Lauralee > Lauralee's Quotes

Showing 1-29 of 29
sort by

  • #1
    Leigh Bardugo
    “It's probably for the best, I told myself. How would I have said goodbye to Mal anyway? Thanks for being my best friend and making my life bearable. Oh, and sorry I fell in love with you for a while there. Make sure to write!
    'What are you smiling at?'
    I whirled, peering into the gloom. The Darkling's voice seemed to float out of the shadows. He walked down to the stream, crouching on the bank to splash water on his face and through his dark hair.
    'Well?' he asked, looking up at me.
    'Myself,' I admitted.
    'Are you that funny?'
    'I'm hilarious.”
    Leigh Bardugo, Shadow and Bone

  • #2
    Leigh Bardugo
    “Of course not," said Sturmhond. "Anything worth doing always starts as a bad idea.”
    Leigh Bardugo, Siege and Storm

  • #3
    Leigh Bardugo
    “They had an ordinary life, full of ordinary things—if love can ever be called that.”
    Leigh Bardugo, Ruin and Rising

  • #4
    Sam Kean
    “Never underestimate spite as a motivator for genius.”
    Sam Kean, The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements

  • #5
    Rachel Aaron
    “Why are you still complaining?” Miranda said. “It didn’t help yesterday; it didn’t help two weeks ago. What makes you think it’ll help now?”
    Rachel Aaron, The Legend of Eli Monpress

  • #6
    Richard Bach
    “The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof.”
    Richard Bach, Illusions: The Adventures of a Reluctant Messiah

  • #7
    Argue for your limitations and, sure enough, they're yours.
    “Argue for your limitations and, sure enough, they're yours.”
    Richard Bach, Illusions: The Adventures of a Reluctant Messiah

  • #8
    Antoine de Saint-Exupéry
    “Tout objectif sans plan n'est qu'un souhait. [A goal without a plan is just a wish.]”
    Antoine de Saint-Exupery

  • #9
    Elizabeth Gilbert
    “Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #10
    Elizabeth Gilbert
    “Recognizing that people's reactions don't belong to you is the only sane way to create. If people enjoy what you've created, terrific. If people ignore what you've created, too bad. If people misunderstand what you've created, don't sweat it. And what if people absolutely hate what you've created? What if people attack you with savage vitriol, and insult your intelligence, and malign your motives, and drag your good name through the mud? Just smile sweetly and suggest - as politely as you possibly can - that they go make their own fucking art. Then stubbornly continue making yours.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #11
    Elizabeth Gilbert
    “You're not required to save the world with your creativity. Your art not only doesn't have to be original, in other words, it also doesn't have to be important. For example, whenever anyone tells me that they want to write a book in order to help other people I always think 'Oh, please don't. Please don't try to help me.' I mean it's very kind of you to help people, but please don't make it your sole creative motive because we will feel the weight of your heavy intention, and it will put a strain upon our souls.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #12
    Elizabeth Gilbert
    “Done is better than good.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #13
    Elizabeth Gilbert
    “But to yell at your creativity, saying, “You must earn money for me!” is sort of like yelling at a cat; it has no idea what you’re talking about, and all you’re doing is scaring it away, because you’re making really loud noises and your face looks weird when you do that.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #14
    Elizabeth Gilbert
    “Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.”
    Elizabeth Gilbert, Big Magic: How to Live a Creative Life, and Let Go of Your Fear

  • #15
    Elizabeth Gilbert
    “Basically, your fear is like a mall cop who thinks he’s a Navy SEAL: He hasn’t slept in days, he’s all hopped up on Red Bull, and he’s liable to shoot at his own shadow in an absurd effort to keep everyone “safe.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #16
    Elizabeth Gilbert
    “if I am not actively creating something, then I am probably actively destroying something”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #17
    Elizabeth Gilbert
    “It might have been done before, but it hasn’t been done by you!”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #18
    Chris Hadfield
    “Anticipating problems and figuring out how to solve them is actually the opposite of worrying: it’s productive.”
    Chris Hadfield, An Astronaut's Guide to Life on Earth

  • #19
    Chris Hadfield
    “Competence means keeping your head in a crisis, sticking with a task even when it seems hopeless, and improvising good solutions to tough problems when every second counts. It encompasses ingenuity, determination and being prepared for anything.”
    Chris Hadfield, An Astronaut's Guide to Life on Earth

  • #20
    Chris Hadfield
    “In any field, it’s a plus if you view criticism as potentially helpful advice rather than as a personal attack.”
    Chris Hadfield, An Astronaut's Guide to Life on Earth

  • #21
    Robert Jackson Bennett
    “They value punishment because they think it means their actions are important - that they are important. You don't get punished for doing something unimportant, after all.”
    Robert Jackson Bennett, City of Stairs

  • #22
    Robert Jackson Bennett
    “I have never met a person who possessed a privilege who did not exercise that privilege to the fullest extent that they possibly could.”
    Robert Jackson Bennett, City of Stairs

  • #23
    Robert Jackson Bennett
    “Voters might have short memories. Politicians do not.”
    Robert Jackson Bennett, City of Stairs

  • #24
    Robert Jackson Bennett
    “History will not let us forget: it wears disguises, reintroduces itself to us, claims it is someone new and wonderful. But let us not forget.”
    Robert Jackson Bennett, City of Stairs

  • #25
    Robert Jackson Bennett
    “There is no crueler hells then committee work....”
    Robert Jackson Bennett, City of Stairs

  • #26
    Robert Jackson Bennett
    “THERE ARE THOSE WHO COME UPON A CHOICE, A CHANCE, AND TREMBLE AND FEAR—WHY SHOULD I ALLOW THEM IN MY SHADOW?”
    Robert Jackson Bennett, City of Stairs
    tags: fears

  • #27
    Robert Jackson Bennett
    “Nations have no morals,” says Shara, quoting her aunt from memory. “Only interests.”
    Robert Jackson Bennett, City of Stairs

  • #28
    Rex Stout
    “The more you put in your brain, the more it will hold -- if you have one.”
    Rex Stout

  • #29
    Rex Stout
    “A Dickens character to me is a theatrical projection of a character. Not that it isn't real. It's real, but in that removed sense. But Sherlock Holmes is simply there. I would be astonished if I went to 221 1/2 B Baker Street and didn't find him."

    [An Invitation to Learning, January 1942]”
    Rex Stout



Rss