Meghan > Meghan's Quotes

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  • #1
    Alan             Moore
    “My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.”
    Alan Moore

  • #2
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #3
    Sylvia Plath
    “Kiss me, and you will see how important I am.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #4
    Leo Tolstoy
    “It's hard to love a woman and do anything.”
    Leo Tolstoy, Anna Karenina

  • #5
    “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
    Ira Glass

  • #6
    Virginia Woolf
    “Yet there are moments when the walls of the mind grow thin; when nothing is unabsorbed, and I could fancy that we might blow so vast a bubble that the sun might set and rise in it and we might take the blue of midday and the black of midnight and be cast off and escape from here and now.”
    Virginia Woolf, The Waves

  • #7
    Virginia Woolf
    “Let us again pretend that life is a solid substance, shaped like a globe, which we turn about in our fingers. Let us pretend that we can make out a plain and logical story, so that when one matter is despatched—love for instance—we go on, in an orderly manner, to the next. ”
    Virginia Woolf , The Waves

  • #8
    Virginia Woolf
    “Beauty was not everything. Beauty had this penalty — it came too readily, came too completely. It stilled life — froze it.”
    Virginia Woolf, To the Lighthouse

  • #9
    Virginia Woolf
    “It was odd, she thought, how if one was alone, one leant to inanimate things; trees, streams, flowers; felt they expressed one; felt they became one; felt they knew one, in a sense were one; felt an irrational tenderness thus (she looked at that long steady light) as for oneself.”
    Virginia Woolf, To the Lighthouse

  • #10
    Virginia Woolf
    “Not as oneself did one find rest ever, in her experience (she accomplished here something dexterous with her needles) but as a wedge of darkness.”
    Virginia Woolf, To the Lighthouse
    tags: rest

  • #11
    Virginia Woolf
    “Blame it or praise it, there is no denying the wild horse in us.”
    Virginia Woolf, Jacob's Room

  • #12
    Allie Brosh
    “The longer I procrastinate on returning phone calls and emails, the more guilty I feel about it. The guilt I feel causes me to avoid the issue further, which only leads to more guilt and more procrastination. It gets to the point where I don’t email someone for fear of reminding them that they emailed me and thus giving them a reason to be disappointed in me.”
    Allie Brosh, Hyperbole and a Half

  • #13
    Elizabeth Hardwick
    “It is June. This is what I have decided to do with my life just now. I will do this work and lead this life, the one I am leading today. Each morning the blue clock and the crocheted bedspread, the table with the Phone, the books and magazines, the Times at the door. ”
    Elizabeth Hardwick

  • #14
    Elizabeth Hardwick
    “I often think about bachelors, a life of pure decision, of thoughtful calculations, of every inclination honored. They go about on their own, nicely accompanied in their singularity by the companion of possibility. For cannot any man, young or old, rich or poor, turn a few corners and bump into marriage?”
    Elizabeth Hardwick

  • #15
    Elizabeth Hardwick
    “A Doll’s House is about money, about the way it turns locks.”
    Elizabeth Hardwick, Seduction and Betrayal

  • #16
    Elizabeth Hardwick
    “Alas, the heart is not a metaphor, or at least not always a metaphor.”
    Elizabeth Hardwick, Sleepless Nights
    tags: heart

  • #17
    Elizabeth Hardwick
    “It is well known that women carry poison in their pockets. Did you expect a gun? A woman with a gun would be just another policeman. We fall in love with the convicts, remember that. Policemen marry girls from the neighborhood, high school looms over their unions, the first uniform is her prom dress and his black bow tie and white shirt. But the girls are thinking of poison, thinking of poison as the lights go out on the dresser where the revolver has been placed with care for the night. The black shoes, the fine, thick serge of the coat, shoulders and thighs of stallions. And the policemen are usually shot down by someone out of shape, thin, thin, nothing but living bones. Remember that.”
    Elizabeth Hardwick

  • #18
    Elizabeth Hardwick
    “-and he flew in to her from the clutter of Somerville, the compost heap behind the Harvard Yard.”
    Elizabeth Hardwick, Sleepless Nights

  • #19
    Sylvia Plath
    “I feel good with my husband: I like his warmth and his bigness and his being-there and his making and his jokes and stories and what he reads and how he likes fishing and walks and pigs and foxes and little animals and is honest and not vain or fame-crazy and how he shows his gladness for what I cook him and joy for when I make him something, a poem or a cake, and how he is troubled when I am unhappy and wants to do anything so I can fight out my soul-battles and grow up with courage and a philosophical ease. I love his good smell and his body that fits with mine as if they were made in the same body-shop to do just that. What is only pieces, doled out here and there to this boy and that boy, that made me like pieces of them, is all jammed together in my husband. So I don't want to look around any more: I don't need to look around for anything.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath



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