tippler : I am drinking.

    The Little Prince : Why are you drinking?
    The Tippler : So that I may forget.

    The Little Prince : Forget what?
    The Tippler : Forget that I am ashamed.

    The Little Prince : Ashamed of what?
    The Tippler : Ashamed of drinking!”
    Antoine de Saint-Exupéry, The Little Prince

  • #20
    Mark Haddon
    “Prime numbers are what is left when you have taken all the patterns away. I think prime numbers are like life. They are very logical but you could never work out the rules, even if you spent all your time thinking about them.”
    Mark Haddon, The Curious Incident of the Dog in the Night-Time

  • #21
    Arthur Conan Doyle
    “You have a grand gift for silence, Watson. It makes you quite invaluable as a companion.”
    Arthur Conan Doyle, The Complete Sherlock Holmes

  • #22
    Arthur Conan Doyle
    “Excellent!" I cried. "Elementary," said he.”
    Arthur Conan Doyle, The Complete Sherlock Holmes

  • #23
    Arthur Conan Doyle
    “My name is Sherlock Holmes. It is my business to know what other people do not know.”
    Arthur Conan Doyle, The Adventure of the Blue Carbuncle - a Sherlock Holmes Short Story

  • #24
    Arthur Conan Doyle
    “Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.”
    Arthur Conan Doyle, The Complete Adventures of Sherlock Holmes

  • #25
    Arthur Conan Doyle
    “Watson. Come at once if convenient. If inconvenient, come all the same.”
    Arthur Conan Doyle, Adventure of the Creeping Man

  • #26
    Arthur Conan Doyle
    “Education never ends, Watson. It is a series of lessons, with the greatest for the last.”
    Sir Arthur Conan Doyle, His Last Bow

  • #27
    Arthur Conan Doyle
    “My mind," he said, "rebels at stagnation. Give me problems, give me work, give me the most abstruse cryptogram or the most intricate analysis, and I am in my own proper atmosphere. I can dispense then with artificial stimulants. But I abhor the dull routine of existence. I crave for mental exaltation. That is why I have chosen my own particular profession, or rather created it, for I am the only one in the world.”
    Arthur Conan Doyle, The Sign of Four

  • #28
    Arthur Conan Doyle
    “Is there any point to which you would wish to draw my attention?'

    'To the curious incident of the dog in the night-time.'

    'The dog did nothing in the night-time.'

    'That was the curious incident,' remarked Sherlock Holmes.”
    Arthur Conan Doyle, Silver Blaze

  • #29
    Arthur Conan Doyle
    “It may be that you are not yourself luminous, but that you are a conductor of light. Some people without possessing genius have a remarkable power of stimulating it.”
    Sir Arthur Conan Doyle; Christopher Roden; Tsukasa Kobayashi; Akane Higashiyama; Hiroshi Takata

  • #30
    Arthur Conan Doyle
    “...while the individual man is an insoluble puzzle, in the aggregate he becomes a mathematical certainty.”
    Arthur Conan Doyle, The Sign of Four



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