Ele > Ele's Quotes

“The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
― David Foster Wallace

“Dice: - Tutto è inutile, se l'ultimo approdo non può che essere la città infernale, ed è là in fondo che, in una spirale sempre più stretta, ci risucchia la corrente.
E Polo: - L'inferno dei viventi non è qualcosa che sarà; se ce n'è uno, è quello che è già qui, l'inferno che abitiamo tutti i giorni, che formiamo stando insieme. Due modi ci sono per non soffrirne. Il primo riesce facile a molti: accettare l'inferno e diventarne parte fino al punto di non vederlo più. Il secondo è rischioso ed esige attenzione e apprendimento continui: cercare e saper riconoscere chi e cosa, in mezzo all'inferno, non è inferno, e farlo durare, dargli spazio.”
― Italo Calvino, Invisible Cities

“Vivere è come fare una lunga addizione, in cui basta aver sbagliato il totale dei primi due addendi per non uscirne più.”
― Cesare Pavese, Il mestiere di vivere: Diario 1935-1950

“A classic is a book that has never finished saying what it has to say.”
― Italo Calvino, The Uses of Literature

“- I won't be able to think. I won't be able to work.
- Nothing will interfere with your work like suicide.
(Silence)
- I dreamt that I went to the doctor's and she gave me eight minutes to live. I'd been sitting in the fucking waiting room for half an hour.
(A long silence)
- Okay, let's do it, let's do the drugs, let's do the chemical lobotomy, let's shut down the higher functions of my brain and perhaps I'll be a bit more fucking capable of living.
Let's do it.”
― Sarah Kane, 4.48 Psychosis

“When I was a child, when I was an adolescent, books saved me from despair: that convinced me that culture was the highest of values[...].”
― Simone de Beauvoir, The Woman Destroyed

“Like love, mourning affects the world—and the worldly—with unreality, with importunity. I resist the world, I suffer from what it demands of me, from its demands. The world increases my sadness, my dryness, my confusion, my irritation, etc. The world depresses me.”
― Roland Barthes, Mourning Diary: October 26, 1977–September 15, 1979

“With her Florentino Ariza learned what he had already experienced many times without realizing it: that one can be in love with several people at the same time, feel the same sorrow with each, and not betray any of them. Alone in the midst of the crowd on the pier, he said to himself in a flash of anger: 'My heart has more rooms than a whorehouse.”
― Gabriel García Márquez, Love in the Time of Cholera

“This city belongs to ghosts, to murderers, to sleepwalkers. Where are you, in what bed, in what dream?”
― Marguerite Yourcenar

“Passion such as hers is all consent, asking little in return. I had merely to enter a room where she was to see her face take on that peaceful expression of one who is resting in bed. If I touched her, I had the impression that all the blood in her veins was turning to honey.”
― Marguerite Yourcenar

“We met at the wrong time. That’s what I keep telling myself anyway. Maybe one day years from now, we’ll meet in a coffee shop in a far away city somewhere and we could give it another shot.”
― Eternal Sunshine of the Spotless Mind

“La letteratura è una difesa contro le offese della vita.”
― Cesare Pavese, Il mestiere di vivere: Diario 1935-1950

“La mia anima è un abisso
tutto striato di febbri.”
― C. Pavese

“Non c'è niente che sappia di morte, - continuò, - più del sole d'estate, della gran luce, della natura esuberante. Tu fiuti l'aria e senti il bosco, e ti accorgi che piante e bestie se ne infischiano di te. Tutto vive e si macera in se stesso. La natura è la morte...”
― Cesare Pavese, The Moon and the Bonfire

“You're sad because you're sad.
It's psychic. It's the age. It's chemical.
Go see a shrink or take a pill,
or hug your sadness like an eyeless doll
you need to sleep.

Well, all children are sad
but some get over it.
Count your blessings. Better than that,
buy a hat. Buy a coat or a pet.
Take up dancing to forget.”
― Margaret Atwood

“Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
― Margaret Atwood, The Robber Bride

“But some people can't tell where it hurts. They can't calm down. They can't ever stop howling.”
― Margaret Atwood

“Fedeli al duro accordo
non ci cerchiamo più.
Così i bambini giocano
a non ridere per primi
guardandosi negli occhi
e alcuni sono così bravi
che diventano tristi
per la vita intera.”
― Michele Mari, Cento poesie d'amore a Ladyhawke

“This has been her problem all her life: picturing other people's responses. She's too good at it. She can picture the response of anyone--other people's reactions, their emotions, their criticisms, their demands--but somehow they don't reciprocate. Maybe they can't. Maybe they lack the gift, if it is one.”
― Margaret Atwood, The Robber Bride

“HIPPOLYTUS: No one burns me, no one fucking touches me. So don’t try.”
― Sarah Kane, Phaedra's Love

“PHAEDRE: You're in pain. I adore you.”
― Sarah Kane, Phaedra's Love

“Get scared. It will do you good. Smoke a bit, stare blankly at some ceilings, beat your head against some walls, refuse to see some people, paint and write. Get scared some more. Allow your little mind to do nothing but function. Stay inside, go out - I don’t care what you’ll do; but stay scared as hell. You will never be able to experience everything. So, please, do poetical justice to your soul and simply experience yourself.”
― Albert Camus

“I have always imagined that Paradise will be a kind of library.”
― Jorge Luis Borges

“With relief, with humiliation, with terror, he understood that he too was a mere appearance, dreamt by another.”
― Jorge Luis Borges, Labyrinths: Selected Stories & Other Writings

“If women allow themselves to be consoled for their culturally determined lack of access to the modes of intellectual debate by the invocation of hypothetical great goddesses, they are simply flattering themselves into submission (a technique often used on them by men). All the mythic versions of women, from the myth of the redeeming purity of the virgin to that of the healing, reconciliatory mother, are consolatory nonsenses; and consolatory nonsense seems to me a fair definition of myth, anyway. Mother goddesses are just as silly a notion as father gods. If a revival of the myths gives women emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.”
― Angela Carter, The Sadeian Woman: And the Ideology of Pornography

“At the best of times, spring hurts depressives.”
― Angela Carter, Shadow Dance

“Come here, let me share a bit of wisdom with you.
Have you given much thought to our mortal condition?
Probably not. Why would you? Well, listen.
All mortals owe a debt to death.
There's no one alive
who can say if he will be tomorrow.
Our fate moves invisibly! A mystery.
No one can teach it, no one can grasp it.
Accept this! Cheer up! Have a drink!
But don't forget Aphrodite--that's one sweet goddess.
You can let the rest go. Am I making sense?
I think so. How about a drink.
Put on a garland. I'm sure
the happy splash of wine will cure your mood.
We're all mortal you know. Think mortal.
Because my theory is, there's no such thing as life,
it's just catastrophe.”
― Anne Carson, Grief Lessons: Four Plays by Euripides

“Madness and witchery as well as bestiality are conditions commonly associated with the use of the female voice in public.”
― Anne Carson

“You remember too much,
my mother said to me recently.
Why hold onto all that?

And I said,
Where do I put it down?”
― Anne Carson, Glass and God

“The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you. Desolation tries to colonize you.”
― Jeff VanderMeer, Annihilation