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  • #1
    Jonathan Safran Foer
    “What if the water that came out of the shower was treated with a chemical that responded to a combination of things, like your heartbeat, and your body temperature, and your brain waves, so that your skin changed color according to your mood? If you were extremely excited your skin would turn green, and if you were angry you'd turn red, obviously, and if you felt like shiitake you'd turn brown, and if you were blue you'd turn blue. Everyone could know what everyone else felt, and we could be more careful with each other, because you'd never want to tell a person whose skin was purple that you're angry at her for being late, just like you would want to pat a pink person on the back and tell him, "Congratulations!" Another reason it would be a good invention is that there are so many times when you know you're feeling a lot of something, but you don't know what the something is. Am I frustrated? Am I actually just panicky? And that confusion changes your mood, it becomes your mood, and you become a confused, gray person. But with the special water, you could look at your orange hands and think, I'm happy! That whole time I was actually happy! What a relief!”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #2
    Shel Silverstein
    “Talked my head off
    Worked my tail off
    Cried my eyes out
    Walked my feet off
    Sang my heat out
    So you see,
    There's really not much left of me.”
    Shel Silverstein, Every Thing on It

  • #3
    Sarah Kay
    “You are a woman. Skin and bones, veins and nerves, hair and sweat. You are not made of metaphors. Not apologies, not excuses.”
    Sarah Kay

  • #4
    Shel Silverstein
    “There are no happy endings.
    Endings are the saddest part,
    So just give me a happy middle
    And a very happy start.”
    Shel Silverstein, Every Thing on It

  • #5
    Shel Silverstein
    “She had blue skin,
    And so did he.
    He kept it hid
    And so did she.
    They searched for blue
    Their whole life through,
    Then passed right by-
    And never knew.”
    Shel Silverstein, Every Thing on It

  • #6
    Shel Silverstein
    “If there is a book you want to read but isn`t written yet,write it.”
    Shel Silverstein , Roger Was a Razor Fish, and Other Poems

  • #7
    Shel Silverstein
    “If you're sloppy, that's just fine.
    If you're moody, I won't mind.
    If you're fat, that's fine with me.
    If you're skinny, let it be.
    If you're bossy, that's all right.
    if you're nasty, I won't fight.
    If you're rough, well that's just you.
    If you're mean, that's all right too.
    Whatever you are is all okay.
    I don't like you anyway.”
    Shel Silverstein, Every Thing on It

  • #8
    Shel Silverstein
    “Although I cannot see your face
    As you flip these poems awhile,
    Somewhere from some far-off place
    I hear you laughing--and I smile.”
    Shel Silverstein

  • #9
    Shel Silverstein
    “A spider lives inside my head
    Who weaves a strange and wondrous web
    Of silken threads and silver strings
    To catch all sorts of flying things,
    Like crumbs of thoughts and bits of smiles
    And specks of dried-up tears,
    And dust of dreams that catch and cling
    For years and years and years...”
    Shel Silverstein, Every Thing on It

  • #10
    Markus Zusak
    “If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter. ”
    Markus Zusak, The Book Thief

  • #11
    Jonathan Safran Foer
    “What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #12
    Jonathan Safran Foer
    “In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close
    tags: love

  • #13
    Sarah Kay
    “If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”

    She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.

    And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”

    But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.

    I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.

    You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.

    And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.

    “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”

    Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.

    Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.”
    Sarah Kay

  • #14
    Antoine de Saint-Exupéry
    “You are beautiful, but you are empty", he went on. "One could not die for you.”
    Antoine de Saint-Exupéry, The Little Prince

  • #15
    Antoine de Saint-Exupéry
    “,Grown-ups love figures. When you describe a new friend to them, they never ask you about the important things. They never say 'What's his voice like? What are his favourite games? Does he collect butterflies?' Instead they demand 'How old is he? How many brothers has he? How much does he weigh? How much does his father earn?' Only then do they feel they know him. If you say to the grown-ups: 'I've seen a lovely house made of pink brick, with geraniums in the windows and doves on the rood', they are unable to picture such a house. You must say: I saw a house that come a hundred thousand francs.' Then they cry out: 'How pretty!'
    Again, you might say to them: 'The proof that the little prince existed is that he was enchanting, that he laughed, and that he was looking for a sheep. When someone wants a sheep, it is proof that they exist.' The grown-ups will merely shrug their shoulders, and treat you like a child. But if you tell them: 'The planet he came from is Asteroid B 612', then they will be convinced, and will spare you all their question. That is how they are. You must not hold it against them. Children have to be very indulgent towards grown-ups.”
    Antoine de Saint-Exupéry

  • #16
    Antoine de Saint-Exupéry
    “It is such a mysterious place, the land of tears.”
    Antoine de Saint-Exupéry, The Little Prince

  • #17
    Antoine de Saint-Exupéry
    “Where are the people?” resumed the little prince at last. “It’s a little lonely in the desert…” “It is lonely when you’re among people, too,” said the snake.”
    Antoine de Saint-Exupéry, The Little Prince

  • #18
    Trần Dần
    “Tôi khóc những chân trời/ không có/ người bay/ Lại khóc những người bay/ không có/ chân trời.”
    Trần Dần

  • #19
    Trần Dần
    “Hãy sống như/những con tàu/phải lòng/muôn hải lý !
    Mỗi ngày/bỏ/sau lưng/nghìn - hải - cảng - mưa - buồn !”
    Trần Dần, Đi! Đây Việt Bắc!

  • #20
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #21
    Milan Kundera
    “But if we betray B., for whom we betrayed A., it does not necessarily follow that we have placated A. The life of a divorcée-painter did not in the least resemble the life of the parents she had betrayed. The first betrayal is irreparable. It calls forth a chain reaction of further betrayals, each of which takes us farther and farther away from the point of our original betrayal.”
    Milan Kundera, The Unbearable Lightness of Being

  • #22
    Banana Yoshimoto
    “Nếu thực sự muốn một mình tự lập thì rất nên nuôi dưỡng một thứ gì đó. Như là một đứa con hay là lũ cây cảnh này này. Lúc đó, mình sẽ nhận ra giới hạn của mình. Bởi đó chính là sự khởi đầu cháu ạ”
    Banana Yoshimoto, Kitchen

  • #23
    Andy Warhol
    “The biggest price you pay for love is that you have to have somebody around, you can't be on your own, wich is always so much better.”
    Andy Warhol, The Philosophy of Andy Warhol

  • #24
    Andy Warhol
    “So today if you see a person who looks like your teenage fantasy walking down the street, it's probably not your fantasy, but someone who had the same fantasy as you and decided instead of getting it or being it, to look like it, and so he went to the store and bought the look that you both like.
    So forget it. Just think about all the James Deans and what it means.”
    Andy Warhol, The Philosophy of Andy Warhol

  • #25
    Andy Warhol
    “People's fantasies are what give them problems. If you didn't have fantasies you wouldn't have problems because you'd just take whatever was there.”
    Andy Warhol

  • #26
    Jean-Paul Sartre
    “Something is beginning in order to end: adventure does not let itself be drawn out; it only makes sense when dead. I am drawn, irrevocably, towards this death which is perhaps mine as well. Each instant appears only as part of a sequence. I cling to each instant with all my heart: I know that it is unique, irreplaceable -- and yet I would not raise a finger to stop it from being annihilated. This last moment I am spending -- in Berlin, in London -- in the arms of a woman casually met two days ago -- moment I love passionately, woman I may adore -- all is going to end, I know it. Soon I shall leave for another country. I shall never rediscover either this woman or this night. I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn of early morning: and even so the minute passes and I do not hold it back, I like to see it pass.”
    Jean-Paul Sartre, Nausea

  • #27
    Jean-Paul Sartre
    “What sort of adventures?' I asked him, astonished.

    ‘All sorts, Monsieur. Getting on the wrong train. Stopping in an unknown city. Losing your briefcase, being arrested by mistake, spending the night in prison. Monsieur, I believe the word adventure could be defined: an event out of the ordinary without being necessarily extraordinary.”
    Jean-Paul Sartre, Nausea

  • #28
    Jean-Paul Sartre
    “I haven’t had any adventures. Things have happened to me, events, incidents, anything you like. But not adventures. It isn’t a matter of words; I am beginning to understand. There is something I longed for more than all the rest - without realizing it properly. It wasn’t love, heaven forbid, nor glory, nor wealth. It was…anyway, I had imagined that at certain moments my life could take on a rare and precious quality. There was no need for extraordinary circumstances: all I asked for was a little order. There is nothing very splendid about my life at present: but now and then, for example when they played music in the cafés, I would l look back and say to myself: in the old days, in London, Meknés, Tokyo, I have known wonderful moments, I have had adventures. It is that which has been taken away from me now. I have just learnt, all of a sudden, for no apparent reason, that I have been lying to myself for ten years. Adventures are in books. And naturally, everything they tell you about in books can happen in real life, but not in the same way. It was to this way of happening that I attached so much importance.”
    Jean-Paul Sarte, Nausea

  • #29
    Jean-Paul Sartre
    “Where shall I keep mine? You don’t put your past in your pocket; you have to have a house. I have only my body: a man entirely alone, with his lonely body, cannot indulge in memories; they pass through him. I shouldn’t complain: all I wanted was to be free.”
    Jean-Paul Sartre, Nausea

  • #30
    Jean-Paul Sartre
    “Then I realized what separated us: what I thought about him could not reach him; it was psychology, the kind they write about in books. But his judgment went through me like a sword and questioned my very right to exist. And it was true, I had always realized it; I hadn't the right to exist. I had appeared by chance, I existed like a stone, a plant or a microbe. My life put out feelers towards small pleasures in every direction. Sometimes it sent out vague signals; at other times I felt nothing more than a harmless buzzing.”
    Jean-Paul Sartre, Nausea



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