Jtimsak > Jtimsak's Quotes

“I will tell you what Jeanne was like. She was like a piano in a country where everyone has had their hands cut off.”
― Angela Carter

“If women allow themselves to be consoled for their culturally determined lack of access to the modes of intellectual debate by the invocation of hypothetical great goddesses, they are simply flattering themselves into submission (a technique often used on them by men). All the mythic versions of women, from the myth of the redeeming purity of the virgin to that of the healing, reconciliatory mother, are consolatory nonsenses; and consolatory nonsense seems to me a fair definition of myth, anyway. Mother goddesses are just as silly a notion as father gods. If a revival of the myths gives women emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.”
― Angela Carter, The Sadeian Woman: And the Ideology of Pornography

“Do not think I do not realise what I am doing. I am making a composition using the following elements: the winter beach; the winter moon; the ocean; the women; the pine trees; the riders; the driftwood; the shells; the shapes of darkness and the shapes of water; and the refuse. These are all inimical to my loneliness because of their indifference to it. Out of these pieces of inimical indifference, I intend to represent the desolate smile of winter which, as you must have gathered, is the smile I wear.”
― Angela Carter, Burning Your Boats: The Collected Short Stories

“Your green eye is a reducing chamber. If I look into it long enough, I wil become as small as my own reflection, I will diminish to a point and vanish. I will be drawn down into that black whirlpool and be consumed by you. I shall become so small you can keep me in one of your osier cages and mock my loss of liberty.”
― Angela Carter, The Erl-King

“Sometimes it seems' said Grok, 'that the faces exist of themselves, in a disembodied somewhere, waiting for the clown who will wear them, who will bring them to life. Faces that wait in the mirrors of unknown dressing-rooms, unseen in the depths of the glass like fish in dusty pools, fish that will rise up out of the obscure profundity when they spot the one who anxiously scrutinises his own reflection for the face it lacks, man eating fish waiting to gobble up your being and give you another instead...”
― Angela Carter, Nights at the Circus

“I awoke at dawn, thrown up on a rock, the skeleton of a ship choked in its own sails.”
― Anaïs Nin, House of Incest

“You do not know what you are missing by your microscopic examination of sexual activity to the exclusion of aspects which are fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood.”
― Anais Nin

“You haven't loved yet," he said. "You've only been trying to love; beginning to love. Trust alone is not love, illusion is not love, desire alone is not love. All these were paths leading you out of yourself, it is true, and so you thought they led to another, but you never reached the other. You were only on the way.”
― Anaïs Nin, A Spy in the House of Love

“Last night I wept. I wept because the process by which I have become a woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality - to Henry's selfishness, June's love of power, my insatiable creativity which must concern itself with other and cannot be sufficient to itself. I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because from now on I will weep less. I wept because I have lost my pain and I am not yet accustomed to its absence.”
― Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

“In order to understand, I destroyed myself.”
― Fernando Pessoa

“But my sadness is comforting
Because it’s right and natural
And because it’s what the soul should feel
When it already thinks it exists
And the hand pick flowers
And the soul takes no notice.”
― fernando pessoa

“Being tired of all illusions and of everything about illusions – the loss of illusions, the uselessness of having them, the prefatigue of having to have them in order to lose them, the sadness of having had them, the intellectual shame of having had them knowing that they would have to end this way.”
― Fernando Pessoa, The Book of Disquiet

“Life's single lesson: that there is more accident to it than a man can ever admit to in a lifetime and stay sane.”
― Thomas Pynchon, V.

“I came," she said, "hoping you could talk me out of a fantasy."
Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by it's little tentacle, don't let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be.”
― Thomas Pynchon, The Crying of Lot 49

“Dream tonight of peacock tails,
Diamond fields and spouter whales.
Ills are many, blessings few,
But dreams tonight will shelter you.

Let the vampire's creaking wing
Hide the stars while banshees sing;
Let the ghouls gorge all night long;
Dreams will keep you safe and strong.

Skeletons with poison teeth,
Risen from the world beneath,
Ogre, troll, and loup-garou,
Bloody wraith who looks like you,

Shadow on the window shade,
Harpies in a midnight raid,
Goblins seeking tender prey,
Dreams will chase them all away.

Dreams are like a magic cloak
Woven by the fairy folk,
Covering from top to toe,
Keeping you from winds and woe.

And should the Angel come this night
To fetch your soul away from light,
Cross yourself, and face the wall:
Dreams will help you not at all.”
― Thomas Pynchon

“Losing faith is a complicated business and takes time. There are no epiphanies, no "moments of truth." It takes much thought and concentration in the later phases, which thenselves come about through an accumulation of small accidents: examples of general injustice, misfortune falling upon the godly, prayers of one's own unanswered.”
― Thomas Pynchon, V.

“So generation after generation of men in love with pain and passivity serve out their time in the Zone, silent, redolent of faded sperm, terrified of dying, desperately addicted to the comforts others sell them, however useless, ugly or shallow, willing to have life defined for them by men whose only talent is for death.”
― Thomas Pynchon, Gravity's Rainbow

“She may know a little, may think of herself, face and body, as ‘pretty’… but he could never tell her all the rest, how many other living things, birds, nights smelling of grass and rain, sunlit moments of simple peace, also gather in what she is to him.”
― Thomas Pynchon, Gravity’s Rainbow

“He decided that we suffer from great temporal homesickness for the decade we were born in.”
― Thomas Pynchon, V.

“Love with your mouth shut, help without breaking your ass or publicizing it: keep cool, but care.”
― Thomas Pynchon, V.

“I dream that I have found us both again,
With spring so many strangers' lives away,
And we, so free,
Out walking by the sea,
With someone else's paper words to say....

They took us at the gates of green return,
Too lost by then to stop, and ask them why-
Do children meet again?
Does any trace remain,
Along the superhighways of July?”
― Thomas Pynchon, Gravity’s Rainbow

“But a few choosing to venture deeper into the painful corridors of their affliction, found after a while that they could now grind and polish ever more exotic surfaces, hyperboloidial and even stranger, eventually including what we must term ‘imaginary’ shapes (which some preferred to term invisible).”
― Thomas Pynchon, Against the Day

“ ... as long as American life was something to be escaped from, the cartel would always be assured a bottomless pool of new customers.”
― Thomas Pynchon, Inherent Vice

“How do you know, when you think blue — when you say blue — that you are talking about the same blue as anyone else?

You cannot get a grip on blue.

Blue is the sky, the sea, a god’s eye, a devil’s tail, a birth, a strangulation, a virgin’s cloak, a monkey’s ass. It’s a butterfly, a bird, a spicy joke, the saddest song, the brightest day.

Blue is sly, slick, it slides into the room sideways, a slippery trickster.

This is a story about the color blue, and like blue, there’s nothing true about it. Blue is beauty, not truth. ‘True blue’ is a ruse, a rhyme; it’s there, then it’s not. Blue is a deeply sneaky color.”
― Christopher Moore, Sacré Bleu: A Comedy d'Art

“Love them all," said Renoir. "That is the secret, young man. Love them all." The painter let go of his arm and shrugged. "Then, even if your paintings are shit, you will have loved them all.”
― Christopher Moore, Sacré Bleu: A Comedy d'Art

“Pavlov was fascinated with the “ideas of the opposite”. Call it a cluster of cells, somewhere on the cortex of the brain. Helping to disintiguish pleasure from pain, light from dark, dominance from submission….but when somehow – starve them, traumatize, castrate them send them over into one of the transmarginal phases, past borders of their waking selves, past equivalent and paradoxical phases – you weaken this idea of the opposite, and here all at once is the paranoid patient, who would be master, yet now feels himself a slave…..who would be loved, but suffers his world’s indifference, and “I think”, Pavlov writing to Janet, “it is precisely the ultraparadoxical phase which is the base of the weakening of the idea of the opposite in our patients. Our madmen, , our paranoid, maniac, schizoid, morally imbecilic.
Spectro shakes his head. “You are putting response before stimulus. Not at all. Think about it. He is out there, he can feel them coming, days in advance, but it is a reflex. A reflex to something that is in the air right now, something were too coarsely put together to sense, but Slothrop can.”
― Thomas Pynchon

“Beauty belongs to the beloved who returns the gaze, in whose eyes we see the sun. But in this . . . beauty, in the mutual gaze, also lies the beginning of terror --awe, idealization, overstimulation, violation, loss.”
― Jessica Benjamin, Like Subjects, Love Objects: Essays on Recognition and Sexual Difference

“I have come to the conclusion, after many years of sometimes sad experience, that you cannot come to any conclusion at all.”
― Vita Sackville-West, In Your Garden Again

“The body shuts down when it has too much to bear; goes its own way quietly inside, waiting for a better time, leaving you numb and half alive.”
― Jeanette Winterson, The Passion

“Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
― Italo Calvino, Invisible Cities