Maria > Maria's Quotes

“A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.”
― Tim O'Brien, The Things They Carried

“Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.”
― Ian McEwan, Atonement

“Find you, love you, marry you, and live without shame.”
― Ian McEwan, Atonement

“The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.”
― Ian McEwan, Atonement

“But that in any city, in any cluster of people, there a few people who are awake at this hour, who are both awake and dancing, and it’s here that we need to be.”
― Dave Eggers

“People who talk about their dreams are actually trying to tell you things about themselves they’d never admit in normal conversation.”
― Chuck Klosterman

“But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“I love the way music inside a car makes you feel invisible; if you play the stereo at max volume, it's almost like the other people can't see into your vehicle. It tints your windows, somehow.”
― Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

“Gay marriage should be legalized in america because gay men are the only men who want to be married.”
― Chuck Klosterman

“If I knew I was going to die at a specific moment in the future, it would be nice to be able to control what song I was listening to; this is why I always bring my iPod on airplanes.”
― Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

“Should she stick with the nice, sensitive guy who treats her well (Ben Stiller), or should she roll the dice with the frustrating boho bozo who treats her like crap (Ethan Hawk)? Winona made the kind of romantic decision most people my age would have made in 1994: She pursued a path that was difficult and depressing, and she did so because it showed the slightest potential for transcendence.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“He promised us that everything would be okay. I was a child, but I knew that everything would not be okay. That did not make my father a liar. It made him my father.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, 'You don't want to talk to me, do you?' I took my daybook out my knapsack and found the next blank page, the second to last. 'I don't speak,' I wrote. 'I'm sorry.' She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers and collected in the little webs, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the back-'I don't speak. I'm sorry.'-and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one: Please marry me.”
― Jonathan Safran Foer

“You can't love anything more than something you miss.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“And here I am, instead of there. I'm sitting in this library, thousands of miles from my life, writing another letter I know I won't be able to send, no matter how hard I try and how much I want to. How did that boy making love behind that shed become this man writing this letter at this table?”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“[S]o if the device of the person in the ambulance detected the device of the person he loved the most, or the person who loved him the most, and the person in the ambulance was really badly hurt, and might even die, the ambulance could flash GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible.”
― Jonathan Safran Foer

“She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“One day you will do things for me that you hate. That is what it means to be family.”
― Jonathan Safran Foer, Everything is Illuminated

“I hope that one day you will have the experience of doing something you do not understand for someone you love.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Why are you leaving me?
He wrote, I do not know how to live.
I do not know either but I am trying.
I do not know how to try.
There were some things I wanted to tell him. But I knew they would hurt him. So i buried them and let them hurt me”
― Jonathan Safran Foer

“Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.”
― Jonathan Safran Foer

“She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.”
― Jonathan Safran Foer, Everything is Illuminated

“This is love, she thought, isn't it? When you notice someone's absence and hate that absence more than anything? More, even, than you love his presence?”
― Jonathan Safran Foer, Everything is Illuminated

“We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father's shed were sighing.
The sheets were rising and falling around me with Anna's breathing.
I thought about waking her.
but it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled onto my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you...
It's always necessary.
I love you,...”
― Jonathan Safran Foer

“I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Do you think I'm wonderful? she asked him one day as they leaned against the trunk of a petrified maple. No, he said. Why? Because so many girls are wonderful. I imagine hundreds of men have called their loves wonderful today, and it's only noon. You couldn't be something that hundreds of others are.”
― Jonathan Safran Foer, Everything Is Illuminated

“Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release...

So she had to satisfy herself with the idea of love--loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.”
― Jonathan Safran Foer

“I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close