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  • #1
    Haruki Murakami
    “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
    Haruki Murakami, Norwegian Wood

  • #2
    Haruki Murakami
    “Anyone who falls in love is searching for the missing pieces of themselves. So anyone who's in love gets sad when they think of their lover. It's like stepping back inside a room you have fond memories of, one you haven't seen in a long time.”
    Murakami, Haruki

  • #3
    Haruki Murakami
    “The answer is dreams. Dreaming on and on. Entering the world of dreams and never coming out. Living in dreams for the rest of time.”
    Haruki Murakami, Sputnik Sweetheart

  • #4
    Haruki Murakami
    “You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.”
    Haruki Murakami, After Dark

  • #5
    Haruki Murakami
    “Instead of things I'm good at, it might be faster to list the things I can't do. I can't cook or clean the house. My room's a mess, and I'm always losing things. I love music, but I can't sing a note. I'm clumsy and can barely sew a stitch. My sense of direction is the pits, and I can't tell left from right half the time. When I get angry, I tend to break things. Plates and pencils, alarm clocks. Later on I regret it, but at the time I can't help myself. I have no money in the bank. I'm bashful for no reason, and I have hardly any friends to speak of.”
    Haruki Murakami, Sputnik Sweetheart

  • #6
    Haruki Murakami
    “Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasons--something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn't going to last forever. We were bound to reach a dead end. That was painfully clear.”
    Haruki Murakami, Sputnik Sweetheart

  • #7
    Haruki Murakami
    “These days I just can't seem to say what I mean [...]. I just can't. Every time I try to say something, it misses the point. Either that or I end up saying the opposite of what I mean. The more I try to get it right the more mixed up it gets. Sometimes I can't even remember what I was trying to say in the first place. It's like my body's split in two and one of me is chasing the other me around a big pillar. We're running circles around it. The other me has the right words, but I can never catch her.”
    Haruki Murakami, Blind Willow, Sleeping Woman: 24 Stories

  • #8
    Haruki Murakami
    “Not that we were incompatible: we just had nothing to talk about.”
    Haruki Murakami, Norwegian Wood

  • #9
    Rainer Maria Rilke
    “Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #10
    Rainer Maria Rilke
    “Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”
    Rainer Maria Rilke

  • #11
    Rainer Maria Rilke
    “The point of marriage is not to create a quick commonality by tearing down all boundaries; on the contrary, a good marriage is one in which each partner appoints the other to be the guardian of his solitude, and thus they show each other the greatest possible trust. A merging of two people is an impossibility, and where it seems to exist, it is a hemming-in, a mutual consent that robs one party or both parties of their fullest freedom and development. But once the realization is accepted that even between the closest people infinite distances exist, a marvelous living side-by-side can grow up for them, if they succeed in loving the expanse between them, which gives them the possibility of always seeing each other as a whole and before an immense sky.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #12
    Rainer Maria Rilke
    “For one human being to love another human being: that is perhaps the most difficult task that has been given to us, the ultimate, the final problem and proof, the work for which all other work is merely preparation.”
    Rainer Maria Rilke, The Selected Poetry of Rainer Maria Rilke
    tags: love

  • #13
    Rainer Maria Rilke
    “Ah, how good it is to be among people who are reading.”
    Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge

  • #14
    Rainer Maria Rilke
    “It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate.”
    Rainer Maria Rilke

  • #15
    Rainer Maria Rilke
    “I want to be with those who know secret things or else alone.”
    Rainer Maria Rilke

  • #16
    Rainer Maria Rilke
    “Love consists of this: two solitudes that meet, protect and greet each other. ”
    Rainer Maria Rilke

  • #17
    Rainer Maria Rilke
    “For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was joy for someone else); to childhood illness that so strangely began with a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars-and it is not enough if one may think all of this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleeping women in childbed, closing again. But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves-not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.”
    Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge

  • #18
    Rainer Maria Rilke
    “How can I keep my soul in me, so that it doesn't touch your soul? How can I raise it high enough, past you, to other things?”
    Rilke Rainer Maria

  • #19
    Rainer Maria Rilke
    “Embrace your solitude and love it. Endure the pain it causes, and try to sing out with it. For those near to you are distant...”
    Rainer Maria Rilke, Letters to a Young Poet

  • #20
    Rainer Maria Rilke
    “I am the rest between two notes which are somehow always in discord.”
    Rainer Maria Rilke

  • #21
    Rainer Maria Rilke
    “Don't be too quick to draw conclusions from what happens to you; simply let it happen. Otherwise it will be too easy for you to look with blame... at your past, which naturally has a share with everything that now meets you.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #22
    Rainer Maria Rilke
    “I live not in dreams but in contemplation of a reality that is perhaps the future.”
    Rainer Maria Rilke

  • #23
    Rainer Maria Rilke
    “If there were a place that we didn't know of, and there,
    on some unsayable carpet, lovers displayed
    what they never could bring to mastery here – the bold
    exploits of their high-flying hearts,
    their towers of pleasure, their ladders
    that have long since been standing where there was no ground, leaning
    just on each other, trembling, - and could master all this,
    before the surrounding spectators, the innumerable soundless dead:
    Would these, then, throw down their final, forever saved-up,
    forever hidden, unknown to us, eternally valid
    coins of happiness before the at last
    genuinely smiling pair on the gratified carpet?”
    Rainer Maria Rilke

  • #24
    Richard Siken
    “Here I am
    leaving you clues. I am singing now while Rome
    burns. We are all just trying to be holy. My applejack,
    my silent night, just mash your lips against me.
    We are all going forward. None of us are going back.”
    Richard Siken

  • #25
    Roberto Bolaño
    “Poetry and prison have always been neighbors.”
    Roberto Bolaño, The Savage Detectives

  • #26
    Roberto Bolaño
    “They could read him, they could study him, they could pick him apart, but they couldn't laugh or be sad with him....”
    Roberto Bolaño, 2666

  • #27
    Roberto Bolaño
    “What twisted people we are. How simple we seem, or at least pretend to be in front of others, and how twisted we are deep down. How paltry we are and how spectacularly we contort ourselves before our own eyes, and the eyes of others...And all for what? To hide what? To make people believe what?”
    Roberto Bolaño

  • #28
    Roberto Bolaño
    “I kept having dreams all night. I thought they were touching me with their fingers. But dreams don't have fingers, they have fists, so it must have been scorpions.”
    Roberto Bolaño, The Savage Detectives

  • #29
    Roberto Bolaño
    “So everything lets us down, including curiosity and honesty and what we love best. Yes, said the voice, but cheer up, it's fun in the end.”
    Roberto Bolaño, 2666

  • #30
    Roberto Bolaño
    “I'd obviously never heard of the group, but my ignorance in literary matters is to blame for that (every book in the world is out there waiting to be read by me).”
    Roberto Bolaño



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